Sigourney Weaver
Birthday:
8 October 1949, Manhattan, New York City, New York, USA
Birth Name:
Susan Alexandra Weaver
Height:
180 cm
Sigourney Weaver was born Susan Alexandra Weaver in Leroy Hospital in Manhattan, New York City. Her father, TV producer Sylvester L. Weaver Jr., originally wanted to name her Flavia, because of his passion for Roman history (he had already named her elder brother Trajan). Her mother, Elizabeth Inglis (née Desiree Mary Lucy Hawkins), was an English...
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Sigourney Weaver was born Susan Alexandra Weaver in Leroy Hospital in Manhattan, New York City. Her father, TV producer Sylvester L. Weaver Jr., originally wanted to name her Flavia, because of his passion for Roman history (he had already named her elder brother Trajan). Her mother, Elizabeth Inglis (née Desiree Mary Lucy Hawkins), was an English actress who had sacrificed her career for a family. Sigourney grew up in a virtual bubble of guiltless bliss, being taken care of by nannies and maids. By 1959, the Weavers had resided in 30 different households. In 1961, Sigourney began attending the Brearley Girls Academy, but her mother moved her to another New York private school, Chapin. Sigourney was quite a bit taller than most of her other classmates (at the age of 13, she was already 5' 10"), resulting in her constantly being laughed at and picked on; in order to gain their acceptance, she took on the role of class clown.In 1962, her family moved to San Francisco briefly, an unpleasant experience for her. Later, they moved back east to Connecticut, where she became a student at the Ethel Walker School, facing the same problems as before. In 1963, she changed her name to "Sigourney", after the character "Sigourney Howard" in F. Scott Fitzgerald's "The Great Gatsby" (her own birth name, Susan, was in honor of her mother's best friend, explorer Susan Pretzlik). Sigourney had already starred in a school drama production of "A Midsummer Night's Dream", and, in 1965, she worked during the summer with a stock troupe, performing in "A Streetcar Named Desire" and "You Can't Take It With You" (she didn't star in the latter because she was taller than the lead actor!). After graduating from school in 1967, she spent some months in a kibbutz in Israel. At that time, she became engaged to reporter Aaron Latham, but they soon broke up.In 1969, Sigourney enrolled in Stanford University, majoring in English Literature. She also participated in school plays, especially Japanese Noh plays. By that time she was living in a tree house, alongside a male friend, dressed in elf-like clothes! After completing her studies in 1971, she applied for the Yale School of Drama in New Haven. Despite appearing at the audition reading a Bertolt Brecht speech and wearing a rope-like belt, she was accepted by the school but her professors rejected her, because of her height, and kept typecasting her as prostitutes and old women (whereas classmate Meryl Streep was treated almost reverently). However, in 1973, while making her theatrical debut with "Watergate Classics", she met up with a team of playwrights and actors and began hanging around with them, resulting in long-term friendships with Christopher Durang, Kate McGregor-Stewart and Albert Innaurato.In 1974, she starred in such plays as Aristophanes' "Frogs" and Durang's "The Nature and Purpose of the Universe" and "Daryl and Carol and Kenny and Jenny", as "Jenny". After finishing her studies that year, she began seriously pursuing a stage career, but her height kept being a hindrance. However, she continued working on stage with Durang (in "Titanic" [1975]) and Innaurato (in "Gemini" [1976]). Other 1970s stage works included "Marco Polo Sing a Song", "The Animal Kingdom", "A Flea in Her Ear", "The Constant Husband", "Conjuring an Event" and others. However, the one that really got her noticed was "Das Lusitania Songspiel", a play she co-wrote with Durang and in which she starred for two seasons, from 1979 to 1981. She was also up for a Drama Desk Award for it. During the mid-70s, she appeared in several TV spots and even starred as "Avis Ryan" in the soap opera Somerset (1970).In 1977, she was cast in the role Shelley Duvall finally played in Annie Hall (1977), after rejecting the part due to prior stage commitments. In the end, however, Woody Allen offered her a part in the film that, while short (she was on-screen for six seconds), made many people sit up and take notice. She later appeared in Madman (1978) and, of course, Alien (1979). The role of the tough, uncompromising "Ripley" made Sigourney an "overnight" star and brought her a British Award Nomination. She next appeared in Eyewitness (1981) and The Year of Living Dangerously (1982), the latter being a great success in Australia that won an Oscar and brought Sigourney and co-star Mel Gibson to Cannes in 1983. The same year she delivered an honorary Emmy award to her father, a few months before her uncle, actor Doodles Weaver, committed suicide. That year also brought her a romance with Jim Simpson, her first since having broken up two years previously with James M. McClure. She and Simpson were married on 1 October 1984. Sigourney had, meanwhile, played in the poorly received Deal of the Century (1983) and the mega-hit Ghostbusters (1984). She was also nominated for a Tony Award for her tour-de-force performance in the play "Hurly Burly". Then followed Une femme ou deux (1985), Half Moon Street (1986) and Aliens (1986). The latter was a huge success, and Sigourney was nominated for both a Golden Globe and an Oscar.She then entered her most productive career period and snatched Academy Award nominations, in both Best Actress and Best Supporting Actress categories, for her intense portrayal of Dian Fossey in Gorillas in the Mist: The Story of Dian Fossey (1988) and her delicious performance as a double-crossing, power-hungry corporate executive in Working Girl (1988). She ended up losing in both, but made up for it to a degree by winning both Golden Globes. After appearing in a documentary about fashion photographer Helmut Newton, Helmut Newton: Frames from the Edge (1989), and reprising her role in the sequel Ghostbusters II (1989), she discovered she was pregnant and retired from public life for a while. She gave birth to her daughter, Charlotte Simpson, on 13 April 1990, and returned to the movies as a (now skinhead) Ripley in Alien³ (1992) and a gorgeous "Queen Isabella of Spain" in 1492: Conquest of Paradise (1992), her second film with director Ridley Scott. She starred in the political comedy Dave (1993) alongside Kevin Kline, and then a Roman Polanski thriller, Death and the Maiden (1994).In 1995, she was seen in Jeffrey (1995) and Copycat (1995). The next year, she "trod the boards" in "Sex and Longing", yet another Durang play. She hadn't performed in the theater in many years before that play, her last stage performances occurring in the 1980s in "As You Like It" (1981), "Beyond Therapy" (1981), "The Marriage of 'Bette and Boo'" (1985) and "The Merchant of Venice" (1986). In 1997, she was the protagonist in Grimm's Snow White: A Tale of Terror (1997), The Ice Storm (1997) and Alien: Resurrection (1997). Her performance in The Ice Storm (1997) got her a BAFTA prize and another Golden Globe nod. She also gave excellent performances in A Map of the World (1999) and the sci-fi spoof Galaxy Quest (1999). Her next comedy, Company Man (2000), wasn't quite so warmly welcomed critically and financially, however. She next played a sexy con artist in Heartbreakers (2001) and had a voice role in Big Bad Love (2001). Her father died at the age of 93. Sigourney herself has recently starred in Tadpole (2000) and is planning a cinematic version of The Guys (2002), the enthralling September 11th one-act drama she played on stage on late 2001. At age 60, she played a crucial role in Avatar (2009), which became the top box-office hit of all time. The film reunited her with her Aliens (1986) director James Cameron. Her beauty, talent, and hard-work keeps the ageless actress going, and she has continued to win respect from her fans and directors. Show less «
I'd rather have a small part in a movie I love than a bigger part in one I don't care about.
I'd rather have a small part in a movie I love than a bigger part in one I don't care about.
Well, I've always admired Margaret Rutherford. Like her, I'd like to play Miss Marple when I'm eighty.
Well, I've always admired Margaret Rutherford. Like her, I'd like to play Miss Marple when I'm eighty.
I'm having a wonderful time producing. There are good producers and bad producers. I've learned the hard way what not to do. The ultimate ai...Show more »
I'm having a wonderful time producing. There are good producers and bad producers. I've learned the hard way what not to do. The ultimate aim is to produce things I'm not actually in. I'm not looking for vehicles for myself. It's not a vanity company. Show less «
Some of the most intense affairs are between actors and characters. There's a fire in the human heart and we jump into it with the same obse...Show more »
Some of the most intense affairs are between actors and characters. There's a fire in the human heart and we jump into it with the same obsession as we have with our lovers. Show less «
I'd rather work with a first-time director who's passionate about the material. I've done enough movies with old and jaded people who are ju...Show more »
I'd rather work with a first-time director who's passionate about the material. I've done enough movies with old and jaded people who are just like "Let's get this over with.". Show less «
I've always regretted having such a serious career because I'm really more of an idiot.
I've always regretted having such a serious career because I'm really more of an idiot.
In Hollywood, if you are a man and speak your mind openly, you're considered a man in full. But, if you are a woman and do the same, you're ...Show more »
In Hollywood, if you are a man and speak your mind openly, you're considered a man in full. But, if you are a woman and do the same, you're nothing but an annoying bitch. Show less «
Usually, all Hollywood wants you to do is what you just did. After The Ice Storm (1997), I was offered a thousand "Ice Storms" and so on. Yo...Show more »
Usually, all Hollywood wants you to do is what you just did. After The Ice Storm (1997), I was offered a thousand "Ice Storms" and so on. You always get offered the same thing again and again, if you're not very careful. It's up to you to swing back and forth. Show less «
I think I get sent the roles Meryl's [Meryl Streep] not doing.
I think I get sent the roles Meryl's [Meryl Streep] not doing.
These deep sea trawlers are operating beyond the reach of the law. It's up to all of us to change that.
These deep sea trawlers are operating beyond the reach of the law. It's up to all of us to change that.
Most people think somebody, somewhere is looking out for the deep oceans, but they aren't.
Most people think somebody, somewhere is looking out for the deep oceans, but they aren't.
I've lost a lot of roles because of my height. I'm 6 feet 3 inches in heels. Producers are short and I was never their sexual fantasy. As fo...Show more »
I've lost a lot of roles because of my height. I'm 6 feet 3 inches in heels. Producers are short and I was never their sexual fantasy. As for actors, if I enter a room and an actor stands up then immediately gets self-conscious and sits back down, I hear myself saying, "This job isn't for me." I once offered to paint my shoes on my bare feet to get one part because it made me appear shorter. Show less «
I don't have ambitions, I believe in taking what comes. I have that philosophy about life in general. I go in and try to transform it into t...Show more »
I don't have ambitions, I believe in taking what comes. I have that philosophy about life in general. I go in and try to transform it into the best it can be. Show less «
It took me a while to let my hair down in the business because I was kind of a shy person. I was from New York and never really felt at ease...Show more »
It took me a while to let my hair down in the business because I was kind of a shy person. I was from New York and never really felt at ease in Hollywood. I don't really now either but I don't care, it's not important that I do. Filmmakers find me or I find them. Show less «
[1992: on the possibility of performing in a fourth Alien movie] I am sure there will eventually be an Alien 4, it just won't have me in it.
[1992: on the possibility of performing in a fourth Alien movie] I am sure there will eventually be an Alien 4, it just won't have me in it.
[1992: working on Alien³ (1992)] Okay, the crew have not enjoyed being here until ten o'clock at night, but, you know, that's the way i...Show more »
[1992: working on Alien³ (1992)] Okay, the crew have not enjoyed being here until ten o'clock at night, but, you know, that's the way it is. Show less «
[1992: on Alien³ (1992)] Fincher is very dry. He is the only director I can think of who can come up with so many jokes, considering th...Show more »
[1992: on Alien³ (1992)] Fincher is very dry. He is the only director I can think of who can come up with so many jokes, considering the pressure he has been under. Show less «
[on hoping to do another Alien movie] I could definitely kick that alien's ass again. And while I can't speak for them, I think Fox, once yo...Show more »
[on hoping to do another Alien movie] I could definitely kick that alien's ass again. And while I can't speak for them, I think Fox, once you're 60, you're not going to be starring in an action movie. I think it's too bad that that's the case. I would have liked to do one last story where we go back to the planet, where Ripley's history is resolved. But I do feel like her story is unfinished. Show less «
[on The Year of Living Dangerously (1982)] It was a happy experience. Mel Gibson was quite happy for me to wear four-inch heels if I wanted ...Show more »
[on The Year of Living Dangerously (1982)] It was a happy experience. Mel Gibson was quite happy for me to wear four-inch heels if I wanted and Peter Weir gave me a sense of film I hadn't had before. Show less «
[on her role as a student activist] Napalm was invented at Stanford University, so one of the reasons we were protesting was to make sure th...Show more »
[on her role as a student activist] Napalm was invented at Stanford University, so one of the reasons we were protesting was to make sure that didn't continue. I think we stopped the university and we helped stop that war. Show less «
[on her television series Political Animals (2012)] I was offered this show just as I was realizing that TV was a cool place to work. A seri...Show more »
[on her television series Political Animals (2012)] I was offered this show just as I was realizing that TV was a cool place to work. A series can really take the time to build and layer and tell a different kind of story. It's delicious. It's like a stew instead of a little vegan meal. Show less «
[on Political Animals (2012)] When I finally got to this material, to my great surprise, I felt I had been eating salad for a number of year...Show more »
[on Political Animals (2012)] When I finally got to this material, to my great surprise, I felt I had been eating salad for a number of years and was finally offered a big, juicy hamburger. Because it's so different from what's going on in movies, which are dominated by effects and action and comic-book characters. To sink my teeth into these relationships has been just fantastic. Show less «
I changed my name when I was twelve because I didn't like being called Sue or Susie. I felt I needed a longer name because I was so tall. So...Show more »
I changed my name when I was twelve because I didn't like being called Sue or Susie. I felt I needed a longer name because I was so tall. So what happened? Now everyone calls me Sig or Siggy. Show less «
I had such great teachers in high school who made me feel like I could do anything. Then to go to Yale, where these drama teachers made me f...Show more »
I had such great teachers in high school who made me feel like I could do anything. Then to go to Yale, where these drama teachers made me feel like shit--if I had any advice for young people, it would be "Don't listen to teachers who say, 'You're really not good enough'." Just teach me. Don't tell me if you think I'm good enough or not. I didn't ask you. Teachers who do that should be fired. Show less «
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Alice Hunt
The Director
Ramona
Ellen Mitchell
Ellen Ripley
Cisserus
Helen Hudson
Dana Barrett
Gwen DeMarco
Joan Confrey
Chaffee Bicknell
Sigourney Weaver
Dr. Bennett
The Big Guy
Ms. Lawson
Ship's Computer
Katharine Parker
Rex Brooks
Queen Isabella
Warden Walker
Dian Fossey
Jean Carrack
Margaret Matheson
Dr. Grace Augustine
Tuya
Michelle Bradley
Alexandra Reid
Planet Express Ship
Max Conners
Herself - Host, Ripley, Various, Grace, Zuul