Lena Olin

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Birthday:

22 March 1955, Stockholm, Stockholms län, Sweden

Birth Name:

Lena Maria Jonna Olin

Height:

178 cm

Swedish-born Lena Olin already had a successful career as an actress before she came to Hollywood. She acted at the Royal Theatre in Stockholm and was directed by Ingmar Bergman. She was born in Stockholm, to actors Britta Holmberg and Stig Olin, who appeared in six of Bergman's films. Lena also belongs to the Bergman "family". As a young actress, she played in the great classics of William Shakespeare, Henrik Ibsen and August Strindberg. She made her international debut as a movie actress in Efter repetitionen (1984) (aka "After the Rehearsal"), directed by Bergman. In western Europe, she became well-known in the political movie The Unbearable Lightness of Being (1988) as "Sabina", in a story about the Prague spring (1968). After coming to the US, she played mostly distinguished, exotic temptresses, intelligent women and crude vamps. Bergman had developed Lena's artistic gift to play different human emotions and express them in a subtle way. Sydney Pollack, director of Out of Africa (1985), rewrote the screenplay for Havana (1990) especially for her. This explains why this film recalls associations with the classic Casablanca (1942), starring Ingrid Bergman, also from Sweden. Olin received an Academy Award nomination for Best Supporting Actress for her role in Enemies: A Love Story (1989). She went on to have a choice role in Chocolat (2000), which received a Best Picture Oscar nomination, and received a Screen Actors Guild Award nomination. She made a move to the smaller screen and played the role for one season as the deliciously evil "Irina Derevko", the mother to Jennifer Garner's "Sydney Bristow" in the series Alias (2001). Olin received an Emmy nomination for Outstanding Supporting Actress in a Drama Series. Show less «

"I want to show that from the negative, when you dare to see it, the positive is born, because there is the root to the good. I have inside ...Show more »

"I want to show that from the negative, when you dare to see it, the positive is born, because there is the root to the good. I have inside myself, for example, a sharp aggression. But if you remove it, I lose my creativity. I have a great insecurity, but if you remove it, I also lose my sensitivity. Good theater is the theater that can make it a little attractive, a bit cool, to have these dark inner depths. You must be a bit afraid of them. I have a big need of spending time being alone, just to fear these dark sides. We must have secrets. That's why I almost never agree, or rarely, to really personal interviews: you must have large pools, untouched inside yourself." (on acting, theater and her interest in playing dark women roles on stage and in films) Show less «

"There are no patterns that lasts a lifetime. Some people can't stand the floating boarders. They decide on one life philosophy and live the...Show more »

"There are no patterns that lasts a lifetime. Some people can't stand the floating boarders. They decide on one life philosophy and live thereafter. But I've decided not to decide. I don't know everything. I don't understand everything. Both my own and others reactions are often a mystery to me. I let it be that way, hoping that maybe, instead, I can learn to understand the pattern of no patterns." (on life, people and relationships) Show less «

"I am in love with my best friend" (On husband Lasse Hallström).

"I was supposed to play the world's most dangerous woman and do a lot of action scenes. Then you can't come in there like a couch-potato... ...Show more »

"I was supposed to play the world's most dangerous woman and do a lot of action scenes. Then you can't come in there like a couch-potato... so I started training at gyms, weight-lifting and all things possible, and then I've just continued with that a couple of times a week." (on how she manages to keep so fit when playing her "Alias" success-character Irina Derevko) Show less «

"What's most interesting and most real to me in my work is to never make the role a complete character, because then you lose a part of the ...Show more »

"What's most interesting and most real to me in my work is to never make the role a complete character, because then you lose a part of the truth. I can't say that this person is just like this or like that. Because you can never do that with real people in real life, so if you try that on stage you lose the truth. Since I myself strive to be able to be a great many things, I also want my character to have that very same liberty. Eventually in that way it will add to a sort of completeness. But it is the story that is told that is the interesting thing and the situations the character is in. And as we humans always are shaped by a special situation or given circumstances, I can never ever say: Thus is my character." (on her acting work, Swedish interview, 1990) Show less «

[on Johnny Depp] -- Johnny is a very sweet person and fun to be around.

[In response to a question about kissing her co-stars] Kissing someone you don't feel for is unpleasant. Many, however, were very pleasant. ...Show more »

[In response to a question about kissing her co-stars] Kissing someone you don't feel for is unpleasant. Many, however, were very pleasant. Like Johnny Depp. I don't think a lot of women would have a problem kissing him. [Laughs heartily] He's a good friend of ours, by the way. [Lena is married to Lasse Hallstrom, who directed What's Eating Gilbert Grape and Chocolat.] He's not exactly in the Connecticut neighborhood a lot, since he lives in France, but we often see each other at the Oscars and film events. Show less «