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    The Clan

    Based on a horrific true story and already breaking box-office records in Argentina, the movie tells the true story of the Puccio Clan, a family from Buenos Aires that kidnapped four people, three of whom they murdered, in the 1980s.
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  • Actors of "The Clan"

  • Characters of "The Clan"

    Arqu. Character of The Clan
  • Directors of "The Clan"

    Pablo Trapero. Director of The Clan
    Pablo Trapero
    Birthdate: 4 October 1971, San Justo, Buenos Aires, Argentina
  • Creators of "The Clan"

    Julian Loyola. Director of The Clan
    Julian Loyola
    Esteban Student. Director of The Clan
    Esteban Student
  • Critic Reviews of "The Clan"

    Time Out
    September 13, 2016

    Pablo Trapero recalls the case in gruesome, macabre detail, exploring it with energy and elan.

    Arizona Republic
    April 21, 2016

    Some of the movie's political shadings about Argentina in the early '80s may not quickly resonate with American viewers. Still, it's impossible not to be drawn into the unnerving world of the Puccios.

    Boston Globe
    April 01, 2016

    A mordant if unwieldy thriller examining how evil not only becomes the norm, but a virtue.

    San Francisco Chronicle
    March 31, 2016

    It's a testimony to the skill of Francella and the filmmaker how much this movie transcends a history lesson.

    Globe and Mail
    March 25, 2016

    Even if your knowledge of Argentina's political history is wanting, The Clan is still worth seeing.

    Toronto Star
    March 24, 2016

    Trapero has crafted a compelling tale about the tragic price of unquestioning loyalty.

    Film Experience
    January 02, 2017

    This is often an unpleasant and chilling watch, but the performances are strong.

    New Zealand Herald
    October 13, 2016

    Director Pablo Trapero exercises a cool restraint in his portrayal of this diabolical domesticity.

    Sight and Sound
    September 23, 2016

    The inclusion of archival footage of Alfonsín and General Galtieri is not only part of Trapero's attention to period detail but also serves to contextualise the film within a wider culture of memory politics.

    Irish Times
    September 23, 2016

    The familiar beats of the crime saga ... are all present and correct. But the dark political and societal subtext makes for a new, discombobulating sensation.

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