Rod Steiger
Birthday:
14 April 1925, Westhampton, New York, USA
Birth Name:
Rodney Stephan Steiger
Height:
178 cm
Rodney Stephen Steiger was born in Westhampton, New York, to Augusta Amelia (Driver) and Frederick Jacob Steiger, both vaudevillians. He was of German and Austrian ancestry. After his parents' divorce, Steiger was raised by his mother in Newark, New Jersey. He dropped out of Westside High school at age 16 and joined the Navy. He saw action in ...
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Rodney Stephen Steiger was born in Westhampton, New York, to Augusta Amelia (Driver) and Frederick Jacob Steiger, both vaudevillians. He was of German and Austrian ancestry. After his parents' divorce, Steiger was raised by his mother in Newark, New Jersey. He dropped out of Westside High school at age 16 and joined the Navy. He saw action in the Pacific on a destroyer. Steiger returned to New Jersey after the war and worked for the VA. He was part of an amateur acting group, and then joined the Actors' Studio using his GI Bill benefits.Steiger received his first film roles in the early 1950s. His first major one was in Teresa (1951), but his first lead role was in the TV version of The Philco Television Playhouse: Marty (1953). The movie version, however, had Ernest Borgnine in the lead and won him an Academy Award. Steiger's breakthrough role came in 1954, with the classic On the Waterfront (1954). Since then he has been a presence on the screen as everything from a popular leading man to a little-known character actor. Steiger made a name for himself in many different types of roles, from a crooked promoter in The Harder They Fall (1956) to the title character in Al Capone (1959). He was one of dozens of stars in the epic World War II film The Longest Day (1962). In 1964, he received his second Oscar nomination for The Pawnbroker (1964). The next couple of years he was at the height of his powers. In 1965, he starred in the dark comedy The Loved One (1965), and in David Lean's epic Doctor Zhivago (1965). In 1966, he starred in the BBC Play of the Month (1965) episode "Death of a Salesman" as Willy Loman in the TV version of his stage play "Death of a Salesman," but in 1967, he landed what many consider his greatest role: Sheriff Bill Gillespie in In the Heat of the Night (1967), opposite Sidney Poitier. Steiger deservedly took home the Best Actor Oscar for his work in that film.He took another controversial role as a man with many tattoos in The Illustrated Man (1969) and as a serial killer in the classic No Way to Treat a Lady (1968). After that, he seemed to have withdrawn from high-profile movies and became more selective in the roles he chose. He turned down the lead in Patton (1970) and also in The Godfather (1972). Among his more notable roles in the 1970s are Happy Birthday, Wanda June (1971), Lolly-Madonna XXX (1973), as Benito Mussolini in Mussolini ultimo atto (1974), Portrait of a Hitman (1979), Jesus of Nazareth (1977), F.I.S.T (1978) and The Amityville Horror (1979). He starred in the critically acclaimed The Chosen (1981) with Robby Benson and Maximilian Schell, perhaps the highlight of his 1980s movie career. Steiger increasingly moved away from the big Hollywood pictures, instead taking roles in foreign productions and independent movies. As the 1980s ended, Steiger landed a role as the buttoned-up New York City Chief of Police in The January Man (1989).Steiger was seriously affected by depression for 8 years. As he returned to the screen in the late 1990s he began creating some of his most memorable roles. He was the doctor in the independently-made movie Shiloh (1996), about an abused dog. He was the crazed, kill-'em-all army general in Mars Attacks! (1996) who always called his enemies peace-mongers. He took a small part as a Supreme Court judge in The Hurricane (1999) and as a preacher in the badly produced film End of Days (1999). He was still active in films moving into the new millennium. Show less «
[on success] Successful people have control over the time in their life. A shoemaker who owns his own shop gets up one morning and says, "I'...Show more »
[on success] Successful people have control over the time in their life. A shoemaker who owns his own shop gets up one morning and says, "I'm not opening." That's a successful guy. Show less «
[on Hollywood] A community of lonely people searching for even the most basic kind of stimulation in their otherwise mundane lives.
[on Hollywood] A community of lonely people searching for even the most basic kind of stimulation in their otherwise mundane lives.
Method acting is anything that gets you involved personally in the part, so that you can communicate in human terms with an audience. Despit...Show more »
Method acting is anything that gets you involved personally in the part, so that you can communicate in human terms with an audience. Despite all the obstacles, the American actor has changed the acting world. Show less «
My career has been 65% virgin and 35% whore. I've refused roles many times because I'd have to lose my integrity, my dreams of doing somethi...Show more »
My career has been 65% virgin and 35% whore. I've refused roles many times because I'd have to lose my integrity, my dreams of doing something worthwhile with regard to character. That's the virgin part of me. Show less «
I tell young actors today to join the Merchant Marines for a year, and I tell young women to volunteer in a hospital emergency ward if they ...Show more »
I tell young actors today to join the Merchant Marines for a year, and I tell young women to volunteer in a hospital emergency ward if they can. You get to see different people, cultures, dress - it's a marvelous education for an actor. Show less «
[on acting] It sounds pompous but it's the nearest thing I can do to being God. I'm trying to create human beings and so does He.
[on acting] It sounds pompous but it's the nearest thing I can do to being God. I'm trying to create human beings and so does He.
The first thing that you should do when you win an Oscar is thank God. The second thing you should do is forget it.
The first thing that you should do when you win an Oscar is thank God. The second thing you should do is forget it.
You get the Oscar and you get better scripts, better actors and better directors to work for and of course your salary goes up until you mak...Show more »
You get the Oscar and you get better scripts, better actors and better directors to work for and of course your salary goes up until you make your first mistake and then you have to start from the beginning again. Show less «
When old actors come up to me and say, "I don't know if I should do this role. It might be bad for my image", I say, "That's tough that you ...Show more »
When old actors come up to me and say, "I don't know if I should do this role. It might be bad for my image", I say, "That's tough that you only have one image. My heart bleeds for you!". We are supposed to create raw people, explore life and communicate at the highest level; be it pain, joy or what have you. That's what I believe. I guess you could say it does become a philosophy, a way of life. Show less «
I'm ambivalent about Patton (1970). I'm kind of a half-assed pacifist and I must tell you, you know, your philosophy is as strong as your fe...Show more »
I'm ambivalent about Patton (1970). I'm kind of a half-assed pacifist and I must tell you, you know, your philosophy is as strong as your feelings on a particular day. If you're feeling good and you've accomplished something, you can back your philosophies to the hilt. And I don't know what happened, but I decided I'm not going to glorify this thing. I wasn't going to glorify war...I was a schmuck, because if I did Patton half as good as Mr. Scott [George C. Scott], I might have walked into The Godfather (1972). So that was a big mistake. Show less «
When you lose your curiosity, you're dead. I don't care if you live to be 117. You're dead.
When you lose your curiosity, you're dead. I don't care if you live to be 117. You're dead.
[on Marlon Brando] He was in a unique position. He could have done anything. But he didn't choose to.
[on Marlon Brando] He was in a unique position. He could have done anything. But he didn't choose to.
[on winning the Best Actor Oscar for In the Heat of the Night (1967)] I wanted to win it. It's important. It gives you greater latitude in t...Show more »
[on winning the Best Actor Oscar for In the Heat of the Night (1967)] I wanted to win it. It's important. It gives you greater latitude in the business and that means bigger and better parts. And I need that. I'm only 42. Paul Newman is 43, [Marlon Brando] is 43, but I look like their father. Show less «
I like watching Charles Chaplin, Harry Baur, Spencer Tracy, Paul Muni. I like to watch any good actor. When I'm depressed, I'll look around ...Show more »
I like watching Charles Chaplin, Harry Baur, Spencer Tracy, Paul Muni. I like to watch any good actor. When I'm depressed, I'll look around for a bad film, like the old films with chariot races and pulling down the temples and that. I find them very relaxing, like reading a comic book. Show less «
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