Ginger Rogers
Birthday:
16 July 1911, Independence, Missouri, USA
Birth Name:
Virginia Katherine McMath
Height:
164 cm
Ginger Rogers was born Virginia Katherine McMath in Independence, Missouri on July 16, 1911. Her mother, known as Lelee, went to Independence to have Ginger away from her husband. She had a baby earlier in their marriage and he allowed the doctor to use forceps and the baby died. She was kidnapped by her father several times until her mother took h...
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Ginger Rogers was born Virginia Katherine McMath in Independence, Missouri on July 16, 1911. Her mother, known as Lelee, went to Independence to have Ginger away from her husband. She had a baby earlier in their marriage and he allowed the doctor to use forceps and the baby died. She was kidnapped by her father several times until her mother took him to court. Ginger's mother left her child in the care of her parents while she went in search of a job as a scriptwriter in Hollywood and later to New York City. Mrs. McMath found herself with an income good enough to where she could send for Ginger. Lelee became a Marine in 1918 and was in the publicity department and Ginger went back to her grandparents in Missiouri. During this time her mother met John Rogers. After leaving the Marines they married in May, 1920 in Liberty, Missouri. He was transferred to Dallas and Ginger (who treated him as a father) went too. Ginger won a Charleston contest in 1925 (age 14) and a 4 week contract on the Interstate circuit. She also appeared in vaudeville acts which she did until she was 17 with her mother by her side to guide her. Now she had discovered true acting. She married in March, 1929, and after several months realized she had made a mistake. She acquired an agent and she did several short films. She went to New York where she appeared in the Broadway production of "Top Speed" which debuted Christmas Day, 1929. Her first film was in 1929 in A Night in a Dormitory (1930). It was a bit part, but it was a start. Later that year, Ginger appeared, briefly in two more films, A Day of a Man of Affairs (1929) and Campus Sweethearts (1930). For awhile she did both movies and theatre. The following year she began to get better parts in films such as Office Blues (1930) and The Tip-Off (1931). But the movie that enamored her to the public was Gold Diggers of 1933 (1933). She did not have top billing but her beauty and voice was enough to have the public want more. One song she popularized in the film was the now famous, "We're in the Money". Also in 1933 she was in 42nd Street (1933). She suggested using a monocle and this also set her apart. In 1934, she starred with Dick Powell in Twenty Million Sweethearts (1934). It was a well received film about the popularity of radio. Ginger's real stardom occurred when she was teamed with Fred Astaire where they were one of the best cinematic couples ever to hit the silver screen. This is where she achieved real stardom. They were first paired in 1933's Flying Down to Rio (1933) and later in 1935's Roberta (1935) and Top Hat (1935). Ginger also appeared in some very good comedies such as Bachelor Mother (1939) and Fifth Avenue Girl (1939) both in 1939. Also that year she appeared with Astaire in The Story of Vernon and Irene Castle (1939). The film made money but was not anywhere successful as they had hoped. After that studio executives at RKO wanted Ginger to strike out on her own. She made several dramatic pictures but it was 1940's Kitty Foyle (1940) that allowed her to shine. Playing a young lady from the wrong side of the tracks, she played the lead role well, so well in fact, that she won an Academy Award for her portrayal. Ginger followed that project with the delightful comedy, Tom, Dick and Harry (1941) the following year. It's a story where she has to choose which of three men she wants to marry. Through the rest of the 1940s and early 1950s she continued to make movies but not near the caliber before World War II. After Oh, Men! Oh, Women! (1957) in 1957, Ginger didn't appear on the silver screen for seven years. By 1965, she had appeared for the last time in Harlow (1965). Afterward, she appeared on Broadway and other stage plays traveling in Europe, the U.S. and Canada. After 1984, she retired and wrote an autobiography in 1991 entitled, "Ginger, My Story" which is a very good book. On April 25, 1995, Ginger died of natural causes in Rancho Mirage, California. She was 83. Show less «
My mother [Lela E. Rogers] told me I was dancing before I was born. She could feel my toes tapping wildly inside her for months.
My mother [Lela E. Rogers] told me I was dancing before I was born. She could feel my toes tapping wildly inside her for months.
When two people love each other, they don't look at each other, they look in the same direction.
When two people love each other, they don't look at each other, they look in the same direction.
[1983] They're not going to get my money to see the junk that's made today.
[1983] They're not going to get my money to see the junk that's made today.
The only way to enjoy anything in this life is to earn it first.
The only way to enjoy anything in this life is to earn it first.
[early 1930s] I don't know which I like best. I love the applause on the stage. But pictures are so fascinating - you reach many millions th...Show more »
[early 1930s] I don't know which I like best. I love the applause on the stage. But pictures are so fascinating - you reach many millions through them. And you make more money, too. Show less «
When you're happy, you don't count the years.
When you're happy, you don't count the years.
Hollywood is like an empty wastebasket.
Hollywood is like an empty wastebasket.
[on her partnership with Fred Astaire] After all, it's not as if we were Bud Abbott and Lou Costello. We did have careers apart from each ot...Show more »
[on her partnership with Fred Astaire] After all, it's not as if we were Bud Abbott and Lou Costello. We did have careers apart from each other. Show less «
The most important thing in anyone's life is to be giving something. The quality I can give is fun, joy and happiness. This is my gift.
The most important thing in anyone's life is to be giving something. The quality I can give is fun, joy and happiness. This is my gift.
[on working with Katharine Hepburn] She is snippy, you know, which is a shame. She was never on my side.
[on working with Katharine Hepburn] She is snippy, you know, which is a shame. She was never on my side.
[1987] It'd be fun to have a chum around, but it's very hard to have a chum unless you're married to him. And I don't believe in today's con...Show more »
[1987] It'd be fun to have a chum around, but it's very hard to have a chum unless you're married to him. And I don't believe in today's concept for living with someone unmarried. Show less «
Even when one is of a certain age to make one's own decisions, there are many times when it is great to be able to go back and talk it over ...Show more »
Even when one is of a certain age to make one's own decisions, there are many times when it is great to be able to go back and talk it over with the people one loves - one's family. Show less «
[her explanation for bringing excess luggage to London in 1969 for her year-long stint on stage as "Mame"] I believe in dressing for the occ...Show more »
[her explanation for bringing excess luggage to London in 1969 for her year-long stint on stage as "Mame"] I believe in dressing for the occasion. There's a time for sweater, sneakers and Levis and a time for the full-dress jazz. As for the little touches, well, a year is quite a long time and they make one feel at home. Show less «
[on her screen partnership with Fred Astaire] We had fun and it shows. True, we were never bosom buddies off the screen; we were different p...Show more »
[on her screen partnership with Fred Astaire] We had fun and it shows. True, we were never bosom buddies off the screen; we were different people with different interests. We were only a couple on film. Show less «
I'm most grateful to have had that joyous time in motion pictures. It really was a Golden Age of Hollywood. Pictures were talking, they were...Show more »
I'm most grateful to have had that joyous time in motion pictures. It really was a Golden Age of Hollywood. Pictures were talking, they were singing, they were coloring. It was beginning to blossom out: bud and blossom were both present. Show less «
In everything that I do I learn and try to put it to use. I have learned to go through life not into it. It's like a boat. You mustn't let t...Show more »
In everything that I do I learn and try to put it to use. I have learned to go through life not into it. It's like a boat. You mustn't let the water in or you're sunk. Of course, I've made mistakes and I have had failures, but I do not dwell on them because people don't care about garbage. When I make a mistake it's like a bad leaf on a lettuce - I throw it out into the wastebasket. Show less «
I don't care what the critics say. My fabulous mom [Lela E. Rogers] will give me a good review if nobody else does.
I don't care what the critics say. My fabulous mom [Lela E. Rogers] will give me a good review if nobody else does.
You bring out a lot of your own thoughts and attitudes when acting. I think a great deal of it has to do with the inner you. You know, there...Show more »
You bring out a lot of your own thoughts and attitudes when acting. I think a great deal of it has to do with the inner you. You know, there's nothing damnable about being a strong woman. The world needs strong women. There are a lot of strong women you do not see who are guiding, helping, mothering strong men. They want to remain unseen. It's kind of nice to be able to play a strong woman who is seen. Show less «
It was tough being a woman in the theatrical business in those days.
It was tough being a woman in the theatrical business in those days.
[1975] The were such a pretty time. I know it was a bad time for an awful lot of people, but not for me. I remember the whole atmosphere, th...Show more »
[1975] The were such a pretty time. I know it was a bad time for an awful lot of people, but not for me. I remember the whole atmosphere, the ambiance of the [1930s] with a glow because success was knocking at my door. I got to California in [1932], just in time to do Gold Diggers of 1933 (1933), where I sang "We're In the Money". It was a whole new life for me. I was excited about it. It was happy and beautiful and gay and interesting. I was surrounded by marvelous people, all the top people of our industry. Show less «
I think the motion pictures talked themselves out of business when they sold their backlogs [to TV networks]. They sold what they thought we...Show more »
I think the motion pictures talked themselves out of business when they sold their backlogs [to TV networks]. They sold what they thought were old clothes. It turns out some of them had better material in them than their new ones. Show less «
[on being asked in 1943 what a girl needs to be a movie star] Intelligence, adaptability and talent. And by talent I mean the capacity for h...Show more »
[on being asked in 1943 what a girl needs to be a movie star] Intelligence, adaptability and talent. And by talent I mean the capacity for hard work. Lots of girls come here with little but good looks. Beauty is a valuable asset, but it is not the whole cheese. Show less «
Rhythm is born in all of us. To be a desirable dancing partner you don't have to do all the intricate fancy steps that happen to be in vogue...Show more »
Rhythm is born in all of us. To be a desirable dancing partner you don't have to do all the intricate fancy steps that happen to be in vogue. All you have to do is be a good average dancer and anybody who spends the time and effort can accomplish this. Show less «
I believe in living each day as it comes, to the best of my ability. When it's done, I put it away, remembering that there will be a tomorro...Show more »
I believe in living each day as it comes, to the best of my ability. When it's done, I put it away, remembering that there will be a tomorrow to take it's place. If I have any philosophy, that's it. To me it's not a fatalistic attitude. Show less «
[1976, on Fred Astaire] I adore the man. I always have adored him. It was the most fortunate thing that ever happened to me, being teamed wi...Show more »
[1976, on Fred Astaire] I adore the man. I always have adored him. It was the most fortunate thing that ever happened to me, being teamed with Fred: he was everything a little starry-eyed girl from a small town ever dreamed of. Show less «
[on Howard Hughes] Howard was one of the best dancers I ever knew, and fascinating to be with. Terribly bright and intelligent. But he was i...Show more »
[on Howard Hughes] Howard was one of the best dancers I ever knew, and fascinating to be with. Terribly bright and intelligent. But he was immersed in his work. Show less «
I've made thousands of mistakes, but they've all been stepping stones toward a better concept of life.
I've made thousands of mistakes, but they've all been stepping stones toward a better concept of life.
Gossip is hardly uplifting.
Gossip is hardly uplifting.
I won't go to movies with permissiveness, four-letter words, or violence. Show me E.T. the Extra-Terrestrial (1982) and Chariots of Fire (19...Show more »
I won't go to movies with permissiveness, four-letter words, or violence. Show me E.T. the Extra-Terrestrial (1982) and Chariots of Fire (1981) instead. That's entertainment, not exploitation of the human body. Show less «
You've got to stand for something or you'll fall for anything.
You've got to stand for something or you'll fall for anything.
Part of the joy of dancing is conversation. Trouble is, some men can't talk and dance at the same time.
Part of the joy of dancing is conversation. Trouble is, some men can't talk and dance at the same time.
Looking back at my life's voyage, I can only say that it has been a golden trip.
Looking back at my life's voyage, I can only say that it has been a golden trip.
Perhaps I am old-fashioned, but black and white films still hold an affectionate place in my heart; they have an incomparable mystique and m...Show more »
Perhaps I am old-fashioned, but black and white films still hold an affectionate place in my heart; they have an incomparable mystique and mood. Show less «
There's nothing a man can do, that I can't do better and in heels.
There's nothing a man can do, that I can't do better and in heels.
There are no small parts. Only small actors.
There are no small parts. Only small actors.
The fun, joy, and humor dry up in a relationship when one of the partners is swimming in gin. To my way of thinking, it is selfishness perso...Show more »
The fun, joy, and humor dry up in a relationship when one of the partners is swimming in gin. To my way of thinking, it is selfishness personified to see life through the bottom of a liquor bottle. Show less «
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