Glenn Ford
Birthday:
1 May 1916, Sainte-Christine-d'Auvergne, Portneuf, Québec, Canada
Birth Name:
Gwyllyn Samuel Newton Ford
Height:
180 cm
Legendary actor Glenn Ford was born Gwyllyn Samuel Newton Ford in Sainte-Christine-d'Auvergne, Quebec, Canada, to Hannah Wood (Mitchell) and Newton Ford, a railroad executive. His family moved to Santa Monica, California when he was eight years old. His acting career began with plays at high school, followed by acting in West Coast, a travelin...
Show more »
Legendary actor Glenn Ford was born Gwyllyn Samuel Newton Ford in Sainte-Christine-d'Auvergne, Quebec, Canada, to Hannah Wood (Mitchell) and Newton Ford, a railroad executive. His family moved to Santa Monica, California when he was eight years old. His acting career began with plays at high school, followed by acting in West Coast, a traveling theater company.Ford was discovered in 1939 by Tom Moore, a talent scout for 20th Century Fox. He subsequently signed a contract with Columbia Pictures the same year. Ford's contract with Columbia marked a significant departure in that studio's successful business model. Columbia's boss, Harry Cohn, had spent decades observing other studios'-most notably Warner Brothers-troubles with their contract stars and had built his poverty-row studio around their loan-outs. Basically, major studios would use Columbia as a penalty box for unruly behavior-usually salary demands or work refusals. The cunning Cohn usually assigned these stars (his little studio could not normally afford then) into pictures, and the studio's status rose immensely as the 1930s progressed. Understandably, Cohn had long resisted developing his own stable of contract stars (he'd first hired Peter Lorre in 1934 but didn't know what to do with him) but had relented in the late 1930s, first adding Rosalind Russell, then signing Ford and fellow newcomer William Holden. Cohn reasoned that the two prospects could be used interchangeably, should one become troublesome. Although often competing for the same parts, Ford and Holden became good friends. Their careers would roughly parallel each other through the 1940s, until Holden became a superstar through his remarkable association with director Billy Wilder in the 1950s.Ford made his official debut in Fox's Heaven with a Barbed Wire Fence (1939), and continued working in various small roles throughout the 1940s until his movie career was interrupted to join the Marines in World War II. Ford continued his military career in the Naval Reserve well into the Vietnam War, achieving the rank of captain. In 1943 Ford married legendary tap dancer Eleanor Powell, and had one son, Peter Ford. Like many actors returning to Hollywood after the war (including James Stewart and Holden (who had already acquired a serious alcohol problem), he found it initially difficult to regain his career momentum. He was able to resume his movie career with the help of Bette Davis, who gave him his first postwar break in the 1946 movie A Stolen Life (1946). However, it was not until his acclaimed performance in a 1946 classic film noir, Gilda (1946), with Rita Hayworth, that he became a major star and one of the the most popular actors of his time. He scored big with the film noir classics The Big Heat (1953) and Blackboard Jungle (1955), and was usually been cast as a calm and collected everyday-hero, showing courage under pressure. Ford continued to make many notable films during his prestigious 50-year movie career, but he is best known for his fine westerns such as 3:10 to Yuma (1957) and The Rounders (1965). Ford pulled a hugely entertaining turn in The Sheepman (1958) and many more fine films. In the 1970s, Ford made his television debut in the controversial The Brotherhood of the Bell (1970) and appeared in two fondly remembered television series: Cade's County (1971) and The Family Holvak (1975). During the 1980s and 1990s, Ford limited his appearance to documentaries and occasional films, including a nice cameo in Superman (1978).Glenn Ford is remembered fondly by his fans for his more than 100 excellent films and his charismatic silver screen presence. Show less «
When I'm on camera, I have to do things pretty much the way I do things in everyday life. It gives the audience someone real to identify wit...Show more »
When I'm on camera, I have to do things pretty much the way I do things in everyday life. It gives the audience someone real to identify with. Show less «
People laugh when I say I'm not an actor, but I'm not, I play myself.
People laugh when I say I'm not an actor, but I'm not, I play myself.
The Western is a man's world and I love it.
The Western is a man's world and I love it.
I've never played anyone but myself on screen.
I've never played anyone but myself on screen.
If they tried to rush me, I'd always say I've only got one other speed, and it's slower.
If they tried to rush me, I'd always say I've only got one other speed, and it's slower.
"Let's never forget that to remain free we must always be strong. That's an important lesson I learned in my Navy career in World War II. Na...Show more »
"Let's never forget that to remain free we must always be strong. That's an important lesson I learned in my Navy career in World War II. National defense must be the top priority for our country. If you are strong, you are safe. Now is the time for every American to be proud. This is the land of the free and the home of the brave. If we are not brave, we will not be free." (2004) Show less «
"Never give up. Take what life throws at you and throw it right back. If life keeps throwing then you have a tennis match going. Learn to li...Show more »
"Never give up. Take what life throws at you and throw it right back. If life keeps throwing then you have a tennis match going. Learn to like tennis." (2002) Show less «
Ronald Reagan was a true friend and an American Patriot. We are proud of him and his service to the country. We need men like him today.
Ronald Reagan was a true friend and an American Patriot. We are proud of him and his service to the country. We need men like him today.
[In westerns] you don't have to speak English to understand what's going on. I've always said the talking pictures talk too much anyway.
[In westerns] you don't have to speak English to understand what's going on. I've always said the talking pictures talk too much anyway.
I'm out of place doing sophistication. I'm so uncomfortable in a tuxedo.
I'm out of place doing sophistication. I'm so uncomfortable in a tuxedo.
When I see films that go on and on with dialogue, I feel like telling the actors, "Be quiet! Let the audience do some of the work!" (from a ...Show more »
When I see films that go on and on with dialogue, I feel like telling the actors, "Be quiet! Let the audience do some of the work!" (from a 1975 interview with Bob Thomas, Canadian Press) Show less «
Some actors count their lines as soon as they receive a script. I'm the opposite. I try to see how many lines I can whittle down...You can s...Show more »
Some actors count their lines as soon as they receive a script. I'm the opposite. I try to see how many lines I can whittle down...You can say just as much in 4 as you can in 14. Show less «
Hell, no actor is going to tell Frank Capra how to make a picture. He has forgotten more about movie-making than most directors ever know.
Hell, no actor is going to tell Frank Capra how to make a picture. He has forgotten more about movie-making than most directors ever know.
Americans playing Shakespeare are really ridiculous.
Americans playing Shakespeare are really ridiculous.
Asked how he wished to be remembered: He did his best and he believed in God.
Asked how he wished to be remembered: He did his best and he believed in God.
I wish I were up and around, but I'm doing the best that I can. There's so much I have to be grateful for. (1 May 2006)
I wish I were up and around, but I'm doing the best that I can. There's so much I have to be grateful for. (1 May 2006)
NEXT PAGE
Det. Sgt. Dave Bannion
Rear Admiral Raymond A. Spruance
Dr. David Faraday
Johnny Farrell
Jonathan Kent