Anthony Hopkins

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Birthday:

31 December 1937, Margam, Port Talbot, West Glamorgan, Wales, UK

Birth Name:

Philip Anthony Hopkins

Height:

174 cm

Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role. Show less «

[on Gary Oldman] He is just like I was at his age.

I was lousy in school. Real screwed-up. A moron. I was antisocial and didn't bother with the other kids. A really bad student. I didn't have...Show more »

I was lousy in school. Real screwed-up. A moron. I was antisocial and didn't bother with the other kids. A really bad student. I didn't have any brains. I didn't know what I was doing there. That's why I became an actor. Show less «

[Interviewed on Inside the Actors Studio (1994)] I once asked a Jesuit priest what was the best short prayer he knew. He said, "Fuck it,' as...Show more »

[Interviewed on Inside the Actors Studio (1994)] I once asked a Jesuit priest what was the best short prayer he knew. He said, "Fuck it,' as in, "Fuck it; it's in God's hands." Show less «

The Welsh people have a talent for acting that one does not find in the English. The English lack heart.

[December 1998] To hell with this stupid show business, this ridiculous showbiz, this futile waste of life. I look back and see a desert was...Show more »

[December 1998] To hell with this stupid show business, this ridiculous showbiz, this futile waste of life. I look back and see a desert wasteland. All those years spent in a fake environment. Everything was a fake. Show less «

[on becoming a U.S. citizen in 2000] America has been very generous to me, magnanimous really. I thought it would be good to give something ...Show more »

[on becoming a U.S. citizen in 2000] America has been very generous to me, magnanimous really. I thought it would be good to give something back. It was a decision of the heart. Show less «

[on his days as an alcoholic, when he was drinking Mexican Spirit tequila] I was really sort of on a prolonged acid trip. I saw things and h...Show more »

[on his days as an alcoholic, when he was drinking Mexican Spirit tequila] I was really sort of on a prolonged acid trip. I saw things and had peculiar quasi-religious experiences. I thought I was John The Baptist, and I would talk to the sea at Malibu and the sea would talk back to me. It was weird. Show less «

[on his most famous character, Dr. Hannibal Lecter] I think he might be a very interesting person to have lunch with, provided that YOU were...Show more »

[on his most famous character, Dr. Hannibal Lecter] I think he might be a very interesting person to have lunch with, provided that YOU weren't the lunch. Show less «

One of the people I got to know years ago, which was a great privilege, was Laurence Olivier. He was like a laser - that was his power. And ...Show more »

One of the people I got to know years ago, which was a great privilege, was Laurence Olivier. He was like a laser - that was his power. And the only actor I've met since who had that same quality of laser-like determination is Russell Crowe. The first day I started working with him, I thought, "That guy's got it." The best way to describe Russell is, he's like a shark circling round. He was argumentative. He argued with the director all the time. I don't know Russell that well, but I admire him, and you know, whatever he's got to do really. I really like him because he's ballsy, he's got guts, he's macho and all the rest of it. He's going through his bad boy period, but he's basically a nice guy. Show less «

I am able to play monsters well. I understand monsters. I understand madmen.

Being a smoker is like being trapped in a complicated maze. It's as if Allen Carr has a plan of the maze. Instantly I was freed from my addi...Show more »

Being a smoker is like being trapped in a complicated maze. It's as if Allen Carr has a plan of the maze. Instantly I was freed from my addiction. Show less «

Acting is still enjoyable, but there are no more challenges any more for me. No, none at all. I'm much more interested in painting and compo...Show more »

Acting is still enjoyable, but there are no more challenges any more for me. No, none at all. I'm much more interested in painting and composing music these days. I've become what I always wanted to be, a jobbing actor. I'm just detached, I do my thing. I work hard at it, but I don't invest my life in it. As long as they pay me on time and I get a good script with a good director, I have fun. That's all. Show less «

[on former US President Bill Clinton] It seems to me that the country rather misses him. He has impressed me. He asked me if I wanted to acc...Show more »

[on former US President Bill Clinton] It seems to me that the country rather misses him. He has impressed me. He asked me if I wanted to accompany him on a trip to Brazil, and so off I went. I'd met the President before in Washington, a very nice guy. So we were at this dinner, talking after his gig, he gave this incredible speech and he said, "Would you like to come to Brazil with me next week?". Of course I said, "Yes". He's pretty exhausting to be with, because he's always wanting to play cards or golf. Show less «

Heroes, like Bogart (Humphrey Bogart). They deserve high definition.

I think the first British actor who really worked well in cinema was Albert Finney. He was a back-street Marlon Brando. He brought a great w...Show more »

I think the first British actor who really worked well in cinema was Albert Finney. He was a back-street Marlon Brando. He brought a great wittiness and power to the screen. The best actor we've had. Show less «

I've done some good films. The Remains of the Day (1993) was alright. The Silence of the Lambs (1991). Nixon (1995) I enjoyed. One of my fav...Show more »

I've done some good films. The Remains of the Day (1993) was alright. The Silence of the Lambs (1991). Nixon (1995) I enjoyed. One of my favourites was working with Roger Donaldson on The World's Fastest Indian (2005). That was fun and seems to be quite popular. It is wonderful to have reached that point where I can do what grabs my attention, when I want to. I'm glad those days are gone where I was yearning for work. People think I've worked a lot, but I haven't. I've had a lot of time off. I've turned down a lot. When you're younger you want to get every part to stop other people getting it. Nowadays, I don't care - let them do it. I don't go through that terrible thing of thinking, "If I don't do it, then who's going to get to do it?" I just mosey my way through and see what happens. Show less «

[on Oliver Stone] Oh, Oliver's crazy, but I like him. He's very rude to people. He insults people - he insults me - but you just have to giv...Show more »

[on Oliver Stone] Oh, Oliver's crazy, but I like him. He's very rude to people. He insults people - he insults me - but you just have to give it back. He says to me, "Oh, you're getting old." So you shoot back with, "Yeah, so are you. You're getting bald, too. You've aged, you're getting balder. Actually, you look older than me, Oliver. It's no good dying your hair like that." But he's good. He's a very talented man. He can be a bit exhausting. I did about 18 hours on Alexander (2004). I never saw it. I understand it wasn't very good. I did 18 hours one night out in Borehamwood and thought, "No, that's it." Had a long rest after that. Show less «

[on David Lynch] I wrote him a letter not so long ago because I'd seen The Elephant Man (1980) again. I wrote him a letter to apologise for ...Show more »

[on David Lynch] I wrote him a letter not so long ago because I'd seen The Elephant Man (1980) again. I wrote him a letter to apologise for my bad behaviour on that film. I was terribly behaved and very rebellious. He wanted to do too many takes and I couldn't do it. And he was a little remote and I could never understand what he was talking about which made me very irritable. I haven't seen him for years but he's a smart man, a very daring figure. I like David very much. Brilliant, I think. Show less «

My own father was a tough man. He was a pretty red hot guy but he was also cold. He was also slightly disappointed in me because I was not a...Show more »

My own father was a tough man. He was a pretty red hot guy but he was also cold. He was also slightly disappointed in me because I was not a good kid as a school boy, you know. But I learned from it, I liked that coldness, because it was harsh. And he taught me to be tough. So I know how to be tough. I know how to be strong. I know how to be ruthless. It's part of my nature. I wouldn't be an actor if I wasn't. Show less «

It's fun to get the Oscar, it was fun to get a knighthood. But you know, you wake up in the morning, the reality's still there. You're still...Show more »

It's fun to get the Oscar, it was fun to get a knighthood. But you know, you wake up in the morning, the reality's still there. You're still mortal. Show less «

The movie industry is full of crazy people who think that they are God.

How do you play Hannibal Lecter? Well just don't move. Scare people by being still.

I'd been to the dentist, and I was seven years old, to have a tooth taken out. In those days they yanked it out. I was feeling nauseous and ...Show more »

I'd been to the dentist, and I was seven years old, to have a tooth taken out. In those days they yanked it out. I was feeling nauseous and I hallucinated. I was in bed and I remember waking up with a knock at the door - a box was put in my bedroom. And it was full of encyclopedias, which my father had got me. I remember looking through those books and finding a knowledge. I learned everything I could. Show less «

For many, many years I felt like I didn't belong. I was a duffer at school - everything was incomprehensible to me.

I was an only child. My mother married into a family of in-laws. She felt like an outsider; which she was. She was a powerful force in my fa...Show more »

I was an only child. My mother married into a family of in-laws. She felt like an outsider; which she was. She was a powerful force in my father's life. He was a baker - and she was ambitious for him. She didn't want him to be subservient to his father. She woke him up. Show less «

[on meeting his third wife, Stella Arroyave, a Colombian-born antiques dealer]: I married a remarkable woman who has changed a lot of my per...Show more »

[on meeting his third wife, Stella Arroyave, a Colombian-born antiques dealer]: I married a remarkable woman who has changed a lot of my perception about myself and about life. She's very positive, very powerful. Every time I get a negative thought, she says, 'Cancel it'. Show less «

Once you accept the fact that there's nothing to fear, you drill into the primal oil well. I believe when we do things without fear, we can ...Show more »

Once you accept the fact that there's nothing to fear, you drill into the primal oil well. I believe when we do things without fear, we can do anything. As long as you don't worry about the consequences. Show less «

[Twenty-three years after asking Burton for an autograph, Hopkins was on Broadway in Equus (1977). Burton was taking over the role from Hopk...Show more »

[Twenty-three years after asking Burton for an autograph, Hopkins was on Broadway in Equus (1977). Burton was taking over the role from Hopkins, who asked to see him backstage: "He was about to go on stage and he said, 'Why haven't we worked together? You come from Taibach'. That's the only time I met him again. Show less «

It's nice to get a knighthood but in the end it's just the same old face in the mirror getting older and older - you have to shave every mor...Show more »

It's nice to get a knighthood but in the end it's just the same old face in the mirror getting older and older - you have to shave every morning and you look at your face and think: this is it, this is the deal. And there's a wonderful harsh reality about that. Time is going by. I better get on with it. I better live. Show less «

I became an actor but I still don't feel that I'm a part of this profession. I never have - 50 years I've been doing it.

[on working with Woody Allen on You Will Meet a Tall Dark Stranger (2010): "I wasn't sure how he would be - I'd heard stories that he was al...Show more »

[on working with Woody Allen on You Will Meet a Tall Dark Stranger (2010): "I wasn't sure how he would be - I'd heard stories that he was aloof. Woody says 'Okay, you come in through the door - let's rehearse it. Okay, that's good. Sure. Let's shoot it'. So we shoot it. 'Okay, very good. But improvise'." Show less «

[on British humour]: It's like Jewish humour. I love that.

We live in such a precious, pussyfooting society - everyone takes offence so quickly.

[He did try therapy, briefly, but didn't like it]: Well, you know you never actually fess up to everything - you try to cover your ground, c...Show more »

[He did try therapy, briefly, but didn't like it]: Well, you know you never actually fess up to everything - you try to cover your ground, cover your tracks - you want to sound interesting. Living here [in Los Angeles] - all men must cry. Well, I don't think we're wired that way. I think it's okay to express emotions and grief, but to make a habit of it, this endless psychobabble in our culture - everyone goes on The Oprah Winfrey Show (1986) and Dr. Phil (2002) - it makes me want to throw up. I mean, come on! Show less «

When I break with a friend it is sudden. I will give no warning ahead of time, just change my address and telephone number. They may be conf...Show more »

When I break with a friend it is sudden. I will give no warning ahead of time, just change my address and telephone number. They may be confused - but they'll survive. Nobody dies. Show less «

I was told years ago that I suffer from 'terminal reasonableness'. From that point on I thought that was something to work on. Not to become...Show more »

I was told years ago that I suffer from 'terminal reasonableness'. From that point on I thought that was something to work on. Not to become a son of a bitch, but to say no. Now, after all these years, I can say: 'What part of the word 'no' do you not understand?' Show less «

I don't want to be anything else other than what I am. I can say that with passion. No regrets.

There's an epitaph on my mother's grave - I brought her over years ago and she's buried up in the Hollywood Hills - from a poem written in 1...Show more »

There's an epitaph on my mother's grave - I brought her over years ago and she's buried up in the Hollywood Hills - from a poem written in 1896 by Ernest Dowson: 'They are not long, the days of wine and roses: Out of a misty dream / Our path emerges for a while, then closes / Within a dream.' Isn't that beautiful? Show less «

[At age 72]: I'm not getting the parts I was 20 years ago - but I'm still doing okay. The prospect of that blank wall where there's no more ...Show more »

[At age 72]: I'm not getting the parts I was 20 years ago - but I'm still doing okay. The prospect of that blank wall where there's no more work - it doesn't fill me with dread. Show less «

I sometimes wake at night and I can hear the sea and I think: what the hell am I doing here? How did I get here?" And I make no excuses. I s...Show more »

I sometimes wake at night and I can hear the sea and I think: what the hell am I doing here? How did I get here?" And I make no excuses. I say 'tough titty.' Also 'TYFP' - 'That's your f****** problem. ' Show less «

From the moment I made that decision [in 1975 to give up drinking] a very powerful thought shot into my brain - it's all over, now you can s...Show more »

From the moment I made that decision [in 1975 to give up drinking] a very powerful thought shot into my brain - it's all over, now you can start living. It's extraordinary. That's what I'm aware of today. The powerful spirit in me. I'm not callous. It's expediency. I will not be taken for a fool any more. Show less «

I may sound to you like a really hard man - I am not ashamed of it at all. I'm not hard, I'm honest.

[on paintings he has done] I suppose I could call them primitive because again, as I have no academic training, I could no longer sit in an ...Show more »

[on paintings he has done] I suppose I could call them primitive because again, as I have no academic training, I could no longer sit in an art class drawing apples or vases or nudes - I can't feel hemmed in. Show less «

[on acting} I'm not going to turn my back on it until they tell me it's over and we don't want you anymore. So if they say they want me I wi...Show more »

[on acting} I'm not going to turn my back on it until they tell me it's over and we don't want you anymore. So if they say they want me I will go ahead and do it, learn my lines. You know, do what I do. So it's the best time of my life now. Show less «

Beware the tyranny of the weak. They just suck you dry. They're always complaining. I go, "How are you doing?" They say "Ahh..." and they mo...Show more »

Beware the tyranny of the weak. They just suck you dry. They're always complaining. I go, "How are you doing?" They say "Ahh..." and they moan and try to take from you. I know a number of people like that, but I can't waste my time on them. Show less «

Over the years I worked with a couple of younger actors who reminded me of myself. I like bad boys. I worked with Russell Crowe in Australia...Show more »

Over the years I worked with a couple of younger actors who reminded me of myself. I like bad boys. I worked with Russell Crowe in Australia before he became a star. Russell is a bad boy. I think he is terrific. Richard Burton was a bad boy, but he shook the rafters of the world. I think it is good to be bad - I was bad all my life. I still am. Show less «

On Peter O'Toole: I had some bizarre nights with Peter when we made The Lion in Winter (1968), but to be honest I don't remember them. He en...Show more »

On Peter O'Toole: I had some bizarre nights with Peter when we made The Lion in Winter (1968), but to be honest I don't remember them. He enjoyed his drink - and I did, too. We weren't close friends or anything but we got drunk very quickly and there was always amusement and laughter. I love drunks; they are terrific - except when they throw up on you. Show less «

I hated the Sixties. It was one long wet Wednesday afternoon in the Waterloo Road. For most of it I was drinking myself into oblivion.

We like to look into the dark side of ourselves and I think that causes us great fascination and fear. That's why people like Hannibal Lecte...Show more »

We like to look into the dark side of ourselves and I think that causes us great fascination and fear. That's why people like Hannibal Lecter. He was a man caught in a monstrous mind. Show less «

I've got no problem if people want to spend hours beforehand preparing before they come on-set, as long as they don't keep you waiting. And ...Show more »

I've got no problem if people want to spend hours beforehand preparing before they come on-set, as long as they don't keep you waiting. And I've read Stanislavski and did the Method myself, and all that, but now I've simplified it: learn your lines, show up, and get on with it. Show less «

[on Laurence Olivier] He was a pretty colorful personality. He had tremendous drive, and ambition, and was a real force. A very nice guy and...Show more »

[on Laurence Olivier] He was a pretty colorful personality. He had tremendous drive, and ambition, and was a real force. A very nice guy and a titanic talent. His sort of talent has, in the eyes of cynics, become rather unfashionable. There are people who knock Olivier quite often, but not a single one of them could ever touch him in terms of talent. I thought he was an extraordinary man. Show less «

[on playing Hannibal Lecter for the third time in Red Dragon (2002)] I really wanted to play him with much more ferocious energy, and avoid ...Show more »

[on playing Hannibal Lecter for the third time in Red Dragon (2002)] I really wanted to play him with much more ferocious energy, and avoid the jokes. I really wanted to show what a true monster he is. He's a killer. He's a dangerous man, not Mr. Cutesy. This isn't a franchise, like Raiders of the Lost Ark (1981). This is a dangerous man, who's better off in jail. So that's the premise we went with. Show less «

I'm not good at being cooped up with anyone for very long. Maybe that's why I wasn't designed for marriage. I'm not good at any kind of rela...Show more »

I'm not good at being cooped up with anyone for very long. Maybe that's why I wasn't designed for marriage. I'm not good at any kind of relationship with people, really. I mean, I've had a number of good ones, but I get restless and I take off. Show less «

[on Richard Attenborough] Richard's a nice guy, very persuasive, a great salesman in the sense that he gets what he wants from you. He can c...Show more »

[on Richard Attenborough] Richard's a nice guy, very persuasive, a great salesman in the sense that he gets what he wants from you. He can charm a lot of people. He's a good man. I haven't seen him for a long time. Show less «

You know when some of these megaphones of Hollywood show up on these award shows, and just never shut the f**k up? I just want to say 'Accep...Show more »

You know when some of these megaphones of Hollywood show up on these award shows, and just never shut the f**k up? I just want to say 'Accept your award. Say "thank you," and get off!' I'm just not interested in all that bulls**t. There are surgeons and nurses and teachers, people out there who really deserve awards. Show less «

[on The Silence of the Lambs (1991)] As soon as I saw that script I knew this was one of those special parts. I don't know why, it's just an...Show more »

[on The Silence of the Lambs (1991)] As soon as I saw that script I knew this was one of those special parts. I don't know why, it's just an instinct. I'd never heard of the book. I'd never heard of Thomas Harris. I read the script and they told me Jonathan Demme was doing it - I'd never heard of him, either. So I watched Married to the Mob (1988) and Something Wild (1986), which I thought was a terrific film. And we had the great cast: Jodie Foster. I knew it was something good. That was the only surefire one where I knew it was going to work. I remember my first meeting with Jodie in New York, for a reading of the whole script. Jodie had just won the Oscar for The Accused (1988) and I was kind of impressed at this wonderful young actor. I was a little intimidated, a little quiet, shy.....I didn't realise she felt the same! Show less «

[on Hannibal (2001)] They offered me the part and a very good salary, so I thought, "Why not?" First of all I didn't think I wanted to do it...Show more »

[on Hannibal (2001)] They offered me the part and a very good salary, so I thought, "Why not?" First of all I didn't think I wanted to do it again, but then they said it was going off to Venice or wherever, so I watched The Silence of the Lambs (1991) briefly and thought, "Okay, let's have another go at this." I didn't care, really. If that's what they want, then okay. When Jodie [Foster] dropped out, Ridley [Scott] said to me, "What do you think of certain actors?" I said "I think Julianne Moore is very, very good." I'd worked with her on Surviving Picasso (1996). And she pulled it off beautifully. If the film succeeded or not, I don't mind. You move on. Show less «

I went to America years ago because I felt I didn't fit in here [UK]. I worked with some good people here, like Judi Dench and all that. But...Show more »

I went to America years ago because I felt I didn't fit in here [UK]. I worked with some good people here, like Judi Dench and all that. But I never fitted into a group of actors here. I was on the outside; I was like a sore thumb. I didn't have any friends who were actors at all - I never did. I've always been on the outside, which is good. But it was difficult being on London in this very strange acting community. All that "theatre, dahling" - I just found it insufferable. It was just boring. So I did the thing I'd wanted to do all my life, which was to make movies. I've never felt a part of this profession, but I enjoy it. Working with Katharine Hepburn on The Lion in Winter (1968), she said to me, "Don't act. Read the lines. Just be." I said, "Okay." She said, "Watch Spencer Tracy. He didn't act. He just spoke the lines." I thought, "Well, that's pretty good advice." I think the actors from that generation were wonderful. They didn't act. They just came on and they did it, and the characters were wonderful. People say, "They didn't act. They were always themselves." Well, who else were they going to be? In England we have a tradition where everyone is acting. Too much acting. Show less «

We're living in a pretty strange time. I went into a shop to buy my wife some clothes. They had this big plasma screen on with these women o...Show more »

We're living in a pretty strange time. I went into a shop to buy my wife some clothes. They had this big plasma screen on with these women on the catwalk. I thought, 'God Almighty, what have we become?' These girls - anorexic, walking like machines, no soul. You look at fashion magazines and you think, 'What are we living in?' You look at the red carpet, Paris Hilton, and you think, 'Is there anything going on up there?' It's a mass enslavement, it's kind of fascism. It's the androgyny of the human soul. I don't think people think any more. Maybe I'm just old. Show less «

[on Shirley MacLaine] The most obnoxious actress I've ever worked with.

[on how he prepares for the characters he plays] I learn the text!

[on what his idea of a good night is] Staying in and watching Mob Wives on TV. I don't have many friends; I'm very much a loner. As a child ...Show more »

[on what his idea of a good night is] Staying in and watching Mob Wives on TV. I don't have many friends; I'm very much a loner. As a child I was very isolated and I've never been really close to anyone. Ask nothing, expect nothing. That's my creed. We're all just a bunch of sinners crashing around in the darkness. Show less «

[on what he considers his greatest achievement] Everything rather blends into one now. It was very nice to get an Oscar but now it just rust...Show more »

[on what he considers his greatest achievement] Everything rather blends into one now. It was very nice to get an Oscar but now it just rusts and tarnishes on the sideboard near the TV. You can't take any of it too seriously. Death comes to us all. Not long ago I was in Arlington cemetery by JFK's grave and I thought how the great years of his presidency were just blown away like ashes. Nothing really is of any importance and there's a peace in that. Show less «

[on why he relocated to the U.S.] Many people talk of London as being the heart of the swinging 60s. It wasn't for me. What I remember is th...Show more »

[on why he relocated to the U.S.] Many people talk of London as being the heart of the swinging 60s. It wasn't for me. What I remember is the grey mist hanging over the Waterloo Road on a Wednesday afternoon. It was so depressing I moved to the land of Donald Duck. Show less «

I've never considered myself a great actor. I'm a fluke. I work hard and I see through the bastards and to this day I have massive energy; I...Show more »

I've never considered myself a great actor. I'm a fluke. I work hard and I see through the bastards and to this day I have massive energy; I think it keeps a youthfulness in me. I never slow down because I love to work. I did four films last year. My agent says, 'Would you like to read the phone book next week for them [directors]?' And I say, 'Yeah OK.' Show less «

I was away for a few weeks in a hotel watching new releases. Some I had to switch off after eight minutes. I couldn't understand what anyone...Show more »

I was away for a few weeks in a hotel watching new releases. Some I had to switch off after eight minutes. I couldn't understand what anyone was saying. Show less «

[on Marlon Brando] He was fascinating to watch, he could do anything. It was the 'screw you' attitude. That takes tremendous courage or trem...Show more »

[on Marlon Brando] He was fascinating to watch, he could do anything. It was the 'screw you' attitude. That takes tremendous courage or tremendous folly. Show less «

My philosophy is: It's none of my business what people say of me and think of me. I am what an am, and I do what I do. I expect nothing and ...Show more »

My philosophy is: It's none of my business what people say of me and think of me. I am what an am, and I do what I do. I expect nothing and accept everything. And it makes like so much easier. Show less «

I think "I'm glad I've made a good film, because now I can make a bad one!"

I'm often asked to do projects. If I don't want to do something, after a while I'll say "No. What part of No don't you understand?"

Anthony Hopkins's Photos

Anthony Hopkins's FILMOGRAPHY

All as Actor (144) as Director (1) as Creator (1)

Super/Man: The Christopher Reeve Story

One Life (2024)

The Late Show with Stephen Colbert - Season 10

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Those About to Die - Season 1

EPS10

Getaway - Season 1

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Rebel Moon: Part Two - The Scargiver

Mary (2024)

American Idol - Season 22

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The Talk - Season 14

EPS170

Lorraine - Season 14

EPS160

American Masters - Season 37

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The Late Show with Stephen Colbert - Season 9

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The Son (2023)

Freuds Last Session

Rebel Moon: Part One - A Child of Fire

American Idol - Season 21

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Westworld - Season 4

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Mythic Quest: Ravens Banquet - Season 3

EPS10

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Zero Contact

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Anthony Hopkins'S roles

Methuselah

William Parrish

Henry J. Wilcox

Alfred Hitchcock

Bailey

Ptolemy

King Hrothgar

Burt Munro

Dr. Frederick Treves

George Hayden

Lieutenant Colonel Frost

Sir John Talbot

Ted Brautigan

Freddy Heineken

Titus Andronicus

Sir

Frank Doel

Father Lucas Trevant

Dr. Hannibal Lecter

John Quincy Adams

James Stevens

Van Helsing

Bonhoeffer

Robert

Hagen Kahl

Ted Crawford

Col. William Ludlow

Don Diego de la Vega

Odin

Coleman Silk

Corky Withers

Ethan Powell

Charles Morse

Sir Edmund Burton

Dr. Robert Ford

Tim Cornell