Clark Gable
Birthday:
1 February 1901, Cadiz, Ohio, USA
Birth Name:
William Clark Gable
Height:
185 cm
William Clark Gable was born on February 1, 1901 in Cadiz, Ohio, to Adeline (Hershelman) and William Henry Gable, an oil-well driller. He was of German, Irish, and Swiss-German descent. When he was seven months old, his mother died, and his father sent him to live with his maternal aunt and uncle in Pennsylvania, where he stayed until he was two. H...
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William Clark Gable was born on February 1, 1901 in Cadiz, Ohio, to Adeline (Hershelman) and William Henry Gable, an oil-well driller. He was of German, Irish, and Swiss-German descent. When he was seven months old, his mother died, and his father sent him to live with his maternal aunt and uncle in Pennsylvania, where he stayed until he was two. His father then returned to take him back to Cadiz. At 16, he quit high school, went to work in an Akron, Ohio, tire factory, and decided to become an actor after seeing the play "The Bird of Paradise". He toured in stock companies, worked oil fields and sold ties. On December 13, 1924, he married Josephine Dillon, his acting coach and 15 years his senior. Around that time, they moved to Hollywood, so that Clark could concentrate on his acting career. In April 1930, they divorced and a year later, he married Maria Langham (a.k.a. Maria Franklin Gable), also about 17 years older than him.While Gable acted on stage, he became a lifelong friend of Lionel Barrymore. After several failed screen tests (for Barrymore and Darryl F. Zanuck), Gable was signed in 1930 by MGM's Irving Thalberg. He had a small part in The Painted Desert (1931) with starred William Boyd. Joan Crawford asked for him as co-star in Dance, Fools, Dance (1931) and the public loved him manhandling Norma Shearer in A Free Soul (1931) the same year. His unshaven lovemaking with bra-less Jean Harlow in Red Dust (1932) made him MGM's most important star.His acting career then flourished. At one point, he refused an assignment, and the studio punished him by loaning him out to (at the time) low-rent Columbia Pictures, which put him in Frank Capra's It Happened One Night (1934), which won him an Academy Award for his performance. The next year saw a starring role in Call of the Wild (1935) with Loretta Young, with whom he had an affair (resulting in the birth of a daughter, Judy Lewis). He returned to far more substantial roles at MGM, such as Fletcher Christian in Mutiny on the Bounty (1935) and Rhett Butler in Gone with the Wind (1939).After divorcing Maria Langham, in March 1939 Clark married Carole Lombard, but tragedy struck in January 1942 when the plane in which Carole and her mother were flying crashed into Table Rock Mountain, Nevada, killing them both. A grief-stricken Gable joined the US Army Air Force and was off the screen for three years, flying combat missions in Europe. When he returned the studio regarded his salary as excessive and did not renew his contract. He freelanced, but his films didn't do well at the box office. He married Silvia Ashley, the widow of Douglas Fairbanks, in 1949. Unfortunately this marriage was short-lived and they divorced in 1952. In July 1955 he married a former sweetheart, Kathleen Williams Spreckles (a.k.a. Kay Williams) and became stepfather to her two children, Joan and Adolph ("Bunker") Spreckels III.On November 16, 1959, Gable became a grandfather when Judy Lewis, his daughter with Loretta Young, gave birth to a daughter, Maria. In 1960, Gable's wife Kay discovered that she was expecting their first child. In early November 1960, he had just completed filming The Misfits (1961), when he suffered a heart attack, and died later that month, on November 16, 1960. Gable was buried shortly afterwards in the shrine that he had built for Carole Lombard and her mother when they died, at Forest Lawn Cemetery.In March 1961, Kay Gable gave birth to a boy, whom she named John Clark Gable after his father. Show less «
The only reason they come to see me is that I know that life is great - and they know I know it.
The only reason they come to see me is that I know that life is great - and they know I know it.
[on his acting ability] I worked like a son of a bitch to learn a few tricks and I fight like a steer to avoid getting stuck with parts I ca...Show more »
[on his acting ability] I worked like a son of a bitch to learn a few tricks and I fight like a steer to avoid getting stuck with parts I can't play. Show less «
This "King" stuff is pure bullshit. I eat and sleep and go to the bathroom just like everybody else. There's no special light that shines in...Show more »
This "King" stuff is pure bullshit. I eat and sleep and go to the bathroom just like everybody else. There's no special light that shines inside me and makes me a star. I'm just a lucky slob from Ohio. I happened to be in the right place at the right time, and I had a lot of smart guys helping me--that's all. Show less «
Working with Marilyn Monroe on The Misfits (1961) nearly gave me a heart attack. I have never been happier when a film ended.
Working with Marilyn Monroe on The Misfits (1961) nearly gave me a heart attack. I have never been happier when a film ended.
[about The Misfits (1961)] This is the best picture I have made, and it's the only time I've been able to act.
[about The Misfits (1961)] This is the best picture I have made, and it's the only time I've been able to act.
Hell, if I'd jumped on all the dames I'm supposed to have jumped on, I'd have had no time to go fishing.
Hell, if I'd jumped on all the dames I'm supposed to have jumped on, I'd have had no time to go fishing.
The things a man has to have are hope and confidence in himself against odds, and sometimes he needs somebody, his pal or his mother or his ...Show more »
The things a man has to have are hope and confidence in himself against odds, and sometimes he needs somebody, his pal or his mother or his wife or God, to give him that confidence. He's got to have some inner standards worth fighting for or there won't be any way to bring him into conflict. And he must be ready to choose death before dishonor without making too much song and dance about it. That's all there is to it. Show less «
It is an extra dividend when you like the girl you've fallen in love with.
It is an extra dividend when you like the girl you've fallen in love with.
I hate a liar. Maybe because I'm such a good one myself, heh? Anyway, to find someone has told an out-and-out lie puts him on the other side...Show more »
I hate a liar. Maybe because I'm such a good one myself, heh? Anyway, to find someone has told an out-and-out lie puts him on the other side of the fence from me for all time. Show less «
I'm no actor and I never have been. What people see on the screen is me.
I'm no actor and I never have been. What people see on the screen is me.
[on rumors he was dull in bed] I can't emote worth a damn.
[on rumors he was dull in bed] I can't emote worth a damn.
Everything Marilyn [Marilyn Monroe] does is different from any other woman, strange and exciting, from the way she talks to the way she uses...Show more »
Everything Marilyn [Marilyn Monroe] does is different from any other woman, strange and exciting, from the way she talks to the way she uses that magnificent torso. Show less «
[on Spencer Tracy] The guy's good. There's nobody in the business who can touch him, and you're a fool to try. And the bastard knows it, so ...Show more »
[on Spencer Tracy] The guy's good. There's nobody in the business who can touch him, and you're a fool to try. And the bastard knows it, so don't fall for that humble stuff! Show less «
Every picture I make, every experience of my private life, every lesson I learn are the keys to my future. And I have faith in it.
Every picture I make, every experience of my private life, every lesson I learn are the keys to my future. And I have faith in it.
I am intrigued by glamorous women . . . A vain woman is continually taking out a compact to repair her makeup. A glamorous woman knows she d...Show more »
I am intrigued by glamorous women . . . A vain woman is continually taking out a compact to repair her makeup. A glamorous woman knows she doesn't need to. Show less «
[about Gary Cooper] Coop is a right guy, the kind you like to hunt and fish with and not talk about making movies. I laid it on him one time...Show more »
[about Gary Cooper] Coop is a right guy, the kind you like to hunt and fish with and not talk about making movies. I laid it on him one time about his romance with Carole [Carole Lombard, Gable's wife] and he got pale as hell. She told me about it during a drunken argument we had. After that, Coop and I didn't hunt together so much and when we did, we kept an eye on each other. She used to throw him up to me in my face and that was hard to take, especially since I didn't know the whole truth until years later. I got to admit I was jealous. Show less «
[on playing Rhett Butler in Gone with the Wind (1939)] I discovered that Rhett was even harder to play than I had anticipated. With so much ...Show more »
[on playing Rhett Butler in Gone with the Wind (1939)] I discovered that Rhett was even harder to play than I had anticipated. With so much of Scarlett preceding his entrance, Rhett's scenes were all climaxes. There was a chance to build up to Scarlett, but Rhett represented drama and action every time he appeared. He didn't figure in any of the battle scenes, being a guy who hated war, amid he wasn't in the toughest of the siege of Atlanta shots. What I was fighting for was to hold my own in the first half of the picture--which is all Vivien's [Vivien Leigh]--because I felt that after the scene with the baby, Bonnie, Rhett could control the end of the film. That scene where Bonnie dies, and the scene where I strike Scarlett and she accidentally tumbles down stairs, thus losing her unborn child, were the two that worried me most. Show less «
Types really don't matter. I have been accused of preferring blondes. But I have known some mighty attractive redheads, brunettes, and yes, ...Show more »
Types really don't matter. I have been accused of preferring blondes. But I have known some mighty attractive redheads, brunettes, and yes, women with grey hair. Age, height, weight haven't anything to do with glamour. Show less «
[on Jean Harlow] She didn't want to be famous. She wanted to be happy.
[on Jean Harlow] She didn't want to be famous. She wanted to be happy.
I bring to a role everything I am, was and hope to be.
I bring to a role everything I am, was and hope to be.
This power that I'm supposed to have over women was never noticed when I was a stage actor on Broadway. I don't know when I got it. And by G...Show more »
This power that I'm supposed to have over women was never noticed when I was a stage actor on Broadway. I don't know when I got it. And by God, I can't explain it. Show less «
I don't believe I'm king of anything, but I know why they like to think I am. I'm not much of an actor, but I'm not bad unless it's one of t...Show more »
I don't believe I'm king of anything, but I know why they like to think I am. I'm not much of an actor, but I'm not bad unless it's one of those things outside my comprehension. I work hard. I'm no Adonis, and I'm as American as the telephone poles I used to climb to make a living. So men don't get sore if their women folks like me on the screen. I'm one of them, they know it, so it's a compliment to them. They see me broke, in trouble, scared of things that go bump in the night, but I come out fighting. They see me making love to Jean Harlow or Claudette Colbert and they say, 'If he can do it, I can do it,' and figure it'll be fun to go home and to make love to their wives. Show less «
[in 1958] My days of playing the dashing lover are over. I'm no longer believable in those parts. There has been considerable talk about old...Show more »
[in 1958] My days of playing the dashing lover are over. I'm no longer believable in those parts. There has been considerable talk about older guys wooing and winning leading ladies half their age. I don't think the public likes it, and I don't care for it myself. It's not realistic. Actresses that I started out with like Joan Crawford and Barbara Stanwyck have long since quit playing glamor girls and sweet young things. Now it's time I acted my age. Let's be honest. It's a character role, and I'll be playing more of them. There's a risk involved, of course. I have no idea if I can attain the success as a character actor as I did playing the dashing young lover, but it's a chance I have to take. Not everybody is able to do it. Show less «
I don't want a lot of strangers looking down at my wrinkles and my big fat belly when I'm dead.
I don't want a lot of strangers looking down at my wrinkles and my big fat belly when I'm dead.
When I die, don't let them make a circus out of it.
When I die, don't let them make a circus out of it.
Method actors are like hams.
Method actors are like hams.
If any child of mine becomes an actor I will turn in my grave.
If any child of mine becomes an actor I will turn in my grave.
The public interest in my playing Rhett [in Gone with the Wind (1939)] puzzled me. I was the only one, apparently, who didn't take it for gr...Show more »
The public interest in my playing Rhett [in Gone with the Wind (1939)] puzzled me. I was the only one, apparently, who didn't take it for granted that I would. I found myself trapped by a series of circumstances over which I had no control. It was a funny feeling. I think I know now how a fly must react after being caught in a spider's web. Scarlett doesn't always love Rhett. It's the first time that the girl isn't sure that she wants me from the minute she sets eyes on me. Show less «
Single men never have any problems. I suppose that the public builds some kind of idea from what they've seen of me on the screen.
Single men never have any problems. I suppose that the public builds some kind of idea from what they've seen of me on the screen.
I don't discuss women at all with anyone. There are good qualities in all women. Some may be lacking in some of these qualities and should h...Show more »
I don't discuss women at all with anyone. There are good qualities in all women. Some may be lacking in some of these qualities and should have them. I'm liable to say so and hurt their feelings, and it wouldn't be meant that way at all. Show less «
I was scared, when I discovered that I had been cast by the public. I felt that every reader would have a different idea as to how Rhett sho...Show more »
I was scared, when I discovered that I had been cast by the public. I felt that every reader would have a different idea as to how Rhett should be played on the screen, and I didn't see how I could please everybody. Show less «
["Miami News" article 1939 on public reaction to Gone with the Wind (1939)] Damn it. I never conceived of this. When I rode through Atlanta'...Show more »
["Miami News" article 1939 on public reaction to Gone with the Wind (1939)] Damn it. I never conceived of this. When I rode through Atlanta's streets today it wasn't like an opening at Grauman's Chinese at Hollywood. It wasn't like anything I ever experienced in my life. It was almost too big for me to take. For the first time I actually realized I wasn't Clark Gable to Atlanta, but Rhett Butler [laughs] . . . and I hope to heaven when I leave here tomorrow night, after everybody has seen the picture, that I leave as Rhett Butler and not Clark Gable. Show less «
[In 1932] I have been in show business for 12 years. They have known me in Hollywood but two. Yet as picture-making goes, two years is a lon...Show more »
[In 1932] I have been in show business for 12 years. They have known me in Hollywood but two. Yet as picture-making goes, two years is a long time. Nevertheless, my advice has never been asked about a part in a picture. I found out I was going into "Susan Lenox" in Del Monte. Read it in a paper. When I walked on the set one day, they told me I was going to play Red Dust (1932) in place of John Gilbert. I have never been consulted as to what part I would like to play. I am paid not to think. Show less «
I was pretty sore because they insisted on taping my ears back. One day, in a scene with [Greta Garbo], the tape snapped loose and one ear f...Show more »
I was pretty sore because they insisted on taping my ears back. One day, in a scene with [Greta Garbo], the tape snapped loose and one ear flapped in the breeze. That was the end of the taping. Show less «
They see me as an ordinary guy, like a construction worker or the guy who delivers your piano.
They see me as an ordinary guy, like a construction worker or the guy who delivers your piano.
It's a chain of accidents. When you step into Hollywood, you wind yourself into thousands of chains of accidents. If all of the thousands ha...Show more »
It's a chain of accidents. When you step into Hollywood, you wind yourself into thousands of chains of accidents. If all of the thousands happen to come out exactly right - and the chance of that figures out to be one in eight million - then you'll be a star. Show less «
[on playing Fletcher Christian in Mutiny on the Bounty (1935)] The character is a pansy. And I'm not going to be seen wearing a pigtail and ...Show more »
[on playing Fletcher Christian in Mutiny on the Bounty (1935)] The character is a pansy. And I'm not going to be seen wearing a pigtail and knickers. Show less «
[on Carole Lombard] After we got married, I asked her what she wanted more than anything. We were looking over the property and she said, "I...Show more »
[on Carole Lombard] After we got married, I asked her what she wanted more than anything. We were looking over the property and she said, "I'd like manure for the bottom thirty." And she meant it, too. Show less «
[on The Misfits (1961)] The title sums up this mess. [Arthur Miller, [Marilyn Monroe]and [Montgomery Clift]--they don't know what the hell t...Show more »
[on The Misfits (1961)] The title sums up this mess. [Arthur Miller, [Marilyn Monroe]and [Montgomery Clift]--they don't know what the hell they're doing. We don't belong in the same room together. Show less «
[What he wants on his tombstone] "He was lucky and he knew it".
[What he wants on his tombstone] "He was lucky and he knew it".
[on his preference for brothels] When it's over it's over. No questions, no tears, no farewell kisses.
[on his preference for brothels] When it's over it's over. No questions, no tears, no farewell kisses.
When I came to town 25 years ago my six feet, two inches were considered pretty high up. But year by year they keep coming in - taller and t...Show more »
When I came to town 25 years ago my six feet, two inches were considered pretty high up. But year by year they keep coming in - taller and taller. Today, it would appear than an actor under six feet is virtually a runt. (1955) Show less «
Rhett Butler
Peter Warne
Gay Langland
Jack Thornton