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    Rosencrantz and Guildenstern Are Dead

    As a comedy by director Tom Stoppard, the content revolves around two minor characters from the play 'Hamlet' stumble around unaware of their scripted lives and unable to deviate from them.
    Duration: 117 min
    Quality: HD
    Release: 1990
    IMDb: 7.3
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  • Actors of "Rosencrantz and Guildenstern Are Dead"

  • Characters of "Rosencrantz and Guildenstern Are Dead"

    Rosencrantz. Character of Rosencrantz and Guildenstern Are Dead
    Played by: Gary Oldman
    Guildenstern. Character of Rosencrantz and Guildenstern Are Dead
    Played by: Tim Roth
    The Player. Character of Rosencrantz and Guildenstern Are Dead
    Ophelia. Character of Rosencrantz and Guildenstern Are Dead
    Played by: Joanna Roth
    Hamlet. Character of Rosencrantz and Guildenstern Are Dead
    Played by: Iain Glen
    Claudius. Character of Rosencrantz and Guildenstern Are Dead
    Played by: Donald Sumpter
    Gertrude. Character of Rosencrantz and Guildenstern Are Dead
    Played by: Joanna Miles
    Osric. Character of Rosencrantz and Guildenstern Are Dead
    Played by: Ljubo Zecevic
    Polonius. Character of Rosencrantz and Guildenstern Are Dead
    Played by: Ian Richardson
    Laertes. Character of Rosencrantz and Guildenstern Are Dead
    Played by: Sven Medvesek
    Horatio. Character of Rosencrantz and Guildenstern Are Dead
    Played by: Vili Matula
    English Ambassador. Character of Rosencrantz and Guildenstern Are Dead
    Played by: John Burgess
  • Directors of "Rosencrantz and Guildenstern Are Dead"

    Tom Stoppard. Director of Rosencrantz and Guildenstern Are Dead
    Tom Stoppard
    Birthdate: 3 July 1937, Zlín, Czechoslovakia [now in Czech Republic]
  • Creators of "Rosencrantz and Guildenstern Are Dead"

    Tom Stoppard. Director of Rosencrantz and Guildenstern Are Dead
    Tom Stoppard
    Birthdate: 3 July 1937, Zlín, Czechoslovakia [now in Czech Republic]
  • Critic Reviews of "Rosencrantz and Guildenstern Are Dead"

    Time Out
    February 09, 2006

    Both Oldman and Roth turn in flat and uninspiring performances.

    New York Times
    May 20, 2003

    As happens at the opera, one usually laughs (if one laughs at all) not because something is funny, but because one has successfully recognized that it is supposed to be funny.

    Washington Post
    January 01, 2000

    Staged as they are here, the jokes and the fourth-wall gamesmanship don't seem as funny as they did on the page.

    Chicago Sun-Times
    January 01, 2000

    As a movie, this material, freely adapted by Stoppard, is boring and endless. It lies flat on the screen, hardly stirring.

    TV Guide
    July 03, 2008

    Unfortunately, Stoppard the director does not match the invigorating brilliance of Stoppard the writer.

    Film4
    July 03, 2008

    A disastrous adaptation of an excellent play.

    DVDJournal.com
    April 05, 2006

    ...On stage, the sprightly teleological riffs and bebop dialogue delight as ends in themselves. Here they're leaden and compromised. What happened?

    Nitrate Online
    May 13, 2004

    Really head-twisting adaptation of the play with fine work from Oldman and Roth.

    Needcoffee.com
    August 15, 2003

    Probably the best stage to screen adaptation I've ever seen. Essential.

    Spirituality and Practice
    July 10, 2003

    Tom Stoppard's 1967 morality play has been translated into a high-spirited and well-acted film.

    Flipside Movie Emporium
    January 21, 2003

    By trying to take advantage of the medium, Stoppard loses track of what makes his work so wonderful. This belongs on the stage.

    Kalamazoo Gazette
    July 29, 2002

    "belongs on the stage, but for what it is, not bad"

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