Walt Disney
Birthday:
December 5, 1901 in Chicago, Illinois, USA
Birth Name:
Walter Elias Disney
Height:
178 cm
Walter Elias Disney was born on December 5, 1901 in Chicago, Illinois, the son of Flora Disney (née Call) and Elias Disney, a Canadian-born farmer and businessperson. He had Irish, German, and English ancestry. Walt moved with his parents to Kansas City at age seven, where he spent the majority of his childhood. At age 16, during World War I, he f...
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Walter Elias Disney was born on December 5, 1901 in Chicago, Illinois, the son of Flora Disney (née Call) and Elias Disney, a Canadian-born farmer and businessperson. He had Irish, German, and English ancestry. Walt moved with his parents to Kansas City at age seven, where he spent the majority of his childhood. At age 16, during World War I, he faked his age to join the American Red Cross. He soon returned home, where he won a scholarship to the Kansas City Art Institute. There, he met a fellow animator, Ub Iwerks. The two soon set up their own company. In the early 1920s, they made a series of animated shorts for the Newman theater chain, entitled "Newman's Laugh-O-Grams". Their company soon went bankrupt, however.The two then went to Hollywood in 1923. They started work on a new series, about a live-action little girl who journeys to a world of animated characters. Entitled the "Alice Comedies", they were distributed by M.J. Winkler (Margaret). Walt was backed up financially only by Winkler and his older brother Roy O. Disney, who remained his business partner for the rest of his life. Hundreds of "Alice Comedies" were produced between 1923 and 1927, before they lost popularity.Walt then started work on a series around a new animated character, Oswald the Lucky Rabbit. This series was successful, but in 1928, Walt discovered that M.J. Winkler and her husband, Charles Mintz, had stolen the rights to the character away from him. They had also stolen all his animators, except for Ub Iwerks. While taking the train home, Walt started doodling on a piece of paper. The result of these doodles was a mouse named Mickey. With only Walt and Ub to animate, and Walt's wife Lillian Disney (Lilly) and Roy's wife Edna Disney to ink in the animation cells, three Mickey Mouse cartoons were quickly produced. The first two didn't sell, so Walt added synchronized sound to the last one, Willie, le bateau à vapeur (1928), and it was immediately picked up. With Walt as the voice of Mickey, it premiered to great success. Many more cartoons followed. Walt was now in the big time, but he didn't stop creating new ideas.In 1929, he created the 'Silly Symphonies', a cartoon series that didn't have a continuous character. They were another success. One of them, Des arbres et des fleurs (1932), was the first cartoon to be produced in color and the first cartoon to win an Oscar; another, Les trois petits cochons (1933), was so popular it was often billed above the feature films it accompanied. The Silly Symphonies stopped coming out in 1939, but Mickey and friends, (including Minnie Mouse, Donald Duck, Goofy, Pluto, and plenty more), were still going strong and still very popular.In 1934, Walt started work on another new idea: a cartoon that ran the length of a feature film. Everyone in Hollywood was calling it "Disney's Folly", but Blanche Neige et les sept nains (1937) was anything but, winning critical raves, the adoration of the public, and one big and seven little special Oscars for Walt. Now Walt listed animated features among his ever-growing list of accomplishments. While continuing to produce cartoon shorts, he also started producing more of the animated features. Pinocchio (1940), Dumbo (1941), and Bambi (1942) were all successes; not even a flop like Fantasia (1940) and a studio animators' strike in 1941 could stop Disney now.In the mid 1940s, he began producing "packaged features", essentially a group of shorts put together to run feature length, but by 1950 he was back with animated features that stuck to one story, with Cendrillon (1950), Alice au pays des merveilles (1951), and Les aventures de Peter Pan (1953). In 1950, he also started producing live-action films, with L'ile au trésor (1950). These began taking on greater importance throughout the 50s and 60s, but Walt continued to produce animated features, including La belle et le clochard (1955), La belle au bois dormant (1959), and Les 101 dalmatiens (1961).In 1955, he even opened a theme park in southern California: Disneyland. It was a place where children and their parents could take rides, just explore, and meet the familiar animated characters, all in a clean, safe environment. It was another great success. Walt also became one of the first producers of films to venture into television, with his series Disney Parade (1954) which he began in 1954 to promote his theme park. He also produced The Mickey Mouse Club (1955) and Zorro (1957). To top it all off, Walt came out with the lavish musical fantasy Mary Poppins (1964), which mixed live-action with animation. It is considered by many to be his magnum opus. Even after that, Walt continued to forge onward, with plans to build a new theme park and an experimental prototype city in Florida.He never did finish those plans, however; in 1966, he developed lung cancer brought on by his lifelong chain-smoking. He died in the hospital on December 15, 1966 at age 65. But not even his death, it seemed, could stop him. Roy carried on plans to build the Florida theme park, and it premiered in 1971 under the name Walt Disney World. What's more, his company continues to flourish, still producing animated and live-action films and overseeing the still- growing empire started by one man: Walt Disney, who will never be forgotten. Show less «
I don't make pictures just to make money. I make money to make more pictures.
I don't make pictures just to make money. I make money to make more pictures.
I'd rather entertain and hope that people learn, than teach and hope that people are entertained.
I'd rather entertain and hope that people learn, than teach and hope that people are entertained.
I'm not interested in pleasing the critics. I'll take my chances pleasing the audiences.
I'm not interested in pleasing the critics. I'll take my chances pleasing the audiences.
I hope we'll never lose sight of one thing--that it was all started by a mouse.
I hope we'll never lose sight of one thing--that it was all started by a mouse.
I happen to be an inquisitive guy and when I see things I don't like, I start thinking why do they have to be like this and how can I improv...Show more »
I happen to be an inquisitive guy and when I see things I don't like, I start thinking why do they have to be like this and how can I improve them. Show less «
It's kind of fun to do the impossible.
It's kind of fun to do the impossible.
in the book "The Humour of Sex" by Robert Hale] I love Mickey Mouse more than any woman I've ever known.
in the book "The Humour of Sex" by Robert Hale] I love Mickey Mouse more than any woman I've ever known.
[on the Order of DeMolay, a Masonic youth organization] I feel a great sense of obligation and gratitude toward the Order of DeMolay for the...Show more »
[on the Order of DeMolay, a Masonic youth organization] I feel a great sense of obligation and gratitude toward the Order of DeMolay for the important part it played in my life. Its precepts have been invaluable in making decisions, facing dilemmas and crises. DeMolay stands for all that is good for the family and for our country. I feel privileged to have enjoyed membership in DeMolay. Show less «
People like to think their world is somehow more grown up than Papa's was.
People like to think their world is somehow more grown up than Papa's was.
I sell corn, and I love corn.
I sell corn, and I love corn.
You know, every once in a while I just fire everybody, then I hire them back in a couple of weeks. That way they don't get too complacent. I...Show more »
You know, every once in a while I just fire everybody, then I hire them back in a couple of weeks. That way they don't get too complacent. It keeps them on their toes. Show less «
[to director Richard Fleischer, who made 20.000 lieues sous les mers (1954) for Disney, on how to be successful] Well, then, why don't you d...Show more »
[to director Richard Fleischer, who made 20.000 lieues sous les mers (1954) for Disney, on how to be successful] Well, then, why don't you do as I do? Let somebody else do all the work and you take all the credit. Show less «
Around here, however, we don't look backwards for very long. We keep moving forward, opening up new doors, and doing new things, because we'...Show more »
Around here, however, we don't look backwards for very long. We keep moving forward, opening up new doors, and doing new things, because we're curious... and curiosity keeps leading us down new paths. Show less «
The proper comedy for the screen is visual. Films try to get too many laughs out of the dialogue. We use pantomime not wisecracks. Portrayal...Show more »
The proper comedy for the screen is visual. Films try to get too many laughs out of the dialogue. We use pantomime not wisecracks. Portrayal of human sensations by inanimate objects such as steam shovels and rocking-chairs never fail to provoke laughter. Human distress exemplified by animals is sure-fire. A bird that jumps after swallowing a grasshopper is a natural. Surprise is always provocative. Show less «
Every time they make a pornographic film, I make money.
Every time they make a pornographic film, I make money.
I think the picture would have done better with a different title. Girls and women went to it, but men tended to stay away because it sounde...Show more »
I think the picture would have done better with a different title. Girls and women went to it, but men tended to stay away because it sounded sweet and sticky. - On Pollyanna (1960) Show less «
As long as there is imagination left in the world, Disneyland will never be complete.
As long as there is imagination left in the world, Disneyland will never be complete.
We don't make movies to make money, we make money to make more movies.
We don't make movies to make money, we make money to make more movies.
[Being a celebrity] doesn't even seem to keep the fleas off our dogs - and if being a celebrity won't give me an advantage over a couple of ...Show more »
[Being a celebrity] doesn't even seem to keep the fleas off our dogs - and if being a celebrity won't give me an advantage over a couple of fleas, then I guess there can't be much in being a celebrity after all. Show less «
[observation, 1940] 'Fantasia' merely makes our other pictures look immature and suggests for the first time what the future of this medium ...Show more »
[observation, 1940] 'Fantasia' merely makes our other pictures look immature and suggests for the first time what the future of this medium may well turn out to be. What I see way off there is too nebulous to describe. But it looks big and glittering. That's what I like about this business, the certainty that there is something bigger and more exciting just around the bend - and the uncertainty of everything else. Show less «
I believe in the family unit. I believe in the family having fun together, enjoying things together, which is what Disneyland is.
I believe in the family unit. I believe in the family having fun together, enjoying things together, which is what Disneyland is.
We don't actually make films for children, but we make films that children can enjoy along with the parents.
We don't actually make films for children, but we make films that children can enjoy along with the parents.
There is more treasure in books than in all the pirate's loot on Treasure Island.
There is more treasure in books than in all the pirate's loot on Treasure Island.
The way to get started is to quit talking and begin doing.
The way to get started is to quit talking and begin doing.
[responding to a letter from a little girl who had asked for his photograph with Woody Woodpecker and others, 1964] Dear Wendy, Even though ...Show more »
[responding to a letter from a little girl who had asked for his photograph with Woody Woodpecker and others, 1964] Dear Wendy, Even though Donald Duck, Mickey Mouse, Pluto and Ludwig Von Drake aren't related to Woody Woodpecker, I'm glad to know you like him because he belongs to my good friend Walter Lantz. I know Mr. Lantz will appreciate knowing you are a friend of Woody. I am enclosing an autographed picture of me and a couple of my friends you asked for... and sending your note to Woody Woodpecker. Perhaps you will get a picture of him too. Show less «
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