Hayley Atwell
Birthday:
5 April 1982, London, England, UK
Birth Name:
Hayley Elizabeth Atwell
Height:
170 cm
Born in London, England, Hayley Elizabeth Atwell has dual citizenship of the United Kingdom and the United States. An only child, Hayley was named after actress Hayley Mills. Her parents, Alison (Cain) and Grant Atwell, both motivational speakers, met at a London workshop of Dale Carnegie's self-help bible "How to Win Friends and Influenc...
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Born in London, England, Hayley Elizabeth Atwell has dual citizenship of the United Kingdom and the United States. An only child, Hayley was named after actress Hayley Mills. Her parents, Alison (Cain) and Grant Atwell, both motivational speakers, met at a London workshop of Dale Carnegie's self-help bible "How to Win Friends and Influence People". Her mother is English (with Irish ancestry) and her father is American; he was born in Kansas City, Missouri, and is partly of Native-American descent (his Native American name is Star Touches Earth). Her parents divorced when she was age two. Her father returned to America and Hayley remained with her mother in London, but she spent her summers in Missouri with her father. Hayley's mother saw theater as an important communal experience, so she was introduced to theater from a young age. At age 11, she had memorable trip to see Ralph Fiennes playing Hamlet. She would later work with him on The Duchess (2008).She went to Sion-Manning Roman Catholic Girl's School in West London where she excelled academically. She took her A-levels at the London Oratory School. She took two years out of her education, traveling with her father and working for a casting director. In 2005, she graduated from the Guildhall School of Music and Drama with a degree in Acting. Hayley began her career with parts on a few BBC television productions. Her first big break came in the television miniseries, The Line of Beauty (2006). The following year, she got her first film role in How About You... (2007). She followed this with Woody Allen's Cassandra's Dream (2007). Her breakthrough role came four years later as British agent Peggy Carter in Captain America: The First Avenger (2011). Show less «
Nude scenes can be very liberating. I feel very human. This is me, with all my little imperfections.
Nude scenes can be very liberating. I feel very human. This is me, with all my little imperfections.
My first job was a Greek tragedy, and ever since, one job just seemed to roll onto the next. I've been terribly lucky.
My first job was a Greek tragedy, and ever since, one job just seemed to roll onto the next. I've been terribly lucky.
[on Brideshead Revisited (2008)] What attracted me was I loved the vivid characters that had obviously come from a very rich novel and Jerem...Show more »
[on Brideshead Revisited (2008)] What attracted me was I loved the vivid characters that had obviously come from a very rich novel and Jeremy Brock and Andrew Davies had put that into the script. The character definitions and the stage directions were very rich and as rich as the dialogue so I felt that there was a hell of a lot of passion behind it. I'm attracted to flawed characters. I think they're really interesting to play. I was really intrigued who this enigmatic Julia was and what was bubbling and going on beneath the surface. So it was probably that. Show less «
[on her character in Captain America: The First Avenger (2011)] Peggy was in a position where if she was a damsel in distress, she wouldn't ...Show more »
[on her character in Captain America: The First Avenger (2011)] Peggy was in a position where if she was a damsel in distress, she wouldn't be of that position. And when she says, "I know what it's like to have a few doors slammed in my face," I think because she's this attractive woman who's beautifully made up, she had to fight a little bit harder to get where she is to prove that she's capable. And I think that's great because there's a kindred spirit between her and Steve, there's an equality about them and I love that. Show less «
I think it will be a balance of creative and commercial choices, going forward. People say critical acclaim and box office success don't go ...Show more »
I think it will be a balance of creative and commercial choices, going forward. People say critical acclaim and box office success don't go hand in hand and that may be true but I don't really think I'd live much on the salary of a full-time theatre actor. I mean, I could, but I really like going out to dinner... Show less «
We heard about the protest in Whitehall in support of Russian gay rights and we went along and it was very moving and we felt it was very po...Show more »
We heard about the protest in Whitehall in support of Russian gay rights and we went along and it was very moving and we felt it was very positive. Show less «
The scary thing is what that will do to a generation of young people [in Russia] who are having these thoughts and feelings towards members ...Show more »
The scary thing is what that will do to a generation of young people [in Russia] who are having these thoughts and feelings towards members of their own sex but they're given no reference point that this is OK. This is just part of who they are and I think you'll get a lost generation of children growing up feeling that their country is telling them that this fundamental aspect of who they are is wrong. It's incredibly troubling because it's happening, not just in Russia, but in countries like Georgia and Cameroon and the statistics in this country of homophobic attacks is frightening. Show less «
[on Alexi Kaye Campbell's play "The Pride"] They are two scenes that are either side of the sexual revolution, and two very different ways t...Show more »
[on Alexi Kaye Campbell's play "The Pride"] They are two scenes that are either side of the sexual revolution, and two very different ways that society deals with homosexuality. In 1958, it was still illegal and then in 2013, we've just had this wonderful milestone of legalising gay marriage. So it's about how society shapes gay identity and it explores the idea of a subculture which society has imposed upon the gay community, one of promiscuity, and it says there is another side which is about intimacy and love between two people. Show less «
Cinderella's Mother
Peggy Carter
Julia Flyte
DC Nancy Lewis
Sister Hope Milroy
Eva Delectorskaya
Kathy Etchingham
Bess Foster
Hayes Morrison
Aliena
Margaret Schlegel
Evelyn Robin
Caroline Mortimer