Phil Collins (30 January 1951, Chiswick, London, England, UK) movies list and roles

I'm not a singer who plays a bit of drums. I'm a drummer that sings a bit.

I don't own an ABBA album and I never had the urge to go and buy one. If you're just talking about well crafted pop songs, they were fantast...Show more »

I don't own an ABBA album and I never had the urge to go and buy one. If you're just talking about well crafted pop songs, they were fantastic. Show less «

I prefer black music in general.

We're (Genesis) tarred with a brush we don't deserve... like Grateful Dead - now, I've never even heard a Grateful Dead album, but they're t...Show more »

We're (Genesis) tarred with a brush we don't deserve... like Grateful Dead - now, I've never even heard a Grateful Dead album, but they're there in that corner, the same as we are to people who have never heard us! Maybe if I listened, I might like them. But it's frustrating, when we started, we used to got compared with Alice Cooper, David Bowie, Yes and the Floyd (Pink Floyd), because we used mellotrons and synthesisers, and were quite theatrical, but no one's put me in the same area as The Human League because they use drum machines. Show less «

[to a music journalist in 1982] You put Genesis over there in a corner with Yes, ELP [Emerson Lake and Palmer], Moody Blues [The Moody Blues...Show more »

[to a music journalist in 1982] You put Genesis over there in a corner with Yes, ELP [Emerson Lake and Palmer], Moody Blues [The Moody Blues] and the Floyd [Pink Floyd] because that's the period we happened to come up in. I don't like any of those groups - so it angers me and frustrates me when we get compared to them. Show less «

Apart from Hugh Fielder, I can't think of any journalist who actually likes Genesis.

I was keen to meet some of the people who have slagged me off, people like Paul Morley at NME and Paul Colbert at Melody Maker just to show ...Show more »

I was keen to meet some of the people who have slagged me off, people like Paul Morley at NME and Paul Colbert at Melody Maker just to show them that I'm not actually what they think I am. Show less «

I just don't think of myself as a star. This is what I do for a living; I'm fortunate that I make ends meet.

The difference between the American version of Live Aid (1985) and the British one - in England, if you wanted a cup of tea, you made it you...Show more »

The difference between the American version of Live Aid (1985) and the British one - in England, if you wanted a cup of tea, you made it yourself. If you wanted a sandwich, you bought it. In typical American style, at the American concert, there were laminated tour passes and champagne and caviar. I don't doubt anyone's moral commitment to the cause, but the caviar and the cause just didn't jibe for me. Show less «

[about his Academy Award] Ever since I can remember, I've watched the Oscar shows. Watching all those great actors, writers and directors re...Show more »

[about his Academy Award] Ever since I can remember, I've watched the Oscar shows. Watching all those great actors, writers and directors receiving the Holy Grail. I never thought in a million years that I'd get a nomination. As years rolled by I was lucky enough to be included a couple of times. When my third time came with Tarzan (1999), I truly didn't believe it would be me. When Cher opened the envelope and said "Ph..." you could have knocked me down with a feather. It really was, and is, an incredible feeling. Of all the awards I've been fortunate to collect over the years, the Oscar is the most treasured. Show less «

If people listened to Genesis' back catalogue they might be surprised.

It's very strange, when you live in London or live around London and get the music papers you are led to believe that there is a certain typ...Show more »

It's very strange, when you live in London or live around London and get the music papers you are led to believe that there is a certain type of music that is popular and everything else is not. Show less «

I like Weather Report, I like Stephen Bishop, I like John Martyn. I just like all different kinds of music and artists.

I recently saw a TV program in which a young, radical journalist was interviewing Ice-T at his home. And the guy asked, "What do you got in ...Show more »

I recently saw a TV program in which a young, radical journalist was interviewing Ice-T at his home. And the guy asked, "What do you got in the record collection, Ice?" And lo and behold, all my albums were there. The guy said, "Aw, come on, man, what is this bullshit?" And Ice-T jumped on him and said, "Don't mess with Phil, man. Don't you fucking mess with my Phil". What can I say? I was flattered that the guy even knew I existed. Show less «

[on bands copying Genesis and referring to the band's frequent criticism in the music press] I wouldn't wish it upon anybody to try and be s...Show more »

[on bands copying Genesis and referring to the band's frequent criticism in the music press] I wouldn't wish it upon anybody to try and be successful in this day and age being a parody of a band nobody likes anyway. Show less «

Many people think of me as a perfectionist, someone who polishes and shines each song and performance. I've always been bothered by that ass...Show more »

Many people think of me as a perfectionist, someone who polishes and shines each song and performance. I've always been bothered by that assumption. Show less «

The stuff that really gets me is the comments about my physical appearance. I guess it's easier to write about than the kind of songs I play...Show more »

The stuff that really gets me is the comments about my physical appearance. I guess it's easier to write about than the kind of songs I play. I mean, I was called the ugliest man since George Orwell. What's that got to do with the music? And, by the way, how ugly was George Orwell? Show less «

I get kicked around by critics all the time. I can count on one hand the amount of really good reviews I've had for anything I've done - in ...Show more »

I get kicked around by critics all the time. I can count on one hand the amount of really good reviews I've had for anything I've done - in 25 years of Genesis, 30 years of my own career - people have dismissed it out of hand. Show less «

There's a lot of stuff there that music critics just don't go for. To them, I'm some kind of landmark of middle-of-the-roadness, or I'm not ...Show more »

There's a lot of stuff there that music critics just don't go for. To them, I'm some kind of landmark of middle-of-the-roadness, or I'm not edgy enough, or I've been around too long to be taken seriously. Show less «

I won't/can't take the glory or the blame for what Genesis did musically. We wrote as a band and we lived with that music for 4/5 months wor...Show more »

I won't/can't take the glory or the blame for what Genesis did musically. We wrote as a band and we lived with that music for 4/5 months working on it together. I'd like to see someone try to push Tony Banks into doing something he doesn't want to do! Just doesn't happen. Same with all the records actually.....all responsible for everything broadly speaking. Show less «

[in 2005] I have to say that the whole thing that has arisen in recent times of me being the epitome of "the great musical evil", and to be ...Show more »

[in 2005] I have to say that the whole thing that has arisen in recent times of me being the epitome of "the great musical evil", and to be avoided at all costs, is both curious and disturbing to me. Why I have been chosen for this role is a little beyond me. It seems that it's started by an anonymous voice and seconded by others without question. Somehow, some way, I have become "worse" than Cliff [Cliff Richard] or Barry Manilow. Show less «

[on The Beatles] They are without doubt the yardstick by which I judge modern songwriting. Forget that it's "old" . . . it has rarely been e...Show more »

[on The Beatles] They are without doubt the yardstick by which I judge modern songwriting. Forget that it's "old" . . . it has rarely been equaled and even with the Great Pretenders Oasis vying for their crown . . . it's not happening. It's not that I'm a nostalgia freak . . . they were just great writers, with a great producer, at the right time, with the right noise. I have bought many CDs of the '60s bands because I wanted to have those songs but all of them pale in comparison when you put them next to The Beatles' stuff. Show less «

[speaking in 2005] I've been amazed at how I was so welcomed by Jonathan Ross for example on his shows.... at the Brits.... winning time aft...Show more »

[speaking in 2005] I've been amazed at how I was so welcomed by Jonathan Ross for example on his shows.... at the Brits.... winning time after time..... I find it weird to have ended up being the brunt of crap from the same people that welcomed me so many years ago. Show less «

It should go without saying I suppose that looked at through British media eyes circa 2004, my appearance anywhere on anything will be open ...Show more »

It should go without saying I suppose that looked at through British media eyes circa 2004, my appearance anywhere on anything will be open to ridicule and instant dismissal. Please don't get me wrong . . . I really don't expect everyone to like what I do, but it's the sheer predictability of it all. I just don't understand why suddenly there is this tidal wave of abuse !! It seems it's impossible to open a newspaper without reading some crap or other. I know too that it shouldn't all be believed but . . . I keep out of the way and am good with children, I play well with others! I know I've never been hip, and most critics have had trouble with the music, but now it seems everyone out there who writes for a journal actively hates what I do! Quite disturbing and mystifying and it's pissing me off . . . sorry about that. Show less «

[in 2004] I'm an easy target, especially nowadays. You'd be hard-pressed to find many in the media or the music business who'll own up to li...Show more »

[in 2004] I'm an easy target, especially nowadays. You'd be hard-pressed to find many in the media or the music business who'll own up to liking me and my music. Especially in the UK. Although I have met a lot of R&B singers in the States who are very kind about what I've done. Generally speaking, though, it's just one of those things that cannot be reversed now. One has to be philosophical about it and try to move on . . . that's not easy for me, but I am trying! Show less «

[commenting in 2005 on Noel Gallagher and Liam Gallagher of the band Oasis, following a series of adverse comments made about him in the med...Show more »

[commenting in 2005 on Noel Gallagher and Liam Gallagher of the band Oasis, following a series of adverse comments made about him in the media by Noel] I like a fair bit of what the Oasis do. They remind me of Beatles . . . a great band and I like being reminded of [The] Beatles. If you were there the first time around, you might think the Oasis were a bit similar, what with that Liam and his attitude and his brother Noel . . . thinking they are as good as them Beatles. Fact is . . . they are a bit pale compared to them Beatles . . . I am, we all are . . . Now Liam is just a clot . . . bop him round the head, and wake him up . . . Noel is smarter . . . but only just . . . Just because they write a tune or two that reminds us of Beatles we swoon a bit and reminisce . . . but it's only nostalgia, really. I don't care if Noel Gallagher likes my music or not . . . I do care if he starts telling people I'm a wanker because of my politics . . . an opinion based on an old misunderstood quote. Show less «

[in 2005] I'd like to grab an opportunity to finally lay to rest a much quoted untruth about my political leanings. I have never been a Cons...Show more »

[in 2005] I'd like to grab an opportunity to finally lay to rest a much quoted untruth about my political leanings. I have never been a Conservative, or at least not since being a young teenager. My father voted Conservative, and even his doing that was a hangover from the '50s and '60s, which may have been an influence on me. I'm sick and tired of being thrown in that same old box . . . "he's got money . . . so he must be . . . " I once said that if taxes were put up to a level where the government took home more than me, then I would consider moving out of the country. The Conservatives were in at that point and I mentioned Labour... if Labour had been in, I would have mentioned Conservative. It was said to make a point over 15 years ago. No one's asked me since. I live outside the UK purely because my wife lived here when we met. End of story. Show less «

[on Peter Gabriel] As far as I'm concerned he is a far more intellectual writer and person than me, and I have a directness that maybe he ha...Show more »

[on Peter Gabriel] As far as I'm concerned he is a far more intellectual writer and person than me, and I have a directness that maybe he hasn't. I love this man and his music very much. Comparisons don't do either of us any favors, and in fact if we hadn't been in the same band for four years 30 years ago, no one would even think of making a comparison. Show less «

A lot of the older fans think that Genesis should be a brand name for progressive rock or whatever, but actually Genesis is the name for a g...Show more »

A lot of the older fans think that Genesis should be a brand name for progressive rock or whatever, but actually Genesis is the name for a group of songwriters who have always done whatever they felt like doing under that banner. Show less «

When I'm playing a song I'll often think about how another drummer might play it, and try to be that player in my performance of the song. O...Show more »

When I'm playing a song I'll often think about how another drummer might play it, and try to be that player in my performance of the song. Often I'll think, "How would Keith Moon play this?" And I'll don my Keith Moon hat. For another song I'll think about John Bonham, or even on occasion Stewart Copeland, but more often than any other drummer I think about Ringo [Ringo Starr]. "That's All", from Genesis, is a Ringo Starr drum part. "Thru These Walls", from "Hello, I Must Be Going", is a Ringo drum part. Show less «

I'm tired of defending the fact that we [Genesis] wrote three and four minute songs and had a bit of success.

It's actually come as quite a shock to learn just how many people don't like me.

I've been playing drums for 50 years, I've had to stop. My vertebrae have been crushing my spinal cord because of the position I drum in. It...Show more »

I've been playing drums for 50 years, I've had to stop. My vertebrae have been crushing my spinal cord because of the position I drum in. It comes from years of playing. I can't even hold the sticks properly without it being painful, I even used to tape the sticks to my hands to get through. Show less «

There'll always be people out there like Noel Gallagher who firmly believe I'm the Antichrist.

The greatest surprise for me is how some of my songs have had this amazing afterlife. Often when I bump into strangers on the street, they w...Show more »

The greatest surprise for me is how some of my songs have had this amazing afterlife. Often when I bump into strangers on the street, they won't speak to me; they'll just act out the drum sequence from "In The Air Tonight". That song just won't lie down. When the chocolate company first rang up about the advert, they asked whether I'd have any objections about a gorilla playing my drum parts. My attitude was, "If you can make that mad idea work, then good luck to you." Then it goes on to become one of the most popular ads of all time. I knew nothing about the song being used in The Hangover (2009). Then a friend asked me, "Have you seen that movie where those guys steal Mike Tyson's tiger during a stag night in Vegas and they all end up singing 'In The Air Tonight'?" When I saw it I thought it was hilarious. Show less «

I never used to think of myself as a workaholic. I used to work non-stop because I couldn't believe my luck that I was able to do all these ...Show more »

I never used to think of myself as a workaholic. I used to work non-stop because I couldn't believe my luck that I was able to do all these things that I loved. I was everywhere, and I can see why that must have been annoying to some people. Then I reached a point where I no longer felt the need to go zooming around the world and attend the opening of every envelope. Basically I stopped. I've got a nine-year-old and a five-year-old. I take them to football. I like to take them to school and pick them up. That's my life now. I love doing the things that other people probably find tedious because they've been doing them for so long. I never did those things in the past, as I was always working flat out. That was my loss. Now I'm able to do all that and also have time to indulge my passions. Show less «

[on the story that he divorced his second wife by fax] Complete nonsense. There might have been a few faxes exchanged about access to my dau...Show more »

[on the story that he divorced his second wife by fax] Complete nonsense. There might have been a few faxes exchanged about access to my daughter, but that's not how the marriage was ended. But it doesn't matter what I say. That untruth will still be carved on my headstone. Show less «

I moved to Switzerland because I'd fallen in love with a woman who lived on Lake Geneva. As I said at the time, I'd have moved to Grimsby if...Show more »

I moved to Switzerland because I'd fallen in love with a woman who lived on Lake Geneva. As I said at the time, I'd have moved to Grimsby if she happened to live there. Inevitably everyone in Grimsby turned around and said, "Why's he having a pop at Grimsby?" If you're Phil Collins it seems you just can't win. Show less «

If my missus hadn't left me I suppose I'd have gone off and made an obscure jazz album that nobody would have bought and that's the last you...Show more »

If my missus hadn't left me I suppose I'd have gone off and made an obscure jazz album that nobody would have bought and that's the last you'd have heard from me. Instead I started writing the songs that ended up on "Face Value". Nobody was more amazed by my solo success than I was. It took me completely by surprise. Everything I touched turned to gold at that time. Looking back, the only mistake I made was getting trapped in a persona. Maybe I became a parody of myself. A lot of people saw me as this middle-of-the-road kind of guy, a family entertainer like Cliff Richard. They judged me based on a handful of songs that were played to death on the radio. In the Eighties there was an awful lot of vitriol coming my way. Some of the criticism hurt and I would respond by writing letters and telephoning journalists to have it out with them. With hindsight I can see that I was oversensitive. But I felt I was being disliked for the wrong reasons, reasons that often had nothing to do with the music. There are still people who hate me for reasons that have nothing to do with the truth. Show less «

In the 1970s, Genesis did three American tours a year, three European ones and a trip to Japan. My first wife, Andrea, told me if I toured l...Show more »

In the 1970s, Genesis did three American tours a year, three European ones and a trip to Japan. My first wife, Andrea, told me if I toured like that, the marriage wouldn't last. When I got back, she'd left me. If I'd known touring would cost me so dearly, I wouldn't have done it. Show less «

I'm happy being at home. I've said yes to things all my life. Now I'm learning to say no. I stay in Switzerland, as Orianne is there, and we...Show more »

I'm happy being at home. I've said yes to things all my life. Now I'm learning to say no. I stay in Switzerland, as Orianne is there, and we share the care of the two boys. I'm not totally happy being on my own, though. I'd rather still be married and I think Orianne feels the same. She's re-married, but we have a fantastic relationship. I get on well with all my ex-wives. They also get along with each other and my girlfriend. It's a picture I never thought I'd see, but it works well. Show less «

Genesis always wanted hit singles. I can assure everybody that from the very word go, before I joined the band and when Peter [Peter Gabriel...Show more »

Genesis always wanted hit singles. I can assure everybody that from the very word go, before I joined the band and when Peter [Peter Gabriel] was the singer, all they wanted was a hit, which we eventually got but that was by accident, not design. Show less «

My life has never been revolved around money. I've loved what I've done and fortunately, as it happens, people have been shoveling money in ...Show more »

My life has never been revolved around money. I've loved what I've done and fortunately, as it happens, people have been shoveling money in the bucket behind me, but I've never really done anything from a financially motivated point of view. Show less «

[on the American hip-hop stars that have stated their admiration for his work] They're not aware of the faux pas of saying: "I like Phil Col...Show more »

[on the American hip-hop stars that have stated their admiration for his work] They're not aware of the faux pas of saying: "I like Phil Collins" ... "What???!!!" It's just good music ... bad music to them. They don't read the tabloids. They just live in another world that you either like the music or you don't. Show less «

It's hardly surprising that people grew to hate me. I'm sorry that it was all so successful. I honestly didn't mean it to happen like that! ...Show more »

It's hardly surprising that people grew to hate me. I'm sorry that it was all so successful. I honestly didn't mean it to happen like that! I look at the MTV Music Awards and I think, "I can't be in the same business as this." I don't really belong to that world and I don't think anyone's going to miss me. I'm much happier just to write myself out of the script entirely. I'll go on a mysterious biking holiday... And never return. That would be a great way to end the story, wouldn't it? Show less «

I know that when I did interviews it came across like I could do everything, but I've never actually felt like that. I went through all my o...Show more »

I know that when I did interviews it came across like I could do everything, but I've never actually felt like that. I went through all my own VHS stuff recently and found mountains of old interviews with me and it was very, very hard to watch. I barely recognized the person I saw from that time. I'm a very different person now. I saw some of this show of mine from 1985 and I was on-stage and I never stopped running, never stopped talking. The fact that people got so sick of me wasn't really my fault. Yes there was a lot of me to dish out - there was me, me and 'Earth, Wind & Fire''s Philip Bailey, me and Genesis, me and that movie I was in, Buster (1988) - there was a lot of stuff. But I only made those records once. Show less «

[on his retirement in 2011] I've decided to write this in response to the articles that surfaced last weekend regarding my retirement. Why t...Show more »

[on his retirement in 2011] I've decided to write this in response to the articles that surfaced last weekend regarding my retirement. Why they were printed at all is a mystery, as I haven't spoken to anybody in the press for a few months. However, many of the articles printed over the last few months have ended up painting a picture of me that is more than a little distorted. Therefore, I would like to add my comments and try to explain again my reasons for calling it a day. I'm not stopping because of dodgy reviews or bad treatment in the press. I'm not stopping because I don't feel loved, I know I still have a very large fanbase that loves what I do. Thank you. I'm not stopping because I don't fit in, this was proved with "Going Back" reaching No 1 in the UK, and doing incredibly well worldwide. I'm not stopping so I can dive full time into my interest for the Alamo. I am stopping so I can be a full time father to my two young sons on a daily basis. Some of the things mentioned above have been said by me in various interviews, but said as asides with a smile on my face and in passing. They were not meant to be "headlines", they were small parts of a conversation. This clearly doesn't come over in print and I should know better. However, the result is that I have ended up sounding like a tormented weirdo who thinks he was at the Alamo in another life, who feels very sorry for himself, and is retiring hurt because of the bad press over the years. None of this is true. Thanks for all your messages on the Forum regarding this stuff, it means a lot that you care. But there's no need for the straitjacket! Show less «

I'd be all for a reunion of the original band. The concept of playing the drums and being a backup singer sounds rather enticing, to be hone...Show more »

I'd be all for a reunion of the original band. The concept of playing the drums and being a backup singer sounds rather enticing, to be honest with you. The only one I'd worry about committing is Peter [Peter Gabriel]. He always overthinks ideas such as this and ends up talking himself out of it. I think sometimes he just needs to let go and do something for the simple reason that it's fun. Show less «

The split-up of the band was always overexaggerated. There were some issues early on, but for the most part, Tony [Tony Banks], Mike [Mike R...Show more »

The split-up of the band was always overexaggerated. There were some issues early on, but for the most part, Tony [Tony Banks], Mike [Mike Rutherford] and I stayed in close touch with Peter [Peter Gabriel] and Steve [Steve Hackett] and vice-versa. We were there to support each other professionally and personally over the years and all of us stayed good friends. However, to the media that's boring and doesn't sell magazines, so they made up stories of feuds and fights that never happened. We all continue to be close with each other to this day. Show less «

It's been a bit of a handicap not being able to read music but, on the other hand, other parts of your senses come in.

I've had a lifetime of people telling me that I'm an ugly bastard. When Lily's mum first showed her mother a picture of me, she said, 'Oh, w...Show more »

I've had a lifetime of people telling me that I'm an ugly bastard. When Lily's mum first showed her mother a picture of me, she said, 'Oh, well, Jill, I suppose that love is blind'. Show less «

[on Lily Collins] In many ways, I do feel sorry for Lily. She's making a great career for herself, but she's always got this thing hanging a...Show more »

[on Lily Collins] In many ways, I do feel sorry for Lily. She's making a great career for herself, but she's always got this thing hanging around her neck. She's Phil Collins's daughter. If she becomes successful, people automatically assume that it's because of her dad. Show less «

I have young children, so I don't feel the drive to go out there and compete... I can't be what I used to be. I can't play like I used to.

All I set out to do was to earn a living playing drums, you know? And as luck would have it, I've surpassed that.

[commenting on the Prince's Trust concerts in 2009] There was a core group, the house band, which was me, Eric [Eric Clapton], Elton [Elton ...Show more »

[commenting on the Prince's Trust concerts in 2009] There was a core group, the house band, which was me, Eric [Eric Clapton], Elton [Elton John], Sting, Midge [Midge Ure] and Mark Knopfler. I think there is talk of trying to do another one. We built up a live reputation, but people don't wait to see people live now like they used to. There is music on tonnes of television channels and that means we hear a record constantly for a month and then don't hear from the act. Show less «

The only Grammy Genesis ever won was for the "Land of Confusion" video. Which, it's worth noting, we weren't even in. "Sledgehammer" won all...Show more »

The only Grammy Genesis ever won was for the "Land of Confusion" video. Which, it's worth noting, we weren't even in. "Sledgehammer" won all the VMAs that year. That was a trailblazing video. No one had seen anything like that. Ours was more blatantly humorous, and Peter's was more artistic. I still have one of the Phil Collins puppets at home. Show less «

Sussudio and Easy Lover were big crossover records in America particularly, with Philip Bailey and the Earth Wind & Fire guys. I was an R&B ...Show more »

Sussudio and Easy Lover were big crossover records in America particularly, with Philip Bailey and the Earth Wind & Fire guys. I was an R&B artist as far as some people were concerned and they don't see the difference, they don't see all that stuff you read about in the tabloids. Show less «

[in 1988] There's a traditional rock star, as it were, and I don't really fit into that sort of mold. This is what I've got to work with, yo...Show more »

[in 1988] There's a traditional rock star, as it were, and I don't really fit into that sort of mold. This is what I've got to work with, you know, what you see here, and that doesn't really conjure up Paul Young, Simon Le Bon, that kind of traditional thing. So I've never really bothered with it to be honest. Show less «

[on his plan - never realised - to make a movie with Bob Hoskins and Danny DeVito] I just saw the poster, I just saw the possibilities of a ...Show more »

[on his plan - never realised - to make a movie with Bob Hoskins and Danny DeVito] I just saw the poster, I just saw the possibilities of a film there 'cause I was being compared to Hoskins [Bob Hoskins] even before Buster (1988), just visually, and DeVito [Danny DeVito] as well. Show less «

[on Ringo Starr] He's a fantastic drummer. That's been overlooked for years. Everybody talks about him being the joker, the cheeky chap, but...Show more »

[on Ringo Starr] He's a fantastic drummer. That's been overlooked for years. Everybody talks about him being the joker, the cheeky chap, but he's a great musician. Show less «

[on Billy Idol] He's a very nice guy, Billy, actually. I sound surprised 'cause I would have thought that someone like that wouldn't have wa...Show more »

[on Billy Idol] He's a very nice guy, Billy, actually. I sound surprised 'cause I would have thought that someone like that wouldn't have wanted something to do with someone like me. Show less «

[on Eric Clapton] I do understand that his being associated with me has hurt his credibility in some quarters, but I would have thought that...Show more »

[on Eric Clapton] I do understand that his being associated with me has hurt his credibility in some quarters, but I would have thought that he'd have seen through that stuff. I still think about him everyday, and I consider him to be one of my greatest friends... whether he feels the same... I don't know. Show less «

I used to use two bass drums years ago, and then I stopped because I read that Buddy Rich said that hi-hats are very important. I thought, '...Show more »

I used to use two bass drums years ago, and then I stopped because I read that Buddy Rich said that hi-hats are very important. I thought, 'Yeah, he's dead right.' So I threw the other bass drum away and started using the hi-hat. Show less «

I have quite a lot of good speed on the bass drum. I'm more of a foot player in some respects than I am a hand player. I'm very conscious of...Show more »

I have quite a lot of good speed on the bass drum. I'm more of a foot player in some respects than I am a hand player. I'm very conscious of what the hi-hat is doing all the time. Tony Williams is great at that. Show less «

[on "And Then There Were Three"] On this album, the songs are quite short. It was good fun, but it doesn't really set a precedent for what w...Show more »

[on "And Then There Were Three"] On this album, the songs are quite short. It was good fun, but it doesn't really set a precedent for what we're going to do. We've always done different things. There's some improvisation on "The Lamb Lies Down On Broadway." I'd like to get back into that. That's one of the essences of what we do - the variety of material. I like to keep the variety, but at the same time try to get some more instrumental stuff back in. Show less «

[two years before releasing his first solo album, "Face Value"] One ambition is to do my own album which will have a lot of variety. I write...Show more »

[two years before releasing his first solo album, "Face Value"] One ambition is to do my own album which will have a lot of variety. I write songy stuff, as well as some from the Brand X area. I'm also hip to what Eno [Brian Eno] does - those kind of soundtracks which I've always been interested in - two or three minutes of just mood. The album, when it does come out, will have a lot of different styles on it. That's what I want to try and do next year, if possible. I'm looking forward to doing it. Show less «

I'm quite happy to play with two drummers because I think that's an experience in itself - trying to get that happening.

Bill [Bill Bruford] is one of those players who plays himself. If Bill's playing something, once he's done it two or three times, he'll play...Show more »

Bill [Bill Bruford] is one of those players who plays himself. If Bill's playing something, once he's done it two or three times, he'll play something else. I'd do a fill where I would usually do a fill. He would, just by chance, do one as well, and so it goes completely haywire for four bars. With Chester [Chester Thompson], we're both more aware of each other, I think. Show less «

When you're playing with a band, from behind the drums it really sounds like it's all happening. When you get in front of the kit, it sounds...Show more »

When you're playing with a band, from behind the drums it really sounds like it's all happening. When you get in front of the kit, it sounds very different. The group doesn't sound as beefy. It was strange at first to sing with that sound. You find you're listening to it rather than being a part of it. Show less «

The bass drum is miked individually. There's one mike for the snare drum and hi-hat, one mike for each pair of tom-toms, and a couple of ove...Show more »

The bass drum is miked individually. There's one mike for the snare drum and hi-hat, one mike for each pair of tom-toms, and a couple of overhead mikes to pick up the cymbals. Live, I prefer to have more control which having fewer mikes gives me. When you're dealing with 40 channels of music at one time at a gig, your fourth tom-tom might be out of balance with the rest of the kit. That's not the kind of thing the sound engineer can pick up on in a concert. In theory, I would like to have two overhead mikes that are turned up and I just play. Then I'd know that whatever balance I'm putting out, he's getting. I love to play small gigs where the audience hears you, and not the system. When you're playing in 20,000 seat auditoriums, you have no alternative. What you do is almost inaudible. It's just whatever comes out of those speakers. Show less «

I don't dampen any drum. That's the big difference between me and a lot of other players. If I had my way, I would record the bass drum a co...Show more »

I don't dampen any drum. That's the big difference between me and a lot of other players. If I had my way, I would record the bass drum a couple of times with the skin on because I think it alters the sound. I do tend to tune the drums a lot tighter. Show less «

There's a tendency on stage to tune the drums so they sound good from where the drummer is - a loose sound which doesn't project through the...Show more »

There's a tendency on stage to tune the drums so they sound good from where the drummer is - a loose sound which doesn't project through the sound system if you've got a loud band. I tune everything tight because it really cuts through and is more melodic that way. Show less «

I've got four snares, one for each occasion. I've got a Ludwig Type 400 orchestral snare drum which I use most of the time because it's shar...Show more »

I've got four snares, one for each occasion. I've got a Ludwig Type 400 orchestral snare drum which I use most of the time because it's sharp and has some depth. With snare sounds in the studio, I just go for whatever sound the song needs. It usually ends up that I don't dampen at all. Show less «

I think in America when you're a studio musician, time is of the essence. With so much music being made so quickly, it has to be there strai...Show more »

I think in America when you're a studio musician, time is of the essence. With so much music being made so quickly, it has to be there straight away. The person will have a snare drum sound that he got from the last session where a cigarette pack was taped on and all the nut bolts are finger tight. It will sound like what everyone thinks a snare drum should sound like. Everything's done for convenience. I did a session with Robert Fripp in New York with a live kit, and the guy ended up liking it because it was different. Show less «

In Genesis, there are a lot of things that demand heavy playing, and a lot where you have to be light. We play a lot of different styles. We...Show more »

In Genesis, there are a lot of things that demand heavy playing, and a lot where you have to be light. We play a lot of different styles. We play a few things in time, almost fusion music. At the other end of the scale, we play very straight, almost Elton John songs. I don't want to play on one like I would on another, I prefer to play what is right for the song, as opposed to playing what's me, because I don't know what is me. Show less «

I always think I look very awkward. I look at Bruford [Bill Bruford] and he's got a great stance, the way he sits. It's just that some peopl...Show more »

I always think I look very awkward. I look at Bruford [Bill Bruford] and he's got a great stance, the way he sits. It's just that some people look as if they have authority. I sit there slouched. I've got very bad positioning, and being left-handed always looks a bit weird. Some drummers sit up dead toward the front and all the tom-toms are set up in the usual way. I tend to sit more diagonally. I don't like the way I look - it's a bit odd. I rarely see myself on TV or something, but when we made a film, I remember looking. The arm movements are fluid, but at the same time, it's a bit awkward. Show less «

Americans are much more diet conscious than we are in England. I think that's because of the amount of junk that's about. At home, I mostly ...Show more »

Americans are much more diet conscious than we are in England. I think that's because of the amount of junk that's about. At home, I mostly eat home-cooked food. Show less «

I was playing from the age of six along with records. That's how I taught myself. When I was about 15, I went to learn to read from Lloyd Ry...Show more »

I was playing from the age of six along with records. That's how I taught myself. When I was about 15, I went to learn to read from Lloyd Ryan in London, and I stayed with him for about a year. I learned the basic rudiments, then I stopped. I went back to Frank King when I was about 17. I was with him for a couple of years. I liked the way he taught. He taught a lot of people - Brian Bennett of The Shadows, Bobby Elliott of The Hollies and Bruford [Bill Bruford] went to him for a while. I never really came to grips with the music. I should have stuck with it. I've always felt that if I could hum it, I could play it. For me, that was good enough, but that attitude is bad. Show less «

To me, there are two types of players. You have Tony Williams who obviously just sat down and started playing and liked it. Then there's Car...Show more »

To me, there are two types of players. You have Tony Williams who obviously just sat down and started playing and liked it. Then there's Carl Palmer who was taught and it shows. That is the basic difference - one is an intuitive player and the other is taught. Because of that kind of difference, I've always shied away from being taught. Show less «

I'd love to be able to sit down and read music. I can bust through chords on a piano, but it would take me a long time to read a chart. Rudi...Show more »

I'd love to be able to sit down and read music. I can bust through chords on a piano, but it would take me a long time to read a chart. Rudiments I found very, very helpful - much more helpful than anything else because they're used all the time. In any kind of funk or jazz drumming, the rudiments are always there. Show less «

Hopefully, I've gotten better at leaving things out and not overplaying. In the early days of Genesis I was trying to put everything into ev...Show more »

Hopefully, I've gotten better at leaving things out and not overplaying. In the early days of Genesis I was trying to put everything into everything. Cobham [Bill Cobham] was a very early influence, and I tried to play like him on tunes that didn't need to be played like that. Now, I'm quite happy to leave blank space where everyone thinks there is going to be a fill. I get quite a kick out of that. Show less «

When rock drummers do solos they tend to be very boring. I've always felt drums should be melodic. Even when playing very simple stuff, ther...Show more »

When rock drummers do solos they tend to be very boring. I've always felt drums should be melodic. Even when playing very simple stuff, there should be some kind of melodic approach to them. There seems to be this big either/or situation. You either play very fast ticky-tacky jazz, or you play really straight ahead. To me, to be a drummer, one should be able to do as many things as you can do. I'm really interested in percussion and tuned percussion. Show less «

The highlight for me was playing in Eric Clapton's band, playing drums behind Eric. Nothing to do with Genesis or my own solo career.

You know Ringo [Ringo Starr] has stated that he could never properly play a roll. Yet when you listen to "Ticket To Ride" and "Tomorrow Neve...Show more »

You know Ringo [Ringo Starr] has stated that he could never properly play a roll. Yet when you listen to "Ticket To Ride" and "Tomorrow Never Knows", he's playing these very intricate things throughout. He played some great rolls all through "Ticket to Ride" and some unbelievably individualistic fills. That's the magic of his playing: he just does it; there's no self-consciousness about it whatsoever. The fills he played on "Strawberry Fields Forever" are classic rock fills; the drags and his way of phrasing just slightly after the beat on the toms all make for an incredible drum part. Show less «

[speaking the day after Live Aid (1985)] I'm absolutely whacked!

When you've been around a long time like I have, you accumulate baggage and it's very difficult to get rid of the baggage... divorce by fax....Show more »

When you've been around a long time like I have, you accumulate baggage and it's very difficult to get rid of the baggage... divorce by fax... three wives ... blah blah blah .. so much money. You have to wade through that to get to what you actually want to talk about. Show less «

[on learning that David Bowie had dismissed his own critically-panned 1980s albums "Tonight" and "Never Let Me Down" as his "Phil Collins ye...Show more »

[on learning that David Bowie had dismissed his own critically-panned 1980s albums "Tonight" and "Never Let Me Down" as his "Phil Collins years"] I'm quite impressed that David Bowie had heard of me. Show less «

I think, with some critics, I became synonymous with an era of music that they didn't like, and they were suspicious of all success, which i...Show more »

I think, with some critics, I became synonymous with an era of music that they didn't like, and they were suspicious of all success, which is understandable. You end up painted into a corner that it's impossible to get out of. Show less «

The critics like to put you in a box and say "You are Genesis, you play 10 minute songs" and really Genesis is just a brand name to play any...Show more »

The critics like to put you in a box and say "You are Genesis, you play 10 minute songs" and really Genesis is just a brand name to play any kind of music we feel like playing. Plus, we never stopped playing the 10 minute songs. Show less «

People ask me what my favorite Genesis album is, and they always seem shocked when I tell them "The Lamb Lies Down on Broadway". Sure, it wa...Show more »

People ask me what my favorite Genesis album is, and they always seem shocked when I tell them "The Lamb Lies Down on Broadway". Sure, it wasn't the easiest album to make and there was a lot of tension, arguments and disagreements, but we never made better music as a band. I'm still in awe of the drumming on that album and sometimes wonder how I was able to play with such complexity. Show less «

It took me ages before I heard Marillion. I kept on hearing about these second-generation Genesis groups - Pallas were another one - and I d...Show more »

It took me ages before I heard Marillion. I kept on hearing about these second-generation Genesis groups - Pallas were another one - and I didn't want to hear them. I wasn't even that keen on first-generation Genesis stuff. Show less «