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    Le Redoutable (Redoubtable) [Sub: Eng]

    Paris 1967. Jean-Luc Godard, the leading filmmaker of his generation, is shooting La Chinoise with the woman he loves, Anne Wiazemsky, 20 years his junior. They are happy, attractive, in love. They marry. But the film's reception unleashes a profound self-examination in Jean-Luc. The events of May '68 will amplify this process, and the crisis that shakes the filmmaker. Deep-rooted conflicts and misunderstandings will change him irrevocably. Revolutionary, off-the-wall, destructive, brilliant, he will pursue his choices and his beliefs to the breaking point... As he did with The Artist, Academy Award (R) winning director Michel Hazanavicius delivers another tribute to classic cinema, both wildly funny and deeply moving.
    Duration: 107 min
    Quality: SD
    Release: 2017
    IMDb: 6.6
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  • Actors of "Le Redoutable (Redoubtable) [Sub: Eng]"

  • Characters of "Le Redoutable (Redoubtable) [Sub: Eng]"

    Jean-Luc Godard. Character of Le Redoutable (Redoubtable) [Sub: Eng]
    Played by: Louis Garrel
    Anne Wiazemsky. Character of Le Redoutable (Redoubtable) [Sub: Eng]
    Played by: Stacy Martin
    Michèle Rosier. Character of Le Redoutable (Redoubtable) [Sub: Eng]
  • Directors of "Le Redoutable (Redoubtable) [Sub: Eng]"

    Michel Hazanavicius. Director of Le Redoutable (Redoubtable) [Sub: Eng]
    Michel Hazanavicius
    Birthdate: 29 March 1967, Paris, France
  • Creators of "Le Redoutable (Redoubtable) [Sub: Eng]"

    Anne Wiazemsky. Director of Le Redoutable (Redoubtable) [Sub: Eng]
    Anne Wiazemsky
    Michel Hazanavicius. Director of Le Redoutable (Redoubtable) [Sub: Eng]
    Michel Hazanavicius
    Birthdate: 29 March 1967, Paris, France
  • Critic Reviews of "Le Redoutable (Redoubtable) [Sub: Eng]"

    indieWire
    May 24, 2017

    The main triumph of Hazanavicius' film is that it makes [Godard] human.

    AV Club
    May 24, 2017

    Le Redoutable is a jokey Wikipedia cartoon of a biopic, skin deep in its character study and aggressively amused by its own barrage of Trivial Pursuit winks.

    Variety
    May 22, 2017

    A lightly audacious and fascinating movie (if not exactly one to warm your heart) ...

    Hollywood Reporter
    May 22, 2017

    Serious cinephiles will likely reject it as glib and disrespectful, while more mainstream viewers could be amused but not that interested.

    Mada Masr (Egypt)
    December 29, 2017

    Although it's probably not the film hardcore Godard fans wanted, Redoubtable is a funny, paint-by-numbers biopic about a man who revolutionized cinema as we know it, and remains a significant attempt nonetheless.

    South China Morning Post
    November 28, 2017

    Hazanavicius beautifully recaptures the anarchic energy of Godard's iconic early works.

    Cinema Scope
    November 14, 2017

    Reducing Godard to an advertising colour palette of primary reds and blues, Le Redoubtable is a crude, pointless exercise with no comprehension of Godard's filmmaking, cinema history, or, indeed, life itself.

    HeyUGuys
    October 30, 2017

    On the whole Redoubtable offers its audience way more than they bargained for with its genuinely impressive period representation of the events of 68, but it is ultimately let down but not quite knowing what it wants to be.

    The Arts Desk
    October 12, 2017

    Havanicius sprays his subject with acid wit, and will delight cinéastes with several cunning pastiches of Godard's film-making style, though it's difficult to imagine that the venerable auteur, now 86, will see the joke.

    Another Gaze
    October 09, 2017

    ... Redoubtable fails on its own terms, falling short of the basic task of generating cinematic excitement and interest even out of the historic events which are more than the background to its story.

    Cinemanía (Spain)
    October 06, 2017

    This obsession with humanizing real characters, icons and myths on the screen is reaching troubling limits... [Full review in Spanish]

    PopMatters
    September 14, 2017

    Choosing to ignore abuse, and taking away Anne's voice and agency in order to give a fuller view to Hazanavicius' beloved, Le Redoutable becomes much worse than a simple empty pastiche, verging into its own misogyny.

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