Bill Bixby
Birthday:
22 January 1934, San Francisco, California, USA
Birth Name:
Wilfred Bailey Everett Bixby III
Height:
175 cm
The son of a sales clerk and a department store owner, Bill Bixby was the sixth-generation Californian born as Wilfred Bailey Bixby, on January 22, 1934, in San Francisco, California. An only child growing up in the 1940s and 1950s, he attended schools in the same area, took ballroom dance lessons, before attending Lowell High School, where he exce...
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The son of a sales clerk and a department store owner, Bill Bixby was the sixth-generation Californian born as Wilfred Bailey Bixby, on January 22, 1934, in San Francisco, California. An only child growing up in the 1940s and 1950s, he attended schools in the same area, took ballroom dance lessons, before attending Lowell High School, where he excelled in drama. After his graduation from high school, he attended San Francisco City College, where he majored in drama. He transferred to the University of California-Berkeley, where he majored in the pre-law program, but never stopped falling in love with his interest in acting. After almost graduating, he left his native San Francisco, to travel to Los Angeles, where he became a lifeguard and a bellhop.Two years later, in 1959, two executives noticed him and hired him immediately for commercial work and modeling, in Detroit, Michigan. At the same time, he auditioned for theater roles. He joined the Detroit Civic Theatre Company and made his professional stage debut in the musical, "The Boy Friend". Long after his trip to Michigan, he continued doing commercial work and made numerous guest appearances on popular TV sitcoms.He made his TV debut in an episode of The Many Loves of Dobie Gillis (1959). He also did many other roles, most notably as "Charles Raymond" in The Joey Bishop Show (1961). After many guest and recurring roles, he landed a co-starring role opposite Ray Walston in My Favorite Martian (1963), in which he portrayed a newspaper reporter playing host to a visitor from another planet. After the first season, it became a hit and Bixby became a household name to millions of fans who liked the show. The show was going well until its cancellation in 1966, which left Bixby in the dark, for the time being. However, he finally got the chance to go onto the big screen. The first of the four post-"Martian" 60s movies he played in was the Western, Ride Beyond Vengeance (1966). The following year, he played in Doctor, You've Got to Be Kidding! (1967) and, soon after, he was approached by Elvis Presley to appear in both Clambake (1967), and Speedway (1968). Afterwards, he once again returned to series television, this time playing widowed father, "Tom Corbett", on The Courtship of Eddie's Father (1969), based on the popular 1963 movie. After its first season, it became a much bigger hit than his first show and Bixby, heretofore one of Hollywood's most confirmed bachelors, changed his views on marriage and family, subsequently taking actress Brenda Benet as his bride and fathering a son. He also tried his hand at directing an episode of the series, called "Gifts Are For Giving", about Norman's highly treasured gift. After completing its second season, Bixby received an Emmy nomination for Lead Actor in a Comedy Series, but didn't win. By its third season in 1972, the show had bad scripts and ABC decided to pull the plug.Once again, Bixby was not long out of work and was offered a chance to star in a lead role as "Anthony Dorian/Anthony Blake", on his first and only NBC dramatic series called, The Magician (1973). The show focused on Anthony performing magic tricks which helped people who were in trouble, and in real-life, Bill became a fine magician, performing to both children and adults. But sadly, the show was canceled after one season due to its expensive costs.After a seven-year absence from the big screen, he co-starred in another western, opposite Don Knotts and Tim Conway, in The Apple Dumpling Gang (1975). Like most of the theatrical movies he did, it was not a blockbuster at the box office, but was still an average hit. In late 1977, he was offered the role of "Dr. David Bruce Banner", in a two-hour pilot called, The Incredible Hulk: The Incredible Hulk (1977). About a physician/scientist who turned into a green monster whenever he became angry, the idea appealed to CBS, and several months later, they premiered a new science fiction-dramatic series, called, The Incredible Hulk (1978). When it debuted as a mid-season replacement, it became the #1 show in the United States, and in many other countries. His character became famous for ripping up shirts each time he turned into the Hulk, played by bodybuilder Lou Ferrigno. Bixby had wanted to direct some episodes, but the time he had to spend in the make-up chair for the transformation sequences made that problematical, and he managed to helm only one segment, "Bring Me the Head of the Hulk", in the fourth season. The series was canceled in 1981 (although the last few episodes didn't air until 1982).Bixby, once again, came back to series television, acting in, producing and directing his last sitcom, Goodnight, Beantown (1983), on which he played "Matt Cassidy". Chosen for the role of "Jennifer Barnes", was one of Bixby's old friends, Mariette Hartley, who had won an Emmy for her guest appearance in The Incredible Hulk (1978) as Banner's second wife. The two played co-anchor newscasters of a Boston television station whose sparring on and off the air developed into friendship and respect. Discounting a brief, inconsequential return to the network's schedule in the summer of 1984, the series lasted for less than a year, from April 1983 to January 1984.Bixby now decided to concentrate on directing and worked on Wizards and Warriors (1983), Goodnight, Beantown (1983) and Sledge Hammer! (1986). He also directed the pilot for a New York spy series, "Rockhopper". He also appeared in front of the camera as the host of the daytime anthology series, True Confessions (1985), which dealt with real-life crises of everyday people. Bixby additionally served as host for two shows targeting younger viewers: "Against the Odds", a series of biographies of prominent people, frequently from history, for the Nickelodeon cable channel; and "Once Upon a Classic", a collection of British TV adaptations of literary classics on PBS.He came back to reprise his role of "Dr. David Banner" from The Incredible Hulk (1978) by acting in, producing, and directing the three spin-off movies: The Incredible Hulk Returns (1988), The Trial of the Incredible Hulk (1989) and The Death of the Incredible Hulk (1990). He also directed TV movies such as Baby of the Bride (1991) and Another Pair of Aces: Three of a Kind (1991).In April 1991, while directing one of his last movies, he became very ill and was diagnosed with prostate cancer. He underwent surgery and by December, his cancer seemed to be in remission, so he came back to guest star as "Nick Osborne" in a two-hour TV movie/pilot called Diagnosis Murder: Diagnosis of Murder (1992). In mid-1992, while his cancer continued to be in remission, Bixby returned to work as a director to direct several episodes of the popular NBC sitcom, Blossom (1990), where he became the main director of the show. At first, he hid his illness from the cast and crew, until one of the producers found out, and then he announced publicly that he wanted to continue working until he could no longer do so. Prior to going public with his cancer, he directed a TV movie starring Roseanne Barr and Tom Arnold, The Woman Who Loved Elvis (1993), which was his final directing project.Unfortunately, the cancer returned by mid-1993 and, on November 21, 1993, six days after directing his last episode on "Blossom" (1991), Bill Bixby died at his home after a two-year battle with cancer at age 59. For over 30 years, he was in great demand and his big roles and directing credits have been a personal testimony to his fans. His life is gone, but his legacy lives on for years to come. Show less «
Everyone fantasizes. We all want to be something we're not.
Everyone fantasizes. We all want to be something we're not.
I have learned that there is no way to succeed in anything unless you are willing to try--and trying means you run the risk of failure.
I have learned that there is no way to succeed in anything unless you are willing to try--and trying means you run the risk of failure.
[on receiving the script for The Incredible Hulk (1978) pilot] I didn't even like the title. I wanted to make fun of it because of its name....Show more »
[on receiving the script for The Incredible Hulk (1978) pilot] I didn't even like the title. I wanted to make fun of it because of its name. I told my agent, "You've got to be kidding!" when he suggested I might be interested in it. He said, "Read it!" and so I took it home and thanks to his intelligence, I did read it. Right away I knew this could be done in the style of the monster pictures or the creature films of the 1940s. But one advantage we enjoy over the previous monster pictures is that the Hulk is not evil. Show less «
I'm a loner as a person, but then I always was, even as a child.
I'm a loner as a person, but then I always was, even as a child.
[on the cancellation of The Courtship of Eddie's Father (1969)]: I cannot tell you how disappointed I was. I wanted that series to go on to ...Show more »
[on the cancellation of The Courtship of Eddie's Father (1969)]: I cannot tell you how disappointed I was. I wanted that series to go on to the point when it came to the teenage stage and we could deal with these problems in an honest contemporary way. But our time slot was changed so often we weren't given a fighting chance. You can't expect people to find you at home when you change your address so often. Show less «
[on returning to work after the death of his son Christopher]: Work really was a catalyst by which I was able to maintain a sense of balance...Show more »
[on returning to work after the death of his son Christopher]: Work really was a catalyst by which I was able to maintain a sense of balance, and coming back...I don't know that you come back. You go on, you endure. Show less «
[When he decided to become an actor]: I have to go off by myself to keep a balance. I can't always be, 'Bill the actor'. I must stop and gai...Show more »
[When he decided to become an actor]: I have to go off by myself to keep a balance. I can't always be, 'Bill the actor'. I must stop and gain perspective so as not to confuse my role and my person. Show less «
[on gaining popularity before sinking]: First you feel defenseless...totally defenseless...To read descriptions by 'parties close to...' -- ...Show more »
[on gaining popularity before sinking]: First you feel defenseless...totally defenseless...To read descriptions by 'parties close to...' -- that wonderful First Amendment right that gives them the privilege to damage everybody's else's life -- and to make any kind of assumptions they choose to make for the sake of selling their papers. One of the reporters I spoke to once, said, 'What else can I do? They pay us so much money.' Well, whatever happened in this country to our own morality? I wonder now. I wonder as I watch the news. It isn't just the tabloids. The tabloids are a great part of it - it's a personal, terrible, hurtful thing to do to anybody. But I worry about the conscience of our own country as I look around and see it, and how life is becoming more and more meaningless. Show less «
[About living his own life]: I'm willing to make mistakes and I'm also willing to face them myself. I prefer that than having to answer for ...Show more »
[About living his own life]: I'm willing to make mistakes and I'm also willing to face them myself. I prefer that than having to answer for someone else. I've made a lot myself, but hopefully I won't repeat them. If you go through life and you haven't made any, it simply means you haven't taken any chances, and your obligation to life is to live it and to go forward because life in a sense is a series of successes and failures. Show less «
[In 1969]: Comedy fathers usually turn out to be dummies, while mothers are portrayed as being great...And why are fathers always older men ...Show more »
[In 1969]: Comedy fathers usually turn out to be dummies, while mothers are portrayed as being great...And why are fathers always older men on television? Many of my friends are young fathers with young children. I want to play the contemporary father. Show less «
[In 1993]: My prayer was that I would die in my sleep, you're going to have to take my life from me.
[In 1993]: My prayer was that I would die in my sleep, you're going to have to take my life from me.
[In 1970]: The amazing thing is that when we're working in a scene together there's never a thought of conscious acting. Our natural affecti...Show more »
[In 1970]: The amazing thing is that when we're working in a scene together there's never a thought of conscious acting. Our natural affection for one another-the reality of it-is what appeals to the audience. Show less «
[In 1980]: In show business, you have to realize that everyone, in fact, is a freak-and that's something they don't tell you about when you ...Show more »
[In 1980]: In show business, you have to realize that everyone, in fact, is a freak-and that's something they don't tell you about when you go to acting school. People treat you differently because you happen to be a 'celebrity.' Show less «
I don't understand how people can be so ungracious and so unkind even in the face of death-they don't care. There is no respect for life. An...Show more »
I don't understand how people can be so ungracious and so unkind even in the face of death-they don't care. There is no respect for life. And I resent that and I resent the people who do it and make a living off of it and I think they should examine their own character. Show less «
[on directing]: It's not in the hands of anyone else. When I'm directing I'm the only one who knows what the end result will be and I enjoy ...Show more »
[on directing]: It's not in the hands of anyone else. When I'm directing I'm the only one who knows what the end result will be and I enjoy taking responsibility. Show less «
[As to how the father should always bond with the son]: One father told me his 8 year old son and he didn't hit it off. Then along came our ...Show more »
[As to how the father should always bond with the son]: One father told me his 8 year old son and he didn't hit it off. Then along came our show. Every Wednesday night they go into the den, lock the door and watch the show together. Afterward they sit and talk about it, communicating like they never did before. Show less «
[on playing Tom Corbett]: You know, I've never played myself before, I've always portrayed some part. The thought scared hell out of me at f...Show more »
[on playing Tom Corbett]: You know, I've never played myself before, I've always portrayed some part. The thought scared hell out of me at first, but after three weeks of looking at the 'daily rushes' [samples of the day's shooting] I decided I like that man. Show less «
[In 1978]: I've stayed in this business because I believe the power of entertainment is in television. And that's why directing will be a bi...Show more »
[In 1978]: I've stayed in this business because I believe the power of entertainment is in television. And that's why directing will be a big part of my future I fell that TV has been so good to me that I can best pay my dues to society this way. Show less «
[About Steambath]: I didn't do 'Steambath' to shape up my image as 'Eddie's Father,' but to remind people I'm an actor. It was a mature work...Show more »
[About Steambath]: I didn't do 'Steambath' to shape up my image as 'Eddie's Father,' but to remind people I'm an actor. It was a mature work responsibly approached and it attracted your not-so-average man on the street and said, 'Congratulations. I'd like to see more 'Steambaths' on television.' That's more than I'm used to. Usually, it's, 'Hey, you, sign this.' Show less «
Looking back. I think I learned more doing the industrial film work than I could have doing bit parts in Hollywood. In addition, while in De...Show more »
Looking back. I think I learned more doing the industrial film work than I could have doing bit parts in Hollywood. In addition, while in Detroit, I made my stage debut in a Detroit Civic Theatre production. Show less «
[In 1979]: There is such a condescending thing about TV, as if we should get rid of it. The classics exist because of their universality and...Show more »
[In 1979]: There is such a condescending thing about TV, as if we should get rid of it. The classics exist because of their universality and appeal overtime. Our approach too often implies that if a story is a classic piece of literature, it must be dull and boring. If TV can add showbusiness to the classics, more children will read them. Why shouldn't the 'Leatherstocking Tales' be stories about cowboys and Indians? Show less «
[Who talked about the many viewers who watched him on television despite their parents who in turn are still raging that their children are ...Show more »
[Who talked about the many viewers who watched him on television despite their parents who in turn are still raging that their children are ruined]: We're not really very good in this country about being flexible. What difference does it make how kids are introduced to good stories? Show less «
[on comparing himself to Michael Landon's battle against cancer, at the same time] The day I was told I had cancer, Michael was in an office...Show more »
[on comparing himself to Michael Landon's battle against cancer, at the same time] The day I was told I had cancer, Michael was in an office next door. When the big 'C' word hits you, it's very difficult to handle. It's terrible to be told. It was hard enough to hear about myself. But when I heard about Michael, I just sat down and cried. Show less «
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