Carol Burnett
Birthday:
26 April 1933, San Antonio, Texas, USA
Birth Name:
Carol Creighton Burnett
Height:
169 cm
The entertainment world has enjoyed a five-decade love affair with comedienne/singer Carol Burnett. A peerless sketch performer and delightful, self-effacing personality who rightfully succeeded Lucille Ball as the carrot-topped "Queen of Television Comedy," it was Burnett's traumatic childhood that set the stage for her comedy.Carol...
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The entertainment world has enjoyed a five-decade love affair with comedienne/singer Carol Burnett. A peerless sketch performer and delightful, self-effacing personality who rightfully succeeded Lucille Ball as the carrot-topped "Queen of Television Comedy," it was Burnett's traumatic childhood that set the stage for her comedy.Carol's rags-to-riches story started out in San Antonio, Texas, on April 26, 1933, where she was born to Jodie and Louise Burnett, both of whom suffered from acute alcoholism. As a child, she was left in the care of a beloved grandmother, who shuttled the two of them off to Hollywood, California, where they lived in a boarding house and shared a great passion for the Golden Age of movies. The plaintive, loose-limbed, highly sensitive Carol survived her wallflower insecurities by grabbing attention as a cut-up at Hollywood High School. A natural talent, she attended the University of California and switched majors from journalism to theater. Scouting out comedy parts on TV and in the theater, she first had them rolling in the aisles in the mid-1950s performing a lovelorn novelty song called "I Made a Fool of Myself Over John Foster Dulles" (then Secretary of State) in a nightclub act. This led to night-time variety show appearances with Jack Paar and Ed Sullivan and where the career ball really started rolling.Carol's first big TV breaks came at age 22 and 23 as a foil to a ventriloquist's dummy on the already-established The Paul Winchell and Jerry Mahoney Show (1950) in 1955, and as Buddy Hackett's gawky girlfriend on the short-lived sitcom Stanley (1956). She also developed an affinity for game shows and appeared as a regular on one of TV earliest, Pantomime Quiz (1947) in 1958. While TV would bring Carol fans by the millions, it was Broadway that set her on the road to stardom. She began as the woebegone Princess Winnifred in the 1959 Broadway musical "Once Upon a Mattress" which earned her first Tony Award nomination. [She would later appear in three TV adaptations - Once Upon a Mattress (1964), Once Upon a Mattress (1972) and The Wonderful World of Disney: Once Upon a Mattress (2005).] This, in turn, led to the first of an armful of Emmy Awards as a repertoire player on the popular variety series The Garry Moore Show (1958) in 1959. Burnett invented a number of scene-stealing characters during this time, most notably her charwoman character. With the phenomenal household success of the Moore show, she moved up quickly from second banana to headliner and appeared in a 1962 Emmy-winning special Julie and Carol at Carnegie Hall (1962) co-starring close friend Julie Andrews. She earned the Outer Critics Circle Award for the short-lived musical "Fade Out, Fade In" (1964); and made her official film debut opposite Bewitched (1964) star Elizabeth Montgomery and Dean Martin in the lightweight comedy Who's Been Sleeping in My Bed? (1963).Not surprisingly, fellow redhead Lucille Ball, who had been Carol's treasured idol growing up, subsequently became a friend and mentor to the rising funny girl. Hilarious as a guest star on The Lucy Show (1962), Carol appeared as a painfully shy (natch) wallflower type who suddenly blooms in jaw-dropping fashion. Ms. Ball was so convinced of Carol's talent that she offered Carol her own Desilu-produced sitcom, but Burnett had her heart set on fronting a variety show. With her own team of second bananas, including character crony Harvey Korman, handsome foil Lyle Waggoner, and lookalike "kid sister" type Vicki Lawrence, the The Carol Burnett Show (1967) became an instant sensation, and earned 22 Emmy Awards during its 11-year run. It allowed Carol to fire off her wide range of comedy and musical ammunition--whether running amok in broad sketch comedy, parodying movie icons such as Gloria Swanson, Shirley Temple, Vivien Leigh or Joan Crawford, or singing/gushing alongside favorite vocalists Jim Nabors, Steve Lawrence, Peggy Lee, Sammy Davis Jr., Ella Fitzgerald and Mel Tormé. She managed to bring in huge stars not known at all for slapstick comedy, including Rock Hudson and even then-Governor Ronald Reagan while providing a platform for such up-and-coming talent as Bernadette Peters and The Pointer Sisters In between, Carol branched out with supporting turns in the films Pete 'n' Tillie (1972), The Front Page (1974) and Robert Altman's A Wedding (1978).Her program, whose last episode aired in March of 1978, was the last truly successful major network variety show to date. Carol took on new challenges to display her unseen dramatic mettle, and accomplished this amazingly in TV-movie showcases. She earned an Emmy nomination for her gripping portrayal of anti-Vietnam War activist Peg Mullen in Friendly Fire (1979), and convincingly played a woman coming to terms with her alcoholism in Life of the Party: The Story of Beatrice (1982). Neither character bore any traces of the usual Burnett comedy shtick. Though she proved she could contain herself for films, Carol was never able to acquire crossover success into movies, despite trouper work in The Four Seasons (1981), Annie (1982) (as the hammy villainess Miss Hannigan), and Noises Off... (1992). The last two roles had been created onstage by Broadway's Dorothy Loudon.Carol would return from time to time to the stage and concert forums with productions of "Plaza Suite", "I Do! I Do", "Follies", "Company" and "Putting It Together". A second Tony nomination came for her comedy work in "Moon Over Buffalo" in 1995. Carol has made frequent appearances on her own favorite TV shows too, such as Password (1961) (along with Elizabeth Montgomery, Carol was considered one of the show's best players) and the daytime soaper, All My Children (1970).During the early 1990s, Carol attempted a TV comeback of sorts, with a couple of new variety formats in Carol & Company (1990) and The Carol Burnett Show (1991), but neither could recreate the magic of the original. She has appeared, sporadically, on various established shows such as "Magnum, P.I.," "Touched by an Angel," "Mad About You" (for which she won an Emmy), "Desperate Housewives," "Law & Order: Special Victims Unit (Emmy nomination), "Hawaii Five-0," "Glee" and "Hot in Cleveland." Befitting such a classy clown, she has received a multitude of awards over time, including the 2003 Kennedy Center Honors and the Presidential Medal of Freedom in 2005. She was inducted into the Television Hall of Fame in 1985. Her personal life has been valiant--tears in between the laughs. Married three times, her second union with jazz-musician-turned-variety-show-producer Joe Hamilton produced three daughters. Eldest girl, Carrie Hamilton, an actress and former teen substance abuser, tragically died of lung and brain cancer at age 38. Shortly before Carrie's death, mother and daughter managed to write a play, together, entitled "Hollywood Arms", based on Carol's 1986 memoir, "One More Time". The show subsequently made it to Broadway.Today, at age 80 plus, Carol has been seen less frequently but still continues to make appearances, especially on TV. Most recently she has guested on the shows "Hot in Cleveland" and the new "Hawaii Five-0". As always she signs off a live appearance with her signature ear tug (acknowledging her late grandmother), reminding us all, between the wisecracks and the songs, how glad and lucky we all are to still have some of "this time together". Show less «
[about her youth] Sometimes a guy would ask me to jitterbug, but nine times out of ten, they were not only a foot shorter than I was, but ge...Show more »
[about her youth] Sometimes a guy would ask me to jitterbug, but nine times out of ten, they were not only a foot shorter than I was, but geeks to boot. Show less «
Comedy is tragedy -- plus time.
Comedy is tragedy -- plus time.
Having seen Harvey Korman as Danny Kaye's second banana - this was like Carl Reiner to Sid Caesar and Art Carney to Jackie Gleason - I said,...Show more »
Having seen Harvey Korman as Danny Kaye's second banana - this was like Carl Reiner to Sid Caesar and Art Carney to Jackie Gleason - I said, "We've got to get somebody like him." And when Danny's show went off the air, we said: "Duh. Why don't we get him?" When I do the Q&As, I talk about Harvey and pay tribute to him. He approached everything from an acting standpoint, and having the comedy chops to go with it, that's a jewel. When you play tennis, it's important to play with a better player because it makes your game better. Well, Harvey made my game better. I miss him dreadfully. And Tim Conway, God bless him, is just a genius when it comes to improvising, coming up with stuff that we never rehearsed. Show less «
I think the hardest thing to do in the world, show-business-wise, is write comedy. We had a great staff of writers, and if we had a sketch w...Show more »
I think the hardest thing to do in the world, show-business-wise, is write comedy. We had a great staff of writers, and if we had a sketch we were rehearsing and it wasn't working, we'd call the writers down and show them what we had come up with. And there were no egos. In 11 years, we never had a writer get angry because we made it a little bit more of our own and maybe a little improved. They would jump in and say, "Oh okay, how about this then, while you're doing that?" We were all in the sandbox together. Show less «
I was once asked to do my Tarzan yell at Bergdorf Goodman, and a guard burst in with a gun! Now I only do it under controlled circumstance.
I was once asked to do my Tarzan yell at Bergdorf Goodman, and a guard burst in with a gun! Now I only do it under controlled circumstance.
I had the imprint as a child that if Mickey and Judy could put a show on in a barn and then it got to Broadway, well that's just the way thi...Show more »
I had the imprint as a child that if Mickey and Judy could put a show on in a barn and then it got to Broadway, well that's just the way things are! Inside I always knew I would be okay. Show less «
[on never trying stand-up comedy] I can't tell a joke to save my soul. It's just not my thing, though I love to listen to jokes. I remember ...Show more »
[on never trying stand-up comedy] I can't tell a joke to save my soul. It's just not my thing, though I love to listen to jokes. I remember Ed Wynn, a famous comedian who started out in vaudeville, once said "Stand-up comedians say funny things. Sketch comedians say things funny." Isn't that a good distinction? Show less «
I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, b...Show more »
I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie. The networks just wouldn't spend the money today. Show less «
[on discovering the potential of her Friend and protégé Vicki Lawrence] There was something about her that drew the audience to her, and t...Show more »
[on discovering the potential of her Friend and protégé Vicki Lawrence] There was something about her that drew the audience to her, and that's something you're born with, She bore such a resemblance to me; that was obvious. Show less «
[on her friend Vicki Lawrence playing Mama] Each time we did it, [Vicki] knocked it out of the ballpark, It's so funny. She started out as m...Show more »
[on her friend Vicki Lawrence playing Mama] Each time we did it, [Vicki] knocked it out of the ballpark, It's so funny. She started out as my kid sister and wound up as my mother!. Show less «
God bless the theatre. And please let there be a way for it to thrive..forever.
God bless the theatre. And please let there be a way for it to thrive..forever.
When you have dream, you've got to garb it and never let it go.
When you have dream, you've got to garb it and never let it go.
[on her protégé Vicki Lawrence] I adore Vicki, we adore each other!
[on her protégé Vicki Lawrence] I adore Vicki, we adore each other!
I can't dance! I was fair at faking it all these years, but I am NOT and never was, a dancer.
I can't dance! I was fair at faking it all these years, but I am NOT and never was, a dancer.
[on working with Tim Conway when he went off script] I often thought that I should have some investment in Depends, because nobody could be ...Show more »
[on working with Tim Conway when he went off script] I often thought that I should have some investment in Depends, because nobody could be with Tim and keep a straight face. Show less «
The best advice that I could give is be kind.
The best advice that I could give is be kind.
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