Christopher Plummer
Birthday:
13 December 1929, Toronto, Ontario, Canada
Birth Name:
Arthur Christopher Orme Plummer
Height:
179 cm
Arthur Christopher Orme Plummer was born in Toronto, Ontario. He is the only child of Isabella Mary (Abbott), a secretary to the Dean of Sciences at McGill University, and John Orme Plummer, who sold securities and stocks. He is a great-grandson of John Abbott, who was Canada's third Prime Minister (from 1891 to 1892), and a great-great-great-...
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Arthur Christopher Orme Plummer was born in Toronto, Ontario. He is the only child of Isabella Mary (Abbott), a secretary to the Dean of Sciences at McGill University, and John Orme Plummer, who sold securities and stocks. He is a great-grandson of John Abbott, who was Canada's third Prime Minister (from 1891 to 1892), and a great-great-great-grandson of Anglican clergyman John Bethune. He has Scottish, English, and Anglo-Irish ancestry. Plummer was raised in Senneville, Quebec, by Montreal.Until the 2009 Academy Awards were announced, it could be said about Plummer that he was the finest actor of the post-World War II period to fail to get an Academy Award. In that, he was following in the footsteps of the late great John Barrymore, whom Plummer so memorably portrayed on Broadway in a one-man show that brought him his second Tony Award.In 2010, Plummer finally got an Oscar nod for his portrayal of another legend, Leo Tolstoy in The Last Station (2009). Two years later, the first paragraph of his obituary was written when the 82-year-old Plummer became the oldest person in Academy history to win an Oscar. He won for playing a senior citizen who comes out as gay after the death of his wife in the movie Beginners (2010). As he clutched his statuette, the debonaire thespian addressed it thusly: "You're only two years older than me darling, where have you been all of my life?"Plummer then told the audience that at birth, "I was already rehearsing my Academy acceptance speech, but it was so long ago mercifully for you I've forgotten it."The Academy Award was a long time in coming and richly deserved.Aside from the youngest member of the Barrymore siblings (which counted Oscar-winners Ethel Barrymore and Lionel Barrymore in their number), Christopher Plummer is the premier Shakespearean actor to come out of North America in the 20th century. He was particularly memorable as Hamlet, Iago and Lear, though his Macbeth opposite Glenda Jackson was -- and this was no surprise to him due to the famous curse attached to the "Scottish Play" -- a failure.Plummer also has given many fine portrayals on film, particularly as he grew older and settled down into a comfortable marriage with his third wife Elaine. He thanked her from the stage during the 2012 Oscar telecast, quipping that she "deserves the Nobel Peace Prize for coming to my rescue every day of my life."Like another great stage actor, Richard Burton, the younger Plummer failed to connect with the screen in a way that would make him a star. Dynamic on stage, the charisma failed to transfer through the lens onto celluloid. Burton's early film career, when he was a contract player at 20th Century-Fox, failed to ignite despite his garnering two Oscar nominations early on. He did not become a superstar until the mid-1960s, after hooking up with Elizabeth Taylor on the set of Cleopatra (1963). It was Liz whom he credited with teaching him how to act on film.Christopher Plummer never made it as a leading man in films. Perhaps if he had been born earlier, and acted in the studio system of Hollywood's golden age, he could have been carefully groomed for stardom. As it was he shared the English stage actors' disdain -- and he was equally at home in London as he was on the boards of Broadway or on-stage in his native Canada -- for the movies, which did not help him in that medium, as he has confessed. As he aged, Plummer excelled at character parts. He was always a good villain, this man who garnered kudos playing Lucifer on Broadway in Archibald Macleish's Pulitzer Prize-winning "J.B.".Though he likely always be remembered as "Captain Von Trapp" in the atomic bomb-strength blockbuster The Sound of Music (1965) (a film he publicly despised until softening his stance in his 2008 autobiography "In Spite of Me"), his later film work includes such outstanding performances as the best cinema Sherlock Holmes--other than Basil Rathbone -- in Murder by Decree (1979), the chilling villain in The Silent Partner (1978), his iconoclastic Mike Wallace in The Insider (1999), the empathetic psychiatrist in A Beautiful Mind (2001), and as Leo Tolstoy in The Last Station (2009). It was this last role that finally brought him recognition from the Academy of Motion Picture Arts & Sciences, when he was nominated as Best Actor in a supporting role.Plummer remains one of the most respected and honored actors performing in the English language. He's won two Emmy Awards out of six nominations stretching 46 years from 1959 and 2005, and one Genie Award in five nominations from 1980 to 2004. For his stage work, Plummer has racked up two Tony Awards on six nominations, the first in 1974 as Best Actor (Musical) for the title role in "Cyrano" and the second in 1997, as Best Actor (Play), in "Barrymore".Surprisingly, he did not win (though he was nominated) for his masterful 2004 performance of "King Lear", which he originated at the Stratford Festival in Ontario and brought down to Broadway for a sold-out run. His other Tony nominations show the wide range of his talent, from a 1959 nod for the Elia Kazan-directed production of Macleish's "J.B." to recognition in 1994 for Harold Pinter's "No Man's Land", with a 1982 Best Actor (Play) nomination for his "Iago" in William Shakespeare's "Othello".He continues to be a very in-demand character actor in prestigious motion pictures. If he were English rather than Canadian, he'd have been knighted long ago. (In 1968, he was awarded Companion of the Order of Canada, the country's highest civilian honor and one which required the approval of the sovereign, Queen Elizabeth II.) If he lived in the company town of Los Angeles rather than in Connecticut, he likely would have several more Oscar nominations before winning his first for "The Last Station".As it is, as attested to in his witty and well-written autobiography, Christopher Plummer has been amply rewarded in life. In 1970, Plummer - a self-confessed 43-year-old "bottle baby" - married his third wife, dancer Elaine Taylor, who helped wean him off his dependency on alcohol. They live happily with their dogs on a 30-acre estate in Weston, Connecticut. Although he spends the majority of his time in the United States, he remains a Canadian citizen.His daughter, with actress Tammy Grimes, is actress Amanda Plummer. Show less «
[why he prefers playing evil characters] The devil is more interesting than God.
[why he prefers playing evil characters] The devil is more interesting than God.
Unless you can surround yourself with as many beautiful things as you can afford, I don't think life has very much meaning.
Unless you can surround yourself with as many beautiful things as you can afford, I don't think life has very much meaning.
I'm bored with questions about acting.
I'm bored with questions about acting.
[on working with Dame Julie Andrews] Working with her is like being hit over the head with a Valentine's card.
[on working with Dame Julie Andrews] Working with her is like being hit over the head with a Valentine's card.
[on Franchot Tone, who starred onstage with him in "The Petrified Forest"] His sense of humor, as one might guess, was seemingly self-deprec...Show more »
[on Franchot Tone, who starred onstage with him in "The Petrified Forest"] His sense of humor, as one might guess, was seemingly self-deprecating, drawn always from this inexplicable inner torment. These vulnerable qualities were to make his Chekovian performances ("Uncle Vanya" and "A Moon for the Misbegotten"), both of whom I later saw, so memorable - a rare combination of lightness and poignancy... I saw in him someone I could perhaps one day aspire to; not the hidden sad, pained man that was part of Franchot but the part he couldn't conceal, no matter how hard he tried, the part that was refined, noble and infinitely kind. Show less «
[on working with Michael Langham] Hamlet can sound self-pitying. He's always whining, something being rotten in Denmark and the world so awf...Show more »
[on working with Michael Langham] Hamlet can sound self-pitying. He's always whining, something being rotten in Denmark and the world so awful. To get over that, Michael suggested that because Hamlet himself had a large intellect, that he turned those complaining moments into a kind of wonderment and would analyze everything as a fresh discovery. It was a superb way of getting rid of the danger of self-pity, and an astounding piece of direction because it was valuable throughout the play. Show less «
[on working with Michael Langham] When I did "Henry V", he changed my life. Really owe my career to Michael.
[on working with Michael Langham] When I did "Henry V", he changed my life. Really owe my career to Michael.
[on being asked whether he had made his peace with his most famous film The Sound of Music (1965)] Oh, God no.
[on being asked whether he had made his peace with his most famous film The Sound of Music (1965)] Oh, God no.
[on the enduring appeal of The Sound of Music (1965)] Yeah, it drives me nuts. It has nothing to do with the movie, it's just a relentless p...Show more »
[on the enduring appeal of The Sound of Music (1965)] Yeah, it drives me nuts. It has nothing to do with the movie, it's just a relentless pursuing of this film that goes on and on and I've gone on and on, far above and beyond it and then to be reminded of it, God almighty what is the matter with people? Show less «
Too many people in the world are unhappy with their lot. And then they retire and they become vegetables. I think retirement in any professi...Show more »
Too many people in the world are unhappy with their lot. And then they retire and they become vegetables. I think retirement in any profession is death, so I'm determined to keep crackin'. Show less «
[2011, a revised opinion on The Sound of Music (1965)] People were unnaturally sentimental about the film. So I always gave it a tough time....Show more »
[2011, a revised opinion on The Sound of Music (1965)] People were unnaturally sentimental about the film. So I always gave it a tough time. But a few years ago, I went to an Easter party and had to watch the damn thing with these kids. I was a prisoner! And then I thought, it's got everything - the lovely songs, the Nazis and the nuns and the kids. It's timeless and I'm grateful for it. Show less «
[on receiving a Screen Actors Guild award for Beginners (2010)] I just can't tell you what fun I've had being a member of the world's second...Show more »
[on receiving a Screen Actors Guild award for Beginners (2010)] I just can't tell you what fun I've had being a member of the world's second oldest profession. When they honor you, it's like being lit by the holy grail. Show less «
[on the ability to convey a sense of pathos] Very few people have it naturally - Chaplin, Brando. It's a gift. But you can learn how to fake...Show more »
[on the ability to convey a sense of pathos] Very few people have it naturally - Chaplin, Brando. It's a gift. But you can learn how to fake it. Show less «
Ewan (McGregor) doesn't act, he inhabits a role. And, of course, he makes you not act and inhabit the role, like it's a competition. I owe t...Show more »
Ewan (McGregor) doesn't act, he inhabits a role. And, of course, he makes you not act and inhabit the role, like it's a competition. I owe that to him. Show less «
As T.S. Eliot measures his life with coffee spoons, so I measure mine by the plays I've been in. I'm too vague to measure any other way.
As T.S. Eliot measures his life with coffee spoons, so I measure mine by the plays I've been in. I'm too vague to measure any other way.
The theatre is not for sissies. It separates the men from the boys.
The theatre is not for sissies. It separates the men from the boys.
[a portion of his Oscar acceptance speech for Beginners (2010)] I would happily share this award with [Ewan McGregor] if I had any decency b...Show more »
[a portion of his Oscar acceptance speech for Beginners (2010)] I would happily share this award with [Ewan McGregor] if I had any decency but I don't. Show less «
[to his Oscar statuette at the 2012 Academy Awards] You're only two years older than me, darling. Where have you been all my life?
[to his Oscar statuette at the 2012 Academy Awards] You're only two years older than me, darling. Where have you been all my life?
[on cell-phones ringing during a live performance] The only thing to do is to say something like "I'll get it." The audience gives you appla...Show more »
[on cell-phones ringing during a live performance] The only thing to do is to say something like "I'll get it." The audience gives you applause because they hate it too. Show less «
I think many of today's politicians take a typical CEO mentality when it comes to the arts. It's anathema to them. It's the last thing they ...Show more »
I think many of today's politicians take a typical CEO mentality when it comes to the arts. It's anathema to them. It's the last thing they think of when it comes to funding; it's way down at the bottom of the list. That is unconscionable. It's so stupid and narrow-minded. They don't realize. It's all about political manoeuvring. Show less «
Television is certainly more skilfully handled [now] than it was then. There are certain things, like Sherlock (2010), which is enchanting a...Show more »
Television is certainly more skilfully handled [now] than it was then. There are certain things, like Sherlock (2010), which is enchanting and perfectly right for a younger audience. And the truly wonderful thing about it is that it is not disloyal to the original. There's a Conan Doyle feeling about it - something that Doyle would have written for this age. Benedict [Cumberbatch] is a superb actor. I love his beats. Those are rare things that happen marvelously in this medium. Show less «
[on Mike Wallace and his impact on public affairs programming] He had a lot to do with making it dangerous. He understood media. He understo...Show more »
[on Mike Wallace and his impact on public affairs programming] He had a lot to do with making it dangerous. He understood media. He understood how you could break down a person in front of a camera. It's a cruel medium. You have to deal with it skillfully. He was not a horrid man. I met him. He was very likable and very bright. But he knew it was a cruel medium and that it was an instant medium. It's now; it's in the moment. You can't rehearse it; you can't be glib. That's really what television is about. It's about what's happening in the streets, all the awful wars, all the awful things that are happening. Show less «
The writing was superior [in the '50s]. But then we had all the best writers, Horton Foote and others, writing for this brash new medium. It...Show more »
The writing was superior [in the '50s]. But then we had all the best writers, Horton Foote and others, writing for this brash new medium. It was as exciting as hell. It was an adventure. Television has become a little glossy. A little too comfortable. Show less «
I was much a part of live television in the '50s. There was something terribly honest about live television and terribly dangerous and terri...Show more »
I was much a part of live television in the '50s. There was something terribly honest about live television and terribly dangerous and terribly risky. You were bound to learn your lines without bumping into each other, which we did a lot of. Show less «
[observation, 2014] I'm thrilled to be around still, and I don't want to blow my horn, but I've done so many more parts than Barrymore ever ...Show more »
[observation, 2014] I'm thrilled to be around still, and I don't want to blow my horn, but I've done so many more parts than Barrymore ever got a chance to do. That Barrymore wasn't able - or willing to show his true range is one of the great missed opportunities of the theatrical stage. A terrible waste. Show less «
[on turning down the role of Gandalf in the Lord of the Rings trilogy] I don't know why I turned it down. I think it had to do with spending...Show more »
[on turning down the role of Gandalf in the Lord of the Rings trilogy] I don't know why I turned it down. I think it had to do with spending four years in New Zealand. There's other countries I want to visit before I croak. But Ian McKellen got the role and he was fantastic in it. He played the role really warm and kind and I hate the son-of-a-bitch! Show less «
Simon Wyler
Fred
Captain Newport
Aristotle
John Adams Gates
Dr. Goines
Grand Duke
Captain von Trapp
Sir Charles Lytton
Mike Wallace
Erwin Rommel
Leo Tolstoy
General Chang
Charles F. Muntz
Hal Fields
Arthur Case
William Fawcett Robinson
Zev Guttman
Doctor Parnassus
Dr. Rosen
Det. John Mackey
Joseph Cutter
Van Helsing
Dean Whiting
Rudyard Kipling
Frank Grubman
Henri
Kaiser Wilhelm II
Henrik Vanger
Ebenezer Scrooge
Jack Jaconi