Jane Wyman
Birthday:
5 January 1917, St. Joseph, Missouri, USA
Birth Name:
Sarah Jane Mayfield
Height:
166 cm
Jane Wyman was born Sarah Jane Mayfield on January 5, 1917, in St. Joseph, Missouri (she was also known later as Sarah Jane Fulks). When she was only eight years old, and after her parents filed for divorce, she lost her father prematurely. After graduating high school she attempted, with the help of her mother, to break into films, but to no avail...
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Jane Wyman was born Sarah Jane Mayfield on January 5, 1917, in St. Joseph, Missouri (she was also known later as Sarah Jane Fulks). When she was only eight years old, and after her parents filed for divorce, she lost her father prematurely. After graduating high school she attempted, with the help of her mother, to break into films, but to no avail. In 1935, after attending the University of Missouri, she began a career as a radio singer, which led to her first name change to Jane Durrell. In 1936 she signed a contract with Warner Bros. Pictures and that led to another name change, the more familiar one of Jane Wyman. Under that name she appeared in "A" and "B" pictures at Warners, including two with her future husband, Ronald Reagan: Brother Rat (1938) and its sequel, Brother Rat and a Baby (1940). In the early 1940s she moved into comedies and melodramas and gained attention for her role as Ray Milland's long-suffering girlfriend in The Lost Weekend (1945). The following year she was nominated for a Best Actress Oscar for her role as Ma Baxter in The Yearling (1946), and won the coveted prize in 1949 as deaf-mute rape victim Belinda MacDonald in Johnny Belinda (1948). She followed that with a number of appearances in more prestigious films, such as Alfred Hitchcock's Stage Fright (1950), Frank Capra's Here Comes the Groom (1951), Michael Curtiz's The Story of Will Rogers (1952) and the first movie version of The Glass Menagerie (1950). She starred opposite Bing Crosby in the musical Just for You (1952). She was Oscar-nominated for her performances in The Blue Veil (1951) and Magnificent Obsession (1954). She also starred in the immensely popular So Big (1953), Lucy Gallant (1955), All That Heaven Allows (1955) and Miracle in the Rain (1956). In addition to her extensive film career, she hosted TV's Jane Wyman Presents The Fireside Theatre (1955) and starred in most of the episodes of the show, which ran for three seasons. She came back to the big screen in Holiday for Lovers (1959), Pollyanna (1960) and her final film, How to Commit Marriage (1969). Although off the big screen, she became a presence on the small screen and starred in two made-for-TV movies, including The Incredible Journey of Doctor Meg Laurel (1979). In early 1981, in the 49th year of her career, she won the role of conniving matriarch Angela Channing Erikson Stavros Agretti in the movie "The Vintage Years", which was the unaired pilot for the prime-time soap opera Falcon Crest (1981), later in the year. For nine seasons she played that character in a way that virtually no other actress could have done, and became the moral center of the show. The show was a ratings winner from its debut in 1981, and made stars out of her fellow cast members Robert Foxworth, Lorenzo Lamas, Abby Dalton and Susan Sullivan. At the end of the first season the story line had her being informed that her evil son, played by David Selby, had inherited 50% of a California newspaper company, and the conflicts inherent in that situation led to even bigger ratings over the next five years. Wyman was nominated six times for a Soap Opera Digest Award, and in 1984 she won the Golden Globe for Best Performance by an Actress in a TV Series Drama. By the show's eighth season, however, she was emotionally drained and the strain of constantly working to keep up the quality of a hit show took its toll on her. In addition, there was friction on the set among cast members. All of these events culminated in her departure from the show after the first two episodes of the ninth season (her character was hospitalized and slipped into a coma) for health reasons. After a period of recuperation, she believed that she had recovered enough to guest-star in the last three episodes of the season (her doctor disagreed, but she did it anyway). She then guest-starred as Jane Seymour's mother on Dr. Quinn, Medicine Woman (1993) and three years later appeared in Wild Bill: Hollywood Maverick (1995). In the late 1990s she purchased a home in Rancho Mirage, California, where she lived in retirement. Her daughter, Maureen Reagan (who died in August 2001), was a writer who also involved herself in political issues and organized a powerful foundation. Also, she placed her 3200-sq.-ft. Rancho Mirage condominium on the market. Jane Wyman died at the age of 90, at her Palm Springs, California home, on September 10, 2007, having long suffered from arthritis and diabetes. It was reported that Wyman died in her sleep of natural causes at the Rancho Mirage Country Club. Show less «
The opportunity for brotherhood presents itself everytime you meet a human being.
The opportunity for brotherhood presents itself everytime you meet a human being.
I guess I just don't have a talent for it, some women just aren't the marrying kind - or anyway, not the permanent marrying kind, and I'm on...Show more »
I guess I just don't have a talent for it, some women just aren't the marrying kind - or anyway, not the permanent marrying kind, and I'm one of them. Show less «
[on winning the 1949 Academy Award for Best Actress in a Leading Role of Johnny Belinda (1948)]: I won this award for keeping my mouth shut,...Show more »
[on winning the 1949 Academy Award for Best Actress in a Leading Role of Johnny Belinda (1948)]: I won this award for keeping my mouth shut, so I think I'll do it again now. Show less «
[on her ex-husband's, Ronald Reagan's death in 2004]: America has lost a great president, and a great, kind gentleman.
[on her ex-husband's, Ronald Reagan's death in 2004]: America has lost a great president, and a great, kind gentleman.
[Who said in 1968 on her refusal to publicly discuss the political career of her ex-husband, Ronald Reagan]: It's not because I'm bitter or ...Show more »
[Who said in 1968 on her refusal to publicly discuss the political career of her ex-husband, Ronald Reagan]: It's not because I'm bitter or because I don't agree with him politically. I've always been a registered Republican. But it's bad taste to talk about ex-husbands and ex-wives, that's all. Also, I don't know a damn thing about politics. Show less «
[on the cancellation of Falcon Crest (1981)]: It's a funny feeling, because you wake up and say, 'I'm not going to see my friends again, you...Show more »
[on the cancellation of Falcon Crest (1981)]: It's a funny feeling, because you wake up and say, 'I'm not going to see my friends again, you know!' Because I never done anything this long. Show less «
[on her dismissal in the last season of Falcon Crest (1981)]: I wanted to tie up the show, mention everyone who was gone - the grandfather, ...Show more »
[on her dismissal in the last season of Falcon Crest (1981)]: I wanted to tie up the show, mention everyone who was gone - the grandfather, Melissa, Cole and Maggie, so that the loyal audience we had wouldn't feel cheated they they had been taken in a different direction by the producers that they didn't understand (and frankly, I didn't either). It was a wonderful experience, but I wasn't sorry to see it end because of the way it was going. The first six years of the show were marvelous, then they started tampering with it. I get so much mail from people saying they can't understand what happened. Show less «
We were just two rows behind Irene Dunne. There was something about the line of her neck that convinced me she was going to get the prize. I...Show more »
We were just two rows behind Irene Dunne. There was something about the line of her neck that convinced me she was going to get the prize. I was slumped low in my seat, sort of trying to hide so that I could sneak out. I was so sure I wouldn't win that when I heard my name called out, I didn't recognize it. I didn't get up. But Jerry Wald poked me, and my handbag dropped to my lap. My lipstick and everything went rolling onto the floor. I must have been quite a sight trying to pick up things and get to the stage at the same time. I was the most surprised girl in the world. Show less «
[Who said in 1964 about growing up in an unhappy, humorless household]: Shyness is not a small problem; it can cripple the whole personality...Show more »
[Who said in 1964 about growing up in an unhappy, humorless household]: Shyness is not a small problem; it can cripple the whole personality. It crippled mine for many years. As a child, my only solution to the problem of shyness was to hide, to make myself as small and insignificant as possible. All through grade school I was a well-mannered little shadow who never spoke above a whisper. Show less «
[on The Lost Weekend (1945)]: It was my biggest chance yet, and I was determined to make the most of it. I was determined to act from the in...Show more »
[on The Lost Weekend (1945)]: It was my biggest chance yet, and I was determined to make the most of it. I was determined to act from the inside out, to disregard all surface effects, and delve into the character of a sturdy woman who endured hardship stoically and who concealed a deeply emotional nature under a frosty, pragmatic exterior. I meditated on the role at great length; I wanted to get to the bottom of this woman's psyche. And in doing so I dredged up all the early hardships and disappointments in my own life, looking constantly for some points of reference that would link our respective inner schemes. Show less «
[When asked if she loved television better than film]: The reason I enjoy TV more than pictures now is that I like the pace better. You've g...Show more »
[When asked if she loved television better than film]: The reason I enjoy TV more than pictures now is that I like the pace better. You've got so many hours to do so much, and you have to get it done. I was on The Yearling for eleven and a half months! Sometimes we only did two pages of dialogue in four days. Show less «
[In 1989]: Remember, I've been in this business fifty-four years. I made eighty-six pictures and 350 television shows. I have not been idle.
[In 1989]: Remember, I've been in this business fifty-four years. I made eighty-six pictures and 350 television shows. I have not been idle.
[As to how Falcon Crest (1981) differentiates those of: Dallas (1978), Knots Landing (1979) and Dynasty (1981)]: Our shows begin and end eac...Show more »
[As to how Falcon Crest (1981) differentiates those of: Dallas (1978), Knots Landing (1979) and Dynasty (1981)]: Our shows begin and end each week. They're not continuous like the others. That makes our program unique. Another thing that makes it special is that sex isn't necessary on our series. Maybe just enough to get by. It's really an intrigue story about a dynasty family. Show less «
[Upon her return to Falcon Crest (1981)'s final year, after almost a year's medical leave]: I'm back and I'm feelin' fine and I'm really gon...Show more »
[Upon her return to Falcon Crest (1981)'s final year, after almost a year's medical leave]: I'm back and I'm feelin' fine and I'm really gonna raise hell. Show less «
I don't know why I'd have to cooperate because he knows everything I know. I'm just going to live my life and have fun.
I don't know why I'd have to cooperate because he knows everything I know. I'm just going to live my life and have fun.
[Who said in 1985 about accepting the role of Angela Channing, 4 years earlier]: I really like her, she's a head's up lady. You can't miss o...Show more »
[Who said in 1985 about accepting the role of Angela Channing, 4 years earlier]: I really like her, she's a head's up lady. You can't miss on a thing like this, you really can't. If you do, you're dumb. Show less «
[on her popularity while playing the sixty-something Angela Channing on Falcon Crest]: It's not that she's vicious, it's that she wants her ...Show more »
[on her popularity while playing the sixty-something Angela Channing on Falcon Crest]: It's not that she's vicious, it's that she wants her own way. She's demanding. But she's old enough - I'm playing her in her 60s - that she can demand the respect. People cross her once in a while, and she doesn't fight them as much as she asks 'how can I get around this?' It's a different role for me. I like it. I think the closest I ever came to this kind of character before was Aunt Polly in Pollyanna. Aunt Polly was a matriarch of sorts and always held the family together. And that's what Angie does. She's a multi-faceted character who treats everybody differently. Show less «
It was all Donald O'Connor's idea. He suggested that I join his nightclub act when he plays at Harrah's at Lake Tahoe this month. I couldn't...Show more »
It was all Donald O'Connor's idea. He suggested that I join his nightclub act when he plays at Harrah's at Lake Tahoe this month. I couldn't think of a good reason why I shouldn't. Show less «
[In 1984]: Women are like tea bags. You never know how strong they are until you put them in hot water.
[In 1984]: Women are like tea bags. You never know how strong they are until you put them in hot water.
[on commenting her newspaper interview in 1981 about her almost 50 year career in films]: I've been through four different cycles in picture...Show more »
[on commenting her newspaper interview in 1981 about her almost 50 year career in films]: I've been through four different cycles in pictures: the brassy blonde, then came the musicals, the high dramas, then the inauguration of television. Show less «
[In 1981]: The movies were changing, and the kinds of things that they were offering me I wouldn't look at, much less do. They were sordid. ...Show more »
[In 1981]: The movies were changing, and the kinds of things that they were offering me I wouldn't look at, much less do. They were sordid. I have spent too many years in my craft, in my own little niche, my own little way, and it didn't matter to me. I didn't want to work anyway. Show less «
People are used to me in the softer roles - but I think they get used to Angie.
People are used to me in the softer roles - but I think they get used to Angie.
[In 1971]: Actually, I've worn the Dutch-bob since I was three years old. It certainly helped my career from an identity standpoint.
[In 1971]: Actually, I've worn the Dutch-bob since I was three years old. It certainly helped my career from an identity standpoint.
[When she came back to do theatrical acting in the 1970s]: Since making How to Commit Marriage (1969) with Bob Hope and Jackie Gleason, ther...Show more »
[When she came back to do theatrical acting in the 1970s]: Since making How to Commit Marriage (1969) with Bob Hope and Jackie Gleason, there just wasn't anything to get excited about. I'm hopeful The Falling of Raymond will be the start of a good deal, more activity. Show less «
[In 1993]: I was there for the first 20 years ago. I'm just pleased as punch to do it again. Watching people waste away is terrible. Nobody ...Show more »
[In 1993]: I was there for the first 20 years ago. I'm just pleased as punch to do it again. Watching people waste away is terrible. Nobody knows what arthritis is like unless you have it. Show less «
I never go into anything except with both feet and a lot of enthusiasm.
I never go into anything except with both feet and a lot of enthusiasm.
[In 1988]: Egyptians have become addicted to Falcon Crest. They've become very attached to it.
[In 1988]: Egyptians have become addicted to Falcon Crest. They've become very attached to it.
[on learning that she was being awarded the Best Actress Oscar for Johnny Belinda (1948)] I heard my name called and the first thing that ca...Show more »
[on learning that she was being awarded the Best Actress Oscar for Johnny Belinda (1948)] I heard my name called and the first thing that came to my mind was 'Did I or didn't I put on my girdle tonight? Then I thought, 'So what? Let it bounce.' Show less «
I wasn't unreceptive to working. It was just that nothing came around that I was even remotely interested in doing. Number two, I don't thin...Show more »
I wasn't unreceptive to working. It was just that nothing came around that I was even remotely interested in doing. Number two, I don't think they were exactly looking for me with a fine-toothed comb. Show less «
[1982] When I first got into TV, it really was in its embryonic stage. Loretta [Young] and I both started our series at about the same time....Show more »
[1982] When I first got into TV, it really was in its embryonic stage. Loretta [Young] and I both started our series at about the same time. And the pace! I had no idea you began work at 6 in the morning and quit at 10 at night, and that after shooting you went to your office to get the next scripts started - and it goes on and on and on. I'd limp home over that lousy Coldwater Canyon and I'd say, 'Well, Lord, if you want me there tomorrow, you goin' have to git me there!' Of course it becomes second nature, but after four years I said: That does it, and if anybody pointed a Brownie at me I was in Chicago! You know? I thought: Never again. Show less «
[on former husband Ronald Reagan] Ask him the time and he'll tell you how the watch was made.
[on former husband Ronald Reagan] Ask him the time and he'll tell you how the watch was made.
[on her off-camera Falcon Crest (1981) relationships of the final season]: I love to work with David Selby, Lorenzo Lamas can do almost anyt...Show more »
[on her off-camera Falcon Crest (1981) relationships of the final season]: I love to work with David Selby, Lorenzo Lamas can do almost anything. He's a wonderful dramatic actor, I said, 'I want Rod Taylor in the show.' He was occupied doing something else. I said 'We'll wait.' Show less «
Where else can you meet such fascinating people and go to such places as people in our business do? It's a fabulous life.
Where else can you meet such fascinating people and go to such places as people in our business do? It's a fabulous life.
[Who had been too fast to deny that some sources that her mother talked her into becoming an actress]: The depression had started and my fam...Show more »
[Who had been too fast to deny that some sources that her mother talked her into becoming an actress]: The depression had started and my family was flat broke. I mean, we lost everything, except the little roofs over our heads. My mother wanted me to continue my education, but I didn't have the grades to get into college because I had goofed off in high school. Besides, we needed the money. Show less «
[Who recalled about the dwindling family finances that made it very hard for her to find a job]: Well, it didn't last long. I wasted more pi...Show more »
[Who recalled about the dwindling family finances that made it very hard for her to find a job]: Well, it didn't last long. I wasted more pies than I sold. So I was fired. Show less «
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Cary Scott
Helen Phillips
Aunt Polly
Helen St. James
Sister Patricia