Jane Greer

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Birthday:

9 September 1924, Washington, District of Columbia, USA

Birth Name:

Bette Jane Greer

Height:

165 cm

As a baby, she was winning beauty contests; as a teenager, with good looks and an attractive contralto voice, she was singing with big bands (most notably Enric Madriguera's orchestra in Latin Club Del Rio in Washington, D.C.. She met Rudy Vallee, her first husband, on the radio where she also enjoyed a brief stint as a singer. At age 15, an attack of palsy left her face partially paralyzed. She claimed that it was through facial exercises to overcome the paralysis that she learned the efficacy of facial expression in conveying human emotion, a skill she was renowned for using in her acting. Show less «

I'd always wanted to be an actress, and suddenly I knew that learning to control my facial muscles was one of the best assets I could have a...Show more »

I'd always wanted to be an actress, and suddenly I knew that learning to control my facial muscles was one of the best assets I could have as a performer. Emotions often must be portrayed from an inner feeling, of course, but I had a double advantage because I was learning to direct my as-yet expressionless feelings, as well as gaining an ability to express emotion by a very conscious manipulation of my muscles. Show less «

Howard Hughes was obsessed with me. But at first it seemed as if he were offering me a superb career opportunity.

I love making movies, but I was ready to rationalize being only a mother if my career never got back on track.

[asked about her memories of making Station West (1948)] Dick Powell was very nice, but the director, who shall remain nameless [Sidney Lanf...Show more »

[asked about her memories of making Station West (1948)] Dick Powell was very nice, but the director, who shall remain nameless [Sidney Lanfield], was a real son-of-a-bitch. He was terrible to me--in fact, terrible to any woman. Can you imagine, this guy says to Agnes Moorehead, "Do you think when you say a line, hatchet-face?". She came back with, "I've taken enough. The boat just sailed and you're on it". She refused to work with him, so another director had to do her remaining scenes. As for me, I was a basket case--in tears! He'd say something ugly to me just before I started a scene. I was glaring and had tears, and he'd ask what was the matter with me! Finally, when we were back from location in Arizona, he was told, "It's either you or her, and we have her under contract". After that, I wasn't touched by him . . . I got to know [Raymond Burr] quite well at RKO. Because of everything that happened, he had to coach me for "Station West". I certainly received no help from that director. Show less «