Todd Phillips
Birthday:
20 December 1970, Brooklyn, New York City, New York, USA
Birth Name:
Todd Bunzl
Height:
183 cm
Todd Phillips was born on December 20, 1970 in Brooklyn, New York City, New York, USA as Todd Bunzl. He is a producer and director, known for Old School (2003), The Hangover (2009) and The Hangover Part II (2011).
[ on Ed Helms] It's been said comedy is not action, it's reaction, and Ed is the KIng of Reaction. Ed, when he wakes up and sees his tattoo ...Show more »
[ on Ed Helms] It's been said comedy is not action, it's reaction, and Ed is the KIng of Reaction. Ed, when he wakes up and sees his tattoo on his face or his tooth is missing, or at the end of the movie - no one does reaction better than Ed. He's the unsung hero of these movies. Show less «
The worst thing you can do as a comedy director is be on set and think of something ridiculous, or an actor comes up to you with something r...Show more »
The worst thing you can do as a comedy director is be on set and think of something ridiculous, or an actor comes up to you with something ridiculous, and you say 'No, no that's too much.' Let's not worry if that's too much, let's shoot it, and then decide if that's too much when we see it. Show less «
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than criti...Show more »
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people! Show less «
To be honest with you, since 'Ocean's 11,' 'The Hangover' has become a movie that defines Vegas. Anybody in Vegas will tell you that and I'm...Show more »
To be honest with you, since 'Ocean's 11,' 'The Hangover' has become a movie that defines Vegas. Anybody in Vegas will tell you that and I'm proud of it. I love that. I think 'Hangover' does Vegas right and I think that not only, as you said, it's the top-grossing R-rated comedy of all-time, it's also the top-grossing about Vegas or set in Vegas. Show less «
There's a punk-rock attitude, clearly, to 'Hated.' There's even a punk-rock attitude to 'The Hangover,' I think. We start the movie with a G...Show more »
There's a punk-rock attitude, clearly, to 'Hated.' There's even a punk-rock attitude to 'The Hangover,' I think. We start the movie with a Glenn Danzig song. Show less «
I got nominated for an Academy Award(R) for writing 'Borat.'
I got nominated for an Academy Award(R) for writing 'Borat.'
Bangkok, like Las Vegas, sounds like a place where you make bad decisions.
Bangkok, like Las Vegas, sounds like a place where you make bad decisions.
Directors tend to be more underrated than overrated because it's a quiet job and people don't really understand it.
Directors tend to be more underrated than overrated because it's a quiet job and people don't really understand it.
There's a darkness under 'The Hangover' because ultimately there's a missing person and it's not really that funny. There's a sort of darkne...Show more »
There's a darkness under 'The Hangover' because ultimately there's a missing person and it's not really that funny. There's a sort of darkness under it that I love, and still people are laughing as hard if not harder than they did in 'Old School.' Show less «
It's all about escapism. That's essentially what all movies are about. It's a vicarious thrill.
It's all about escapism. That's essentially what all movies are about. It's a vicarious thrill.
I really got into filmmaking through photography.
I really got into filmmaking through photography.
I find I like to work with a lot of the same actors, because I find that there's sort of shorthand there, and there is this unspoken trust, ...Show more »
I find I like to work with a lot of the same actors, because I find that there's sort of shorthand there, and there is this unspoken trust, both ways. They trust me and I trust them. And I know what I'm going to get from them, to an extent. It's just fun, kind of creating this little family. Show less «
It's heartbreaking when you hear a kid buying a ticket for... I don't know, whatever movie you're up against. And you see them sneaking into...Show more »
It's heartbreaking when you hear a kid buying a ticket for... I don't know, whatever movie you're up against. And you see them sneaking into your film. It's just heartbreaking. But in the spirit of full disclosure, that is what I did as an 11-year-old sneaking into 'Stripes.' Show less «
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitt...Show more »
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy. Show less «
Reality television hasn't killed documentaries, because there are so many great documentaries still being made, but it certainly has changed...Show more »
Reality television hasn't killed documentaries, because there are so many great documentaries still being made, but it certainly has changed the landscape. There is this breed of gimmicky documentary that is basically a reality show. Show less «
My dog's a gentleman.
My dog's a gentleman.
I was taught that you didn't want to be part of the group - that it was better to do your own thing.
I was taught that you didn't want to be part of the group - that it was better to do your own thing.
I don't have a horror film in me just because I don't like to be scared. But I definitely have a documentary in me, and I certainly have dra...Show more »
I don't have a horror film in me just because I don't like to be scared. But I definitely have a documentary in me, and I certainly have dramas. Show less «
All my movies, as I get the ability to do it, they tend to go a little darker, a little darker.
All my movies, as I get the ability to do it, they tend to go a little darker, a little darker.
I just love the look of film. But I have nothing against HD.
I just love the look of film. But I have nothing against HD.
I think people like comedies and I think concept driven comedies seem to be working when it's a clear concept and you deliver funny stuff.
I think people like comedies and I think concept driven comedies seem to be working when it's a clear concept and you deliver funny stuff.
I never had a ton of male friends and it's always been something that's really interesting to me, what brings guys together? The bonding. 'O...Show more »
I never had a ton of male friends and it's always been something that's really interesting to me, what brings guys together? The bonding. 'Old School' is a good example of that. And even 'Starsky' and even 'Road Trip.' Show less «
'The Hangover' was lightening in a bottle. We're aware of that. It went through the roof all over the world.
'The Hangover' was lightening in a bottle. We're aware of that. It went through the roof all over the world.
I think that 'Hangover II' is as funny as 'The Hangover I,' honest to God, but I think that it's a little bit darker, and the stakes are a l...Show more »
I think that 'Hangover II' is as funny as 'The Hangover I,' honest to God, but I think that it's a little bit darker, and the stakes are a little bit higher. Show less «
Comedies are just never that expensive quite frankly. They really aren't. We aren't doing green screen shooting, so even Hangover II in Bang...Show more »
Comedies are just never that expensive quite frankly. They really aren't. We aren't doing green screen shooting, so even Hangover II in Bangkok might seem like it's expensive, you're flying over and back, but they're just not that expensive to make when you do it the way we do it which is very focused and I've done it before. Show less «
I'd love to do a movie with females in it, and not necessarily the female version of 'The Hangover,' but I'd love to. If I did it it'd star ...Show more »
I'd love to do a movie with females in it, and not necessarily the female version of 'The Hangover,' but I'd love to. If I did it it'd star Juliette Lewis, because she's the funniest woman in the world. She's my favorite actress on the planet. If we did a character-based comedy about women, I don't see it out of my range. Show less «
I think any filmmaker looks back and thinks, 'Boy, if we only had four hours more on that day when the sun was going down,' or, 'If we only ...Show more »
I think any filmmaker looks back and thinks, 'Boy, if we only had four hours more on that day when the sun was going down,' or, 'If we only spent more time and went back.' Show less «
I'm not a huge fan of 3-D, though. Honestly, I think that movies are an immersive experience and an audience experience. There's nothing lik...Show more »
I'm not a huge fan of 3-D, though. Honestly, I think that movies are an immersive experience and an audience experience. There's nothing like seeing a film with 500 people in a theater. And there's something about putting on 3-D glasses that makes it a very singular experience for me. Suddenly I'm not connected to the audience anymore. Show less «
There are movie sites that love movies and there are movie sites that are just bitter people that just hate movies. I find Movieline to be i...Show more »
There are movie sites that love movies and there are movie sites that are just bitter people that just hate movies. I find Movieline to be in the latter. The tone is bizarrely hateful. Show less «
I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for ...Show more »
I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios. Show less «
I think comedy directors tend to feel a need to justify the bad behavior, and I just never think that. I like bad behavior, I've always like...Show more »
I think comedy directors tend to feel a need to justify the bad behavior, and I just never think that. I like bad behavior, I've always liked bad behavior, I'm a fan of bad behavior, and I don't think you have to justify bad behavior. Show less «
John Goodman's pretty dark - I love John Goodman.
John Goodman's pretty dark - I love John Goodman.
You set the tone on the set that you want to see in the film.
You set the tone on the set that you want to see in the film.
When I was younger I was obsessed with 'Star 80,' and it's just a great movie - I think I saw it three times in the theater.
When I was younger I was obsessed with 'Star 80,' and it's just a great movie - I think I saw it three times in the theater.
Not every movie has to serve as every audience member's need for completion.
Not every movie has to serve as every audience member's need for completion.
I like - there's a better word for it, but I like the danger that a comic brings to a role. It has a feeling, even though everything's scrip...Show more »
I like - there's a better word for it, but I like the danger that a comic brings to a role. It has a feeling, even though everything's scripted and everything's planned what you're going to do. When I see Will Ferrell or Sacha Baron Cohen, there's a feeling that anything could happen. Show less «
When I was younger I didn't really know what a director did: I knew I loved movies and I figured the actors made it up! And then when you ge...Show more »
When I was younger I didn't really know what a director did: I knew I loved movies and I figured the actors made it up! And then when you get to 12 years old you start thinking, What does a director do? It was really an organic beginning: this looks like something I want to do, I can't believe people get paid to do it! Show less «
With comedy especially, it feels like such a clear-cut thing to be a writer-director. There is so much nuance and tone in a comedy that it's...Show more »
With comedy especially, it feels like such a clear-cut thing to be a writer-director. There is so much nuance and tone in a comedy that it's hard to contextualise it in a script. Show less «
When I'm writing, I'm writing for a particular actor. When a lot of writers are writing, they're writing an idea. So they're not really writ...Show more »
When I'm writing, I'm writing for a particular actor. When a lot of writers are writing, they're writing an idea. So they're not really writing in a specific voice. Show less «
Well, it's so cheesy to say but you can't find a comedy director who makes movies for critics. When a movie does $580 million worldwide, I'm...Show more »
Well, it's so cheesy to say but you can't find a comedy director who makes movies for critics. When a movie does $580 million worldwide, I'm not saying that proves anything except people were enjoying the experience. Show less «
I remember that when I got to NYU, everyone was writing scripts. But I was 18 at the time, and when you write a script, so much of it is abo...Show more »
I remember that when I got to NYU, everyone was writing scripts. But I was 18 at the time, and when you write a script, so much of it is about what you pull from life, and this sounds sort of cheesy, but I felt like I didn't have enough life experience at that point to write a movie. Show less «
I tend to make movies about my peer group. I couldn't see myself now going back and making a movie about a bunch of college kids, necessaril...Show more »
I tend to make movies about my peer group. I couldn't see myself now going back and making a movie about a bunch of college kids, necessarily. I kind of always operate in the things I'm observing around me, whether it's friends having babies now in my life or what have you. Show less «
I take it very seriously, music. I think it's one of the tools that a director has with which to kind of paint. The right music can sometime...Show more »
I take it very seriously, music. I think it's one of the tools that a director has with which to kind of paint. The right music can sometimes do five pages of scripted dialogue. Show less «
I think reviewers have become particularly venomous because, in a way, the power has been sucked from them. A 15-year-old can write a review...Show more »
I think reviewers have become particularly venomous because, in a way, the power has been sucked from them. A 15-year-old can write a review on the Internet and it means as much as Roger Ebert's review, and that just makes Roger Ebert mad, so he comes out harder and stronger. Show less «
You're only as good as your body of work, and everybody has issues, whether it's Steven Spielberg or Martin Scorsese. I'm not comparing myse...Show more »
You're only as good as your body of work, and everybody has issues, whether it's Steven Spielberg or Martin Scorsese. I'm not comparing myself to those guys, but you learn more from the misses than the hits. Show less «
Todd Phillips's Photos
Mr. Creepy
Gang Bang Guy
Foot Lover on Bus
Barry
