Malachi Throne
Birthday:
1 December 1928, New York City, New York, USA
Height:
170 cm
Malachi Throne, the character actor who became one of the more ubiquitous faces on television from the "Golden Age" of the 1950s through the 21st Century, was born in New York City on December 1, 1928, the son of Samuel and Rebecca Throne, who had immigrated to America from the Austro-Hungarian Empire. He began performing at an early age....
Show more »
Malachi Throne, the character actor who became one of the more ubiquitous faces on television from the "Golden Age" of the 1950s through the 21st Century, was born in New York City on December 1, 1928, the son of Samuel and Rebecca Throne, who had immigrated to America from the Austro-Hungarian Empire. He began performing at an early age.During World War Two, the young Malachi quit school to work in theater, though he later returned and got his high school diploma. He then set out upon a life as a "wandering player", as he describes it, playing in summer and winter stock companies while matriculating at Brooklyn College and Long Island University. Though he loved acting, he believed he'd eventually wind up as an English teacher, which is why he doggedly kept at his studies between tours.When he was 21 years old, the Korean Conflict broke out, and Throne wound up in the infantry attached to an armored unit. When he returned to the New York theatrical scene, he found out that the revolution Marlon Brando had started in 1947 playing Stanley Kowalski in A Streetcar Named Desire (1951) was now the status quo.Possessed of a deep, classically trained voice, Throne was cast in the parts of characters much older than his actual age. His clear enunciation also made him a natural for live television, and he went to work on the now-defunct DuMont TV network. He continued his acting studies in New York, tutored by such luminaries as Uta Hagen and William Hickey.In addition to TV, he continued to work on the the stage, appearing in the landmark Off-Broadway production of Eugene O'Neill's "The Iceman Cometh", in support of Jason Robards. He also played in the famous Off-Broadway revivals of "The Threepenny Opera" and Clifford Odets' "Rocket To The Moon", as well as appeared on Broadway in such top shows as Jean Anouilh's "Becket" in support of Laurence Olivier.In 1958-59, he found himself in California, playing a season at San Deigo's Old Globe Theater. After his stint with the Globe was over, he went north, to Hollywood, and established himself as a major character actor in guest spots on series television during the 1960s. He had memorable appearances as "Falseface" on the Batman TV series and the Arab-styled "Thief of Outer Space" on the Lost in Space TV series. He also provided the voice of "The Keeper" for "The Cage", the pilot episode of the Star Trek (1966) series. He turned down an offer to be a regular cast member on that show, rejecting the part of Dr. McCoy as he did not want to play third fiddle to William Shatner and Leonard Nimoy. Producer Gene Roddenberry, who had offered him the role of "Bones" McCoy, was not offended by Throne turning him down, and cast him as "Commodore José Mendez" in the two-part episode "The Menagerie", which included most of the original pilot, although by then The Keeper's voice had been re-dubbed by another actor, Meg Wyllie. He also later played "Senator Pardac" in the "Star Trek: The Next Generation" two-part episode "Unification," appearing with Leonard Nimoy, whose Mr. Spock was the role he had coveted a generation before.In 1968, two years after "Star Trek" debuted, Throne was cast as Robert Wagner's boss on the TV show It Takes a Thief (1968) while continuing to guest on other TV shows. Throne also remained committed to the stage, appearing as a resident actor with a variety of regional theaters, including the SanFrancisco Actors' Workshop, the Los Angeles Inner City Repertory Co., the MarkTaper Forum and the Louisville Free Theatre.Malachi Throne lives in southern California, where he appears in local theater. When not acting, he writes historical novels. His two sons are also in show business: Zachary Throne is an actor/musician while Joshua Throne is a Producer/Unit Production Manager. Show less «
My first agent told me to change my name or I'd only play Jewish parts or Indians. Of course I refused to change it. Shortly thereafter she ...Show more »
My first agent told me to change my name or I'd only play Jewish parts or Indians. Of course I refused to change it. Shortly thereafter she came up to me and told me I had to keep it, because her numerologist said it was very, very good. Show less «
Gene Roddenberry called me in for Star Trek (1966) and asked me what part I wanted. I told him Spock, but he said he already had Leonard Nim...Show more »
Gene Roddenberry called me in for Star Trek (1966) and asked me what part I wanted. I told him Spock, but he said he already had Leonard Nimoy for that. I thought, "Well, back to the unemployment line," but then he offered me the part of Dr. McCoy. I was tempted, but I turned it down. There's an old saying among actors: "Never be the third man through the door," and I felt I would always be the third man in that role. Show less «
[on his acting in the original Star Trek (1966) pilot] What most people don't know is that I not only played Commodore Mendez in "The Menage...Show more »
[on his acting in the original Star Trek (1966) pilot] What most people don't know is that I not only played Commodore Mendez in "The Menagerie", but I also did the voices of the Talosian women. And I did them without special effects. Show less «
I was playing the villain False-Face on Batman (1966), and I got wind that they were going to pay a young starlet $25,000 to be in the same ...Show more »
I was playing the villain False-Face on Batman (1966), and I got wind that they were going to pay a young starlet $25,000 to be in the same episode. Well, I wasn't getting anywhere near that amount of money, so I refused to let them put my name in the credits. With all the make-up I had on nobody could tell who I was, and since the show had a reputation of attracting big-name actors, everyone wanted to know who played False-Face. It was a two-part episode, so after the first week the papers were a buzz. Eventually, I cooled down and let them put my name at the end of the second episode. It was the best press I ever got in my life. Show less «
[on being fired from It Takes a Thief (1968)] They had this idea of shooting the whole season in Italy, but they wanted me to stay behind an...Show more »
[on being fired from It Takes a Thief (1968)] They had this idea of shooting the whole season in Italy, but they wanted me to stay behind and give [Robert] Wagner's character, Alexander Mundy, orders over the phone. I told them if I didn't go I'd quit, and I did. The show didn't last another half a season. Show less «
NEXT PAGE
Ranakar
Abe Penner
Joseph Ronaugh
Commodore Jos