Joel McCrea
Birthday:
5 November 1905, South Pasadena, California, USA
Birth Name:
Joel Albert McCrea
Height:
189 cm
One of the great stars of American Westerns, and a very popular leading man in non-Westerns as well. He was born and raised in the surroundings of Hollywood and as a boy became interested in the movies that were being made all around. He studied acting at Pomona College and got some stage experience at the Pasadena Community Playhouse, where other ...
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One of the great stars of American Westerns, and a very popular leading man in non-Westerns as well. He was born and raised in the surroundings of Hollywood and as a boy became interested in the movies that were being made all around. He studied acting at Pomona College and got some stage experience at the Pasadena Community Playhouse, where other future stars such as Randolph Scott, Robert Young, and Victor Mature would also get their first experience. He worked as an extra after graduation from the University of Southern California in 1928 and did some stunt work. In a rare case of an extra being chosen from the crowd to play a major role, McCrea was given a part in The Jazz Age. A contract at MGM followed, and then a better contract at RKO. Will Rogers took a liking to the young man (they shared a love of ranching and roping) and did much to elevate McCrea's career. His wholesome good looks and quiet manner were soon in demand, primarily in romantic dramas and comedies, and he became an increasingly popular leading man. He hoped to concentrate on Westerns, but several years passed before he could convince the studio heads to cast him in one. When he proved successful in that genre, more and more Westerns came his way. But he continued to make a mark in other kinds of pictures, and proved himself particularly adept at the light comedy of Preston Sturges, for whom he made several films. By the late Forties, his concentration focused on Westerns, and he made few non-Westerns thereafter. He was immensely popular in them, and most of them still hold up well today. He and Randolph Scott, whose career strongly resembles McCrea's, came out of retirement to make a classic of the genre, Sam Peckinpah's Ride the High Country (1962). Scott stayed retired thereafter; McCrea made a couple of appearances in small films afterwards, but was primarily content to maintain his life as a gentleman rancher. He was married for fifty-seven years to actress Frances Dee, who survived him. Show less «
I have no regrets, except perhaps one: I should have tried harder to be a better actor.
I have no regrets, except perhaps one: I should have tried harder to be a better actor.
People say I'm a one-note actor, but the way I figure it, those other guys are just looking for that one right note.
People say I'm a one-note actor, but the way I figure it, those other guys are just looking for that one right note.
I liked doing comedies, but as I got older I was better suited to do Westerns. Because I think it becomes unattractive for an older fellow t...Show more »
I liked doing comedies, but as I got older I was better suited to do Westerns. Because I think it becomes unattractive for an older fellow trying to look young, falling in love with attractive girls in those kinds of situations ... Anyway, I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn't feel like I was an actor anymore. I felt like I was the guy out there doing it. (1978) Show less «
When it came out the studio didn't sell it. But the critics grabbed onto it. Neither Randy or I had ever gotten such criticism. We were surp...Show more »
When it came out the studio didn't sell it. But the critics grabbed onto it. Neither Randy or I had ever gotten such criticism. We were surprised, though we knew it wasn't a regular shoot-'em-up. I really enjoyed Ride the High Country (1962). Both Randy and I were washed-up actors playing washed-up lawmen. Show less «
After 87 pictures in 47 years, I knew when to quit.
After 87 pictures in 47 years, I knew when to quit.
Cowboys are not beyond swearing, but we used it if a horse stepped on a foot.
Cowboys are not beyond swearing, but we used it if a horse stepped on a foot.
I don't believe in anti-heroes. Duke Wayne played a mean guy but never an anti-hero.
I don't believe in anti-heroes. Duke Wayne played a mean guy but never an anti-hero.
John Lloyd Sullivan
Tom Jeffers
John Jones