Lena Horne
Birthday:
30 June 1917, Brooklyn, New York City, New York, USA
Birth Name:
Lena Mary Calhoun Horne
Height:
165 cm
Lena Calhoun Horne was born June 30, 1917, in Brooklyn, New York. In her biography she stated that on the day she was born, her father was in the midst of a card game trying to get money to pay the hospital costs. Her parents divorced while she was still a toddler. Her mother left later in order to find work as an actress and Lena was left in the c...
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Lena Calhoun Horne was born June 30, 1917, in Brooklyn, New York. In her biography she stated that on the day she was born, her father was in the midst of a card game trying to get money to pay the hospital costs. Her parents divorced while she was still a toddler. Her mother left later in order to find work as an actress and Lena was left in the care of her grandparents. When she was seven her mother returned and the two traveled around the state, which meant that Lena was enrolled in numerous schools (for a time she also attended schools in Florida, Georgia and Ohio). Later she returned to Brooklyn. She quit school when she was 14 and got her first stage job at 16, dancing and later singing at the famed Cotton Club in Harlem (a renowned theater in which black performers played before white audiences. It was immortalized in The Cotton Club (1984)). She was in good hands at the club, especially when people such as Cab Calloway and Duke Ellington took her under their wings and helped her over the rough spots. Before long her talent resulted in her playing before packed houses. If she had never made a movie, her music career would have been enough to have ensured her legendary status in the entertainment industry, but films were icing on the cake. After she made an appearance on Broadway, Hollywood came calling. At 21 years of age Lena made her first film, The Duke Is Tops (1938). It would be four more years before she appeared in another, Panama Hattie (1942), playing a singer in a nightclub. By now Lena had signed with MGM but, unfortunately for her, the pictures were shot so that her scenes could be cut out when they were shown in the South, since most theaters in the South refused to show films that portrayed blacks in anything other than subservient roles to whites, and most movie studios did not want to take a chance on losing that particular source of revenue. Lena did not want to appear in those kinds of stereotyped roles (and who could blame her?). In 1943 MGM loaned her to 20th Century-Fox to play the role of Selina Rogers in the all-black musical Stormy Weather (1943), which did extremely well at the box-office. Her rendition of the title song became a major hit on the musical charts. In 1943 she appeared in Cabin in the Sky (1943), regarded by many as one of the finest performances of her career. She played Georgia Brown opposite Ethel Waters and Eddie 'Rochester' Anderson in the all-black production. Rumors were rampant that she and Waters just did not get along well, although there was never any mention of the source of the alleged friction. That was not the only feud on that picture, however. Other cast members sniped at one another and it was a wonder the film was made at all. Regardless of the hostilities, the movie was released to very good reviews from the ever tough critics. It went a long way in showing the depth of the talent that existed among black performers in Hollywood, especially Lena. Lena's musical career flourished, but her movie career stagnated. Minor roles in films such as Boogie-Woogie Dream (1944), Words and Music (1948) and Mantan Messes Up (1946) did little to advance her film career, due mainly to the ingrained racist attitudes of the time (even at the height of Lena's musical career, she was often denied rooms at the very hotels in which she performed, because they would not let blacks stay there). After Meet Me in Las Vegas (1956), Lena left films to concentrate on music and the stage. She returned in 1969, as Claire Quintana in Death of a Gunfighter (1969). Nine years later she returned to the screen again in the all-black musical The Wiz (1978), where she played Glinda the Good Witch. Although that was her last big-screen appearance, she stayed busy in television, appearing in A Century of Women (1994) and That's Entertainment! III (1994).Had it not been for the prevailing racial attitudes during the time when Lena was just starting her career, it's fair to say that it would have been much bigger, and come much sooner, than it was. Even taking those factors into account, Lena Horne is still one of the most respected, talented and beautiful performers of all time--and she's still singing! Show less «
I was unique in that I was a kind of black that white people could accept. I was their daydream. I had the worst kind of acceptance because ...Show more »
I was unique in that I was a kind of black that white people could accept. I was their daydream. I had the worst kind of acceptance because it was never for how great I was or what I contributed. It was because of the way I looked. Show less «
in Brian Lanker's book "I Dream A World: Portraits of Black Women Who Changed America", New York: Stewart, Tabori & Chang, 1986)] My own peo...Show more »
in Brian Lanker's book "I Dream A World: Portraits of Black Women Who Changed America", New York: Stewart, Tabori & Chang, 1986)] My own people didn't see me as a performer because they were busy trying to make a living and feed themselves. Until I got to café society in the '40s, I didn't even have a black audience and then it was mixed. I was always battling the system to try to get to be with my people. Finally, I wouldn't work for places that kept us out . . . it was a damn fight everywhere I was, every place I worked, in New York, in Hollywood, all over the world. Show less «
You have to be taught to be second class; you're not born that way.
You have to be taught to be second class; you're not born that way.
It's not the load that breaks you down, it's the way you carry it.
It's not the load that breaks you down, it's the way you carry it.
Always be smarter than the people who hire you.
Always be smarter than the people who hire you.
A little nepotism never hurt nobody, honey. If you got it, use it. Press on with it. Remind them of it.
A little nepotism never hurt nobody, honey. If you got it, use it. Press on with it. Remind them of it.
In my early days I was a sepia Hedy Lamarr. Now I'm black and a woman, singing my own way.
In my early days I was a sepia Hedy Lamarr. Now I'm black and a woman, singing my own way.
[on love] Don't be afraid to feel as angry or as loving as you can.
[on love] Don't be afraid to feel as angry or as loving as you can.
My identity is very clear to me now, I am a black woman, I'm not alone, I'm free. I say I'm free because I no longer have to be a credit, I ...Show more »
My identity is very clear to me now, I am a black woman, I'm not alone, I'm free. I say I'm free because I no longer have to be a credit, I don't have to be a symbol to anybody; I don't have to be a first to anybody. I don't have to be an imitation of a white woman that Hollywood sort of hoped I'd become. I'm me, and I'm like nobody else. Show less «
[on Myrna Loy] A great star and a woman of accomplishment who is angry about all the right things.
[on Myrna Loy] A great star and a woman of accomplishment who is angry about all the right things.
I had this sort of greedy agent who made me go to Hollywood in the hope that I'd be in movies.
I had this sort of greedy agent who made me go to Hollywood in the hope that I'd be in movies.
[on MGM studio head Louis B. Mayer] He was the most clever, ruthless, smart character that you would never want to know. All those guys were...Show more »
[on MGM studio head Louis B. Mayer] He was the most clever, ruthless, smart character that you would never want to know. All those guys were--Harry Cohn [Columbia Pictures chief] . . . Jack L. Warner [Warner Bros. chief]--believe me, they weren't dumb. They were the czars of the industry--and they had no mercy. Show less «
I never considered myself a movie star. Mostly, I just sang songs in other people's movies.
I never considered myself a movie star. Mostly, I just sang songs in other people's movies.
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Lena Horne
Glinda the Good
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