Ray Charles
Birthday:
23 September 1930, Albany, Georgia, USA
Birth Name:
Raymond Charles Robinson
Height:
175 cm
A tragic fate may have given this visionary a heightened sensitivity, perception, awareness, even expansion to his obvious musical gifts that he may have never touched upon had he not suffered from his physical affliction. Whatever it was, Ray Charles revolutionized American music and was catapulted to legendary status by the time he died in Beverl...
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A tragic fate may have given this visionary a heightened sensitivity, perception, awareness, even expansion to his obvious musical gifts that he may have never touched upon had he not suffered from his physical affliction. Whatever it was, Ray Charles revolutionized American music and was catapulted to legendary status by the time he died in Beverly Hills at age 73. Born to Aretha and Baily Robinson, an impoverished Albany, Georgia, family that moved to Greenville, Florida while he was still an infant. It was not a cause for joy and celebration. His father soon abandoned the family and his baby brother, George Robinson, drowned in a freak washtub accident. Ray himself developed glaucoma at the age of five and within two years had lost his sight completely. A singer in a Baptist choir, he developed a love and feel for rhythms and studied music at the State School for Deaf and Blind Children, showing which brought out his talent and ear for playing various instruments, including the piano and clarinet. An orphan by his early teens, Ray joined a country band at age 16 called The Florida Playboys. He moved to Seattle in 1948 where he and Southern guitarist Gossady McGee formed the McSon Trio. With an emphasis on easy-styled jazz, Ray also played in bebop sessions on the sly. He departed from the McSon Trio and signed with Los Angeles-based Swing Time Records, becoming the pianist for rhythm and blues great Lowell Fulson and his band. Atlantic Records eventually picked him up. Along the road he would add composer, writer and arranger to his formidable list of talents.Ray's first R&B hit was "Confession Blues" in Los Angeles in 1949. In 1951, he had his first solo chart buster with "Baby Let Me Hold Your Hand". His amazing versatility and raw, soulful delivery quickly caught on with audiences and helped put Atlantic Records on the map. Hits like "Mess Around", "Things I Used to Do", "A Fool for You", "I've Got a Woman", "Drown in My Own Tears", and especially "What'd I Say" in 1959, pushed gospel and R&B to a wider crossover audience. He made a move into the country music arena--unheard of for a black singer--in the 1960s, doing soulful spins on Hank Williams and Eddy Arnold tunes. In 1960, he left Atlantic and signed with ABC-Paramount. Under ABC-Paramount, hits poured out during this peak time with "I Can't Stop Loving You", "Hit the Road Jack", "Busted" and his beloved signature song "Georgia On My Mind".His landmark 1962 album "Modern Sounds in Country and Western Music" brought a new swinging style to country music. From there, he traveled a mainstream route--from interpreting songs from The Beatles ("Eleanor Rigby") to appearing in "Diet Pepsi" ads ("You Got the Right One, Baby, Uh-huh!"). He also showed up sporadically in films, playing himself in the movie Ballad in Blue (1965) and guest-starring in The Blues Brothers (1980) with Dan Aykroyd and John Belushi. A television musical variety favorite with his trademark dark sunglasses and dry humor, he worked alongside such musical legends as Ella Fitzgerald and Barbra Streisand on their very special evenings of song.It is hard to believe that with everything he accomplished, Ray also had to deal with a longstanding heroin problem. In the mid-1960s, he was arrested for possession of heroin and marijuana and revealed that he had been addicted for nearly two decades. By 1965, he had completely recovered. The man who lived life on the edge was divorced twice and had 12 children both in and outside his marriages. At the time of his death from liver disease in 2004, he was working on a recording project of duets with such performers as Willie Nelson, Bonnie Raitt, B.B. King, Elton John and Norah Jones. This collaboration entitled "Genius Loves Company" led to an incisive win at the Grammy Awards--eight posthumous trophies including "Album of the Year" and "Record of the Year". Show less «
I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was fil...Show more »
I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style required pure heart singing. Show less «
Soul is when you take a song and make it a part of you - a part that's so true, so real, people think it must have happened to you. It's lik...Show more »
Soul is when you take a song and make it a part of you - a part that's so true, so real, people think it must have happened to you. It's like electricity - we don't really know what it is, do we? But it's a force that can light a room. Soul is like electricity, like a spirit, a drive, a power. Show less «
Music has been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave somethin...Show more »
Music has been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal. Show less «
I started to sing like myself - as opposed to imitating Nat 'King' Cole, which I had done for a while - when I started singing like Ray Char...Show more »
I started to sing like myself - as opposed to imitating Nat 'King' Cole, which I had done for a while - when I started singing like Ray Charles, it had this spiritual and churchly, this religious or gospel sound. It had this holiness and preachy tone to it. It was very controversial. I got a lot of criticism for it. Show less «
I am very into lyrics. I start with what the words are saying, what the storyline is saying, like a good script. It should really capture me...Show more »
I am very into lyrics. I start with what the words are saying, what the storyline is saying, like a good script. It should really capture me, do something for me. If I don't get it, it's not going to move people, and if it's not going to move people, it's not going to happen. I don't think I'm good because I'm blind, I think I'm good because I'm good. Show less «
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