Ava DuVernay

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Birthday:

24 August 1972, Long Beach, California, USA

Birth Name:

Ava Marie DuVernay

A director, producer, writer, marketer and film distributor, Ava DuVernay made her feature film debut with the documentary This in the Life (2008), a history on hip hop movement that flourished in Los Angeles in the 1990's. This was followed by series of television music documentaries which included My Mic Sounds Nice (2010) which aired on BET.DuVernay's first narrative feature film, I Will Follow (2010), secured her the African-American Film Critics Association award for best screenplay. Her follow-up, Middle of Nowhere (2012) won the Best Director Prize at the 2012 Sundance film festival, making her the first African-American woman to receive the award. Show less «

Be passionate and move forward with gusto every single hour of every single day until you reach your goal.

Film school was a privilege I could not afford.

When I'm marketing a film, whether its mine or someone else's, I work with a great deal of strategy and elbow grease until the job is done.

I'm a prison abolitionist because the prison system as it is set up is just not working. It's horrible.

If you're doing something outside of dominant culture, there's not an easy place for you. You will have to do it yourself.

I think I am a little jealous of women who have great girlfriends as adults.

In documentaries, there's a truth that unfolds unnaturally, and you get to chronicle it. In narratives, you have to create the situations so...Show more »

In documentaries, there's a truth that unfolds unnaturally, and you get to chronicle it. In narratives, you have to create the situations so that the truth will come out. Show less «

I wish I could be the black woman Soderbergh, and put the camera on my shoulder and shoot beautifully while I directed.

All the films I do, I write the scripts, I direct.

Filmmakers need to realize that their job isn't done when they lock picture. We must see our films through.

I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell ma...Show more »

I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality. Show less «

All the traditional models for doing things are collapsing; from music to publishing to film, and it's a wide open door for people who are c...Show more »

All the traditional models for doing things are collapsing; from music to publishing to film, and it's a wide open door for people who are creative to do what they need to do without having institutions block their art. Show less «

I don't understand the iPhone. I just don't get it. Don't ya'll have to write serious emails throughout the day? How can you possibly manage...Show more »

I don't understand the iPhone. I just don't get it. Don't ya'll have to write serious emails throughout the day? How can you possibly manage detailed missives on a phone with no keys? Show less «

I make films about black women and it doesn't mean that you can't see them as a black man, doesn't mean that he can't see them as a white ma...Show more »

I make films about black women and it doesn't mean that you can't see them as a black man, doesn't mean that he can't see them as a white man or she can't see them as a white woman. Show less «

I didn't start out thinking that I could ever make films. I started out being a film lover, loving films, and wanting to have a job that put...Show more »

I didn't start out thinking that I could ever make films. I started out being a film lover, loving films, and wanting to have a job that put me close to them and close to filmmakers and close to film sets. Show less «

As long as you're in an environment where the worth of the project isn't based on the project but what its predecessors did, it's not truly ...Show more »

As long as you're in an environment where the worth of the project isn't based on the project but what its predecessors did, it's not truly inclusive. Show less «

I've been to Sundance eight times as a publicist and thought I was very prepared. I mean, who could've been more prepared for me? A publicis...Show more »

I've been to Sundance eight times as a publicist and thought I was very prepared. I mean, who could've been more prepared for me? A publicist who's been there eight times. Getting there as a filmmaker was a completely surreal, different, unexpected experience. Show less «

I think good publicists are just like good mommies - always looking out, making sure folks are comfortable and making sure that folks are on...Show more »

I think good publicists are just like good mommies - always looking out, making sure folks are comfortable and making sure that folks are on time and making sure that folks are getting what they need and know what they need to do. Show less «

I really admire Werner Herzog and Spike Lee. They're amazing documentarians. If you took away all the narratives, they'd just be amazing doc...Show more »

I really admire Werner Herzog and Spike Lee. They're amazing documentarians. If you took away all the narratives, they'd just be amazing documentarians. Show less «

I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start a...Show more »

I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time. Show less «

I think for female filmmakers a big issue is making their second and third films.

I think that women definitely have a special bond as friends that is hard to describe to men, and we don't often see that portrayed narrativ...Show more »

I think that women definitely have a special bond as friends that is hard to describe to men, and we don't often see that portrayed narratively. Show less «

I tell the stories that are of interest to me.

You know, often films that are deemed positive, nobody wants to see them.

I didn't go to film school. I got my education on the set as a niche publicist in the film industry.

Positive characterizations are complex characterizations. That's all we need to know. They shouldn't be saccharine. They shouldn't feel like...Show more »

Positive characterizations are complex characterizations. That's all we need to know. They shouldn't be saccharine. They shouldn't feel like medicine. Show less «

We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people ...Show more »

We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true. Show less «

[on filming 'Selma' in the same area of Alabama where she grew up] I never approached it as, 'Oh my God, I'm making a film about Mr. King'. ...Show more »

[on filming 'Selma' in the same area of Alabama where she grew up] I never approached it as, 'Oh my God, I'm making a film about Mr. King'. I just focused on making a film about an ordinary man doing extraordinary things in a place I know very well. Show less «