Tristram Coffin
Birthday:
August 13, 1909 in Mammoth, Utah, USA
Height:
183 cm
Tristram Coffin was born in a Utah mining community, grew up in Salt Lake City, and started acting while in high school. He later continued acting with traveling stock companies. Having earned a degree in speech at the University of Washington, he worked as a news analyst and sportscaster until a Hollywood talent scout approached him with the idea ...
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Tristram Coffin was born in a Utah mining community, grew up in Salt Lake City, and started acting while in high school. He later continued acting with traveling stock companies. Having earned a degree in speech at the University of Washington, he worked as a news analyst and sportscaster until a Hollywood talent scout approached him with the idea of putting him in films. Coffin's sinister looks served him well in the roles he played in serials like La Maîtresse du Désert (1942) and Spy Smasher (1942), but there were occasional hero roles, too, as in the feature The Corpse Vanishes (1942) with Bela Lugosi. He donned the bullet helmet and gadget-laden leather jacket of Rocket Man in the 1949 serial King of the Rocket Men (1949). Baby boomers might remember Coffin best as the Arizona Ranger Captain in the 1950s Western series 26 Men (1957). Show less «
[about his more than 300 film and TV appearances] A lot of my films I can't remember the titles or having ever worked in them. You made so m...Show more »
[about his more than 300 film and TV appearances] A lot of my films I can't remember the titles or having ever worked in them. You made so many, it was almost like being on a roller-skate going from one studio to another. On a couple of occasions I was working in two pictures on the same lot at the same time. Show less «
[on why he played so many "heavies"] I asked for it. I pleaded for it, and fought for it. I was doing leading man and romance roles but I lo...Show more »
[on why he played so many "heavies"] I asked for it. I pleaded for it, and fought for it. I was doing leading man and romance roles but I loved westerns. I talked to [Scott R. Dunlap], who was producing westerns at Monogram, and asked him if I could do some heavies. He said, "Tris, you're too dignified. You're strictly a leading man and romance type. You can't work in westerns as a heavy". I said, "Scotty, have you ever gone to a state penitentiary and looked at some of the inmates? There are lawyers, doctors, and motion picture producers; they're not all mugs". So he said, "Well, maybe you've got a point. I've got a script with a heavy that can be played smooth". So he gave me the part and that was my start playing heavies and I've always loved doing them. I've played many villains and have been so mean that in one picture they even tried to give me to the Indians and they wouldn't take me. Show less «
The corpse walks off the stage. It certainly was I. But the whole story was a damn lie. I never got off of my belly. There were even stories...Show more »
The corpse walks off the stage. It certainly was I. But the whole story was a damn lie. I never got off of my belly. There were even stories in Time magazine. "The character was seen to get down from a stretcher and walk nonchalantly off the set." There never was a stretcher. I was on a blanket underneath, on my belly, and on a cue, I had to scramble like a snake out of the way of a dolly camera coming across to pick up Dick Powell so dialogue could continue in the scene. It was just a mess up with a cue guy. It never happened. Johnny Carson has used this on his show I guess half a dozen times. The truth has never been told. The fact that my name was Coffin, they played this real, real fun, you know, had fun with it, the corpse walking off the set. It never happened. Johnny Carson, Time magazine, and newspapers all across the country picked it up. They played it because they had a lot of fun with it, and it didn't happen the way they all have said it did. I was never seen. What was seen we didn't know it at the time, because it was done live, we didn't see it till we got home that night and watched the show later, it was done on kinescope in those days. All you see, at the bottom of the screen they had covered me with a blanket, because I had been killed, and the autopsy people, Dick Powell had a line of dialogue, "You better remove the body," and you see the blanket right at the very bottom of the screen, you see the blanket kind of move off, and that was me crawling off on my belly. They hadn't raised the camera up high enough, from the cue being too early, the camera hadn't gotten up off of me enough, so they picked up Dick Powell and Horace MacMahon coming in through the door across the set, picking up their dialogue. It was just a fraction of a second too soon, and all you saw was just the blanket moving just as Powell says "You better have your men remove the body." You see the blanket moving off the set, about a quarter inch at the bottom of the screen. That was where they said "the corpse was seen to get down off a stretcher and walk nonchalantly off the set." There never was a stretcher in the place. I called Dick Powell the next day after it happened and said, "Gee, I'm sorry to see a thing like that happen." Of course, in those days in live television, everything would happen. People would walk across carrying a ladder, a prop man would walk across a set, a lot of funny things. He said, "Tris, don't be upset about it. The only way that you and I can get any publicity today is to get wound up on some kind of cocaine or dope or something." That is what actually happened. It was a fun thing for some of the correspondents to write about it. Johnny Carson has at least five or six times said it on his show, they'll be talking about funny things that happened in live television. One time I sent Johnny a telegram and I said, "Johnny," I've known Johnny since before he was doing this thing I said, "Have blanket, will travel." I got a nice response from him. Show less «