Blue Jay

If the first hour or so of "Blue Jay" were anywhere near as compelling as its last 15 minutes, the film could have proved quite a special little experience.

A gentle, genuine trip down memory lane that features one of our best actresses in the kind of role she doesn't get to play that often.

It's to the credit of both the movie and its stars that the easy sense of naturalism isn't undone by the eventual revelations. These people are believable, and so are their conversations, and so is their shared past.

Blue Jay is wistful and beautifully acted until the moment Amanda produces an unsent letter from Jim that she has discovered among the piles of old clothes and keepsakes. Nostalgia gives way to melodrama.

Paulson is way overdue for a lead role, and though Blue Jay is minor fare ... it's a great vehicle for her to run up and down the emotional scale without breaking a sweat.

Though the film largely trains on the simple, dialogue-fueled interaction of two people, it feels more spectacular than theatrical, showcasing the acting prowess of two master performers feeding on mutual chemistry and performative bravado.

A touching movie that understands how time transforms us. [Full review in Portuguese.]

Blue Jay utilizes its simplistic concept to the best of its ability, packing equal parts depth and humanity throughout.

Mark Duplass and Sarah Paulson share a palpable chemistry as the former paramours. Their way is natural, grounded, and unflinchingly human.

The film may not stick the landing, but everything before that is special.

That's not to say Blue Jay is original, per se, but it is well crafted, well mannered and very well acted.

Sarah Paulson and Mark Duplass shine in Blue Jay, a charming nostalgia trip tackling heady themes in a manner that is both lovingly awkward and brutally real.