Alex Winter
Birthday:
17 July 1965, London, England, UK
Birth Name:
Alexander Ross Winter
Height:
170 cm
Alex Winter entered show business as a child actor with co-starring roles on Broadway in 'The King & I' and 'Peter Pan', and came to prominence starring in movies such as Warner Bros' hit 'The Lost Boys' and the wildly popular 'Bill & Ted' franchise. Winter has directed three narrative features: ...
Show more »
Alex Winter entered show business as a child actor with co-starring roles on Broadway in 'The King & I' and 'Peter Pan', and came to prominence starring in movies such as Warner Bros' hit 'The Lost Boys' and the wildly popular 'Bill & Ted' franchise. Winter has directed three narrative features: cult classic 'Freaked' for 20th Century Fox; 'Fever', for Lionsgate, which screened at Cannes; and 'Smosh: The Movie', which opened in 2015 as the #1 comedy on iTunes. Winter has directed hundreds of award-winning television commercials and music videos.Winter's VH1 Rock Doc 'Downloaded' earned worldwide critical acclaim at theatrical and festival screenings. Winter's latest, multiple award-winning documentary 'Deep Web', had its world premiere at SXSW and a broadcast premiere in the U.S. on the Epix network, alongside a global festival tour. The film opened wide as the #1 documentary on iTunes.Recently completed are two short documentary films for Laura Poitras's Field of Vision; 'Relatively Free' and 'Trump's Lobby'. Winter is now making 'Zappa', the first all-access documentary on the life and times of Frank Zappa. The Kickstarter campaign for this project was the highest funded documentary in crowdfunding history.-Trouper Productions Show less «
Hitchcock had to fight to the death to make his movies.
Hitchcock had to fight to the death to make his movies.
I just like movies that somehow expose the world in a way that's different than you imagine it.
I just like movies that somehow expose the world in a way that's different than you imagine it.
I get very driven by certain themes and ideas.
I get very driven by certain themes and ideas.
Certain remakes are great. [John] Carpenter's The Thing (1982) is better than the original.
Certain remakes are great. [John] Carpenter's The Thing (1982) is better than the original.
My favorite favorites are people like Bunuel, Fellini and Charlie Chaplin.
My favorite favorites are people like Bunuel, Fellini and Charlie Chaplin.
But it is funny, because I saw Unbreakable recently and it's a strange movie, I didn't mind it, and it's got some interesting things going o...Show more »
But it is funny, because I saw Unbreakable recently and it's a strange movie, I didn't mind it, and it's got some interesting things going on. Show less «
Coppola has problems getting financing, so why should I not have problems getting financing.
Coppola has problems getting financing, so why should I not have problems getting financing.
I direct a lot of TV commercials and music videos.
I direct a lot of TV commercials and music videos.
I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a re...Show more »
I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way. Show less «
I actually did use to sell shoes.
I actually did use to sell shoes.
I think movies are good for getting into dream states or exploring weird alternate states of thinking.
I think movies are good for getting into dream states or exploring weird alternate states of thinking.
I'm not trying to be some kind of underground renegade.
I'm not trying to be some kind of underground renegade.
I'm one of the few people who really like Eyes Wide Shut (1999).
I'm one of the few people who really like Eyes Wide Shut (1999).
I take a lot from everywhere. I take from music, architecture, novels, and plays. Anywhere that hits you.
I take a lot from everywhere. I take from music, architecture, novels, and plays. Anywhere that hits you.
I think filmmakers want their movies to be seen.
I think filmmakers want their movies to be seen.
Same thing, like my commercials are often times really funny because I tend to find 30 seconds is a really good amount of time to tell a jok...Show more »
Same thing, like my commercials are often times really funny because I tend to find 30 seconds is a really good amount of time to tell a joke. Show less «
It's hard for a hit to be bad for your career.
It's hard for a hit to be bad for your career.
I'm really influenced by so many different things.
I'm really influenced by so many different things.
After living in LA for 8 years, I sort of wanted a change, but there's not much production in New York, which is where I primarily live, so ...Show more »
After living in LA for 8 years, I sort of wanted a change, but there's not much production in New York, which is where I primarily live, so I just sort of drifted over to London. Show less «
They're innocent movies, and they're fun movies and there were no pretensions about 'em.
They're innocent movies, and they're fun movies and there were no pretensions about 'em.
The thing about movies these days is that the commerce end of it is so inflated and financiers are just expecting this enormous return on th...Show more »
The thing about movies these days is that the commerce end of it is so inflated and financiers are just expecting this enormous return on their investment. Show less «
That's kind of the weird thing that M. Night Shyamalan has sort of unleashed upon the world is this need for every movie to have these ridic...Show more »
That's kind of the weird thing that M. Night Shyamalan has sort of unleashed upon the world is this need for every movie to have these ridiculous endings. Show less «
I'm not saying it isn't frustrating that my films haven't gotten a bigger release, but I'm really happy with them and if you just keep crank...Show more »
I'm not saying it isn't frustrating that my films haven't gotten a bigger release, but I'm really happy with them and if you just keep cranking and eventually, if you have a certain sensibility, some of your movies will hit and some just won't. Show less «
Like I said about Freaked (1993), people tend to find these films, and I think that in the end the cool thing about a movie is that it can b...Show more »
Like I said about Freaked (1993), people tend to find these films, and I think that in the end the cool thing about a movie is that it can be sort of burnt temporarily, but then it's burnt into the fabric of your culture. Show less «
The film, even when we were making it in that budget range, which was really a coup - we got it made because we pitched it to the studio hea...Show more »
The film, even when we were making it in that budget range, which was really a coup - we got it made because we pitched it to the studio head, Joe Roth. Show less «
The thing is there have been American movies that are similar to Solaris (1972), like Alien (1979) had a lot of things that are similar, alt...Show more »
The thing is there have been American movies that are similar to Solaris (1972), like Alien (1979) had a lot of things that are similar, although it's also got the horror element. Show less «
With Fever (1999), the film was so made for the screen, and there's so much surround sound that was done for the film - enormous detail paid...Show more »
With Fever (1999), the film was so made for the screen, and there's so much surround sound that was done for the film - enormous detail paid to that. I wasn't thinking video, because I didn't know how it was going to turn out. Show less «
The trick of making movies in this culture is how to not give up everything that makes them worthwhile in order to get them made - and that'...Show more »
The trick of making movies in this culture is how to not give up everything that makes them worthwhile in order to get them made - and that's a tricky balance. Show less «
Alex Winter's Photos
Assistant
Nanomech
Marko
Bill S. Preston, Esq.
