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    Colette

    Colette is pushed by her husband to write novels under his name. Upon their success, she fights to make her talents known, challenging gender norms.
    Country: United Kingdom, United States, Hungary
    Duration: 111 min
    Quality: HD
    Release: 2018
    IMDb: 6.7
    4
    Rating
    (8) Voted
    5 Comments
    Sort By
    • Newest
    • Oldest
    Difgre Anonymous
    Man hating garbage.
    2020-01-03 15:01
    Difgre Anonymous
    Pile of femenist propaganda, which as we know doesnt end well. Waist of time. Man hating fiesta
    2020-01-03 15:01
    anon Anonymous
    Well acted, but they reduced her life to modern feminism with, of course, a male as the only true villain. The grand myth of endless oppression is the last refuge of the Left.
    2019-05-26 05:05
    sally93 Anonymous
    What a great movie.
    2018-12-08 07:12
    CocoNut91 #1 Movies Online user
    A really great film. Keira Knightley is awesome as Colette. Definitely worth to watch.
    2018-12-05 19:12

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  • Actors of "Colette"

  • Characters of "Colette"

    Colette. Character of Colette
    Willy. Character of Colette
    Played by: Dominic West
    Georgie Raoul-Duval. Character of Colette
    Sido. Character of Colette
    Played by: Fiona Shaw
    Missy. Character of Colette
    Played by: Denise Gough
    Polaire. Character of Colette
    Played by: Aiysha Hart
    Jules. Character of Colette
    Played by: Robert Pugh
    Wague. Character of Colette
    Played by: Dickie Beau
  • Creators of "Colette"

    Richard Glatzer. Director of Colette
    Richard Glatzer
    Birthdate: 28 January 1952, Flushing, Queens, New York City, New York, USA
    Wash Westmoreland. Director of Colette
    Wash Westmoreland
    Birthdate: 4 March 1966, Leeds, England, UK
  • Critic Reviews of "Colette"

    Chicago Tribune
    October 12, 2018

    There's more going on in Colette than tame hagiography; the results are happily vibrant, even if the sexual inequities depicted remain grimly pertinent.

    ReelViews
    October 07, 2018

    This isn't Oscar-worthy material but it's the kind of solid art house motion picture that was popular during the 1990s and whose occasional reappearance in the 2010s is always welcome.

    San Diego Reader
    October 05, 2018

    Cinematographer Giles Nuttgens' use of highly-reflective surfaces is a revelation, and Thomas Adès' lush score hits a melodramatic high note.

    Detroit News
    October 04, 2018

    Westmoreland keeps the material from becoming melodramatic or overwrought, although he often relies on the overactive score to ratchet up the dramatic tension from which he tends to shy away.

    Chicago Sun-Times
    September 28, 2018

    Here's a movie with Keira Knightley that really does merit the sequel treatment.

    New York Post
    September 28, 2018

    Westmoreland's Paris is scrumptiously decadent - and seedy - as Colette navigates the city's eclectic, gossipy social scene.

    FILMINK (Australia)
    November 30, 2018

    ... a delightful and finely-crafted piece of cinema.

    Caution Spoilers
    November 30, 2018

    Knightley excels -- Colette's growing confidence is entirely believable, precisely because she's never a complete walkover, even at the beginning. Her blossoming as an independent woman and as a writer feels like a natural progression.

    Comicsverse
    November 27, 2018

    COLETTE is the rare film that overcomes a personal malaise [for historical biopics]. Skillful cinematography, excellent performances, and a willingness not to sanitize things are all to the good in this effort.

    La Nación (Costa Rica)
    November 21, 2018

    Colette becomes an intelligent discourse on how - in a patriarchal society - the genius of talented women is not easily recognized, but, on the contrary, tends to be invisible. [Full review in Spanish]

    El Mundo (Spain)
    November 19, 2018

    The director builds a fun universe, unprejudiced and so far from this world that it even seems lie. [Full Review in Spanish]

    El Pais (Spain)
    November 15, 2018

    The figure of Sidonie Gabrielle-Colette provides enough dramatic components so that the director can execute his operation without too much of a struggle. [Full Review in Spanish]

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