
Margot Kidder
Birthday:
17 October 1948, Yellowknife, Northwest Territories, Canada
Birth Name:
Margaret Ruth Kidder
Height:
168 cm
Margot Kidder was born Margaret Ruth Kidder in Yellowknife, Northwest Territories, Canada, to Jocelyn Mary "Jill" (Wilson), a history teacher from British Columbia, and Kendall Kidder, a New Mexico-born mining engineer and explosives expert. Margot was a delightful child who took pride in everything she did. At an early age she became awa...
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Margot Kidder was born Margaret Ruth Kidder in Yellowknife, Northwest Territories, Canada, to Jocelyn Mary "Jill" (Wilson), a history teacher from British Columbia, and Kendall Kidder, a New Mexico-born mining engineer and explosives expert. Margot was a delightful child who took pride in everything she did. At an early age she became aware of the great emotions she felt towards expressing herself, and caught the acting bug. As a child she wrote in a diary that she wanted to become a movie star, and that one day it would happen, but she had to overcome something else first. She was aware that she was constantly facing mood swings, but wasn't aware why. At odd times she would try to kill herself - the first time was at age 14 - but the next day she would be just fine. Her father's hectic schedule and moving around so much didn't help matters, either, causing her to attend 11 schools in 12 years. Finally, in an attempt to help Margot with her troubles, her parents sent" her to a boarding school, where she took part in school plays, such as Romeo and Juliet", in which she played the lead.After graduation Margot moved to Los Angeles to start a film career. She found herself dealing with a lot of prejudice, and hotheads, but later found solace with a Canadian agent. This was when she got her first acting job, in the Norman Jewison film Gaily, Gaily (1969). This led to another starring role in Quackser Fortune Has a Cousin in the Bronx (1970), in which she co-starred with Gene Wilder. After some harsh words from the film's director, Margot temporarily left films to study acting in New York, doing television work to pay her bills, but when the money ran out, she decided it was time to make a second try at acting. When she arrived in Hollywood she met up at a screen test with actress Jennifer Salt, resulting in a friendship that still stands strong today. Margot and Jennifer moved into a lofty beach house and befriended other, then unknown, struggling filmmakers such as Martin Scorsese, Brian De Palma, Steven Spielberg and Susan Sarandon, among others. Late nights would see the hot, happening youngsters up until all hours talking around a fire about how they were all going to change the film industry. It was crazy living and within the Christmas season, Margot had become involved with De Palma, and as a Christmas present he gave her the script to his upcoming film Sisters (1972). Margot and Salt both had the leads in the film, and it was a huge critical success.The film made branded Margot as a major talent, and in the following years she starred in a string of critically acclaimed pictures, such as Black Christmas (1974), The Great Waldo Pepper (1975), 92 in the Shade (1975) - directed by Thomas McGuane, who was also her husband for a brief period - and a somewhat prophetic tale of self-resurrection, The Reincarnation of Peter Proud (1975).After three years of being a housewife, looking after her daughter Maggie and not working, Margot decided it was time to let her emotions take control and get back into acting. Once her marriage to McGuane was over she eyed a script that would change her life forever. Her new agent hooked her up with a little-known director named Richard Donner. He was going to be directing a film called Superman (1978), and she auditioned for and secured the leading female role of Lois Lane. That film and Superman II (1980) were to be filmed simultaneously. After the success of "Superman" she took on more intense roles, such as The Amityville Horror (1979) and Willie & Phil (1980). After that, Margot did numerous films, television and theater work throughout the 1980s, including Superman IV: The Quest for Peace (1987). When the 1990s erupted with the Gulf War, Margot found herself becoming involved in politics. She made a stir in the biz when she spoke out against the military for their actions in Kuwait. She also appeared in a cameo in Donner's Maverick (1994).In 1996, as she was preparing to write her autobiography, she began to become more and more paranoid. When her computer was infected with a virus, this gave her paranoia full rein, and she sank into bipolar disorder. She panicked, and the resulting psychological problems she created for herself resulted in her fantasizing that her first husband was going to kill her, so she left her home and faked her death, physically altering her appearance in the bargain. After an intervention took place, she got back on her feet and started the mental wellness campaign. Since then she has sustained her career in film, television, and theater, recently appearing in a Canadian stage production of "The Vagina Monologues". Show less «
I suppose that if you want to be famous and suddenly it happens and you don't like it, it's nobody's fault but your own.
I suppose that if you want to be famous and suddenly it happens and you don't like it, it's nobody's fault but your own.
Nudity in the flesh doesn't bother me. But having my mind uncovered - that scares the hell out of me.
Nudity in the flesh doesn't bother me. But having my mind uncovered - that scares the hell out of me.
God, [George W. Bush] makes me want to slash my wrists. He's so embarrassing I have to leave the room when he's on the news. What a monkey.
God, [George W. Bush] makes me want to slash my wrists. He's so embarrassing I have to leave the room when he's on the news. What a monkey.
Acting's fun, but life's more important.
Acting's fun, but life's more important.
My grandson sees me as Lois on TV every Christmas, and that scores me points.
My grandson sees me as Lois on TV every Christmas, and that scores me points.
I guess I came to terms with my demons. Or else I'd be in big trouble, wouldn't I? Horrifying as it was to crack up in the public eye, it ma...Show more »
I guess I came to terms with my demons. Or else I'd be in big trouble, wouldn't I? Horrifying as it was to crack up in the public eye, it made me look at myself and fix it. People were exploitative; that's human nature. I'll tell you, being pretty crazy while being chased by the National Enquirer is not good. The British tabloids were the worst. But you take the cards you're dealt, and I got better. I'm now ferociously healthy in body and mind. You couldn't pay me to go near a psychiatrist again. Stopping seeing them was my first step to getting well. Show less «
It was exciting, but for a while being typecast as Lois made my vanity and narcissism scream. Hadn't people seen my other work? But now my g...Show more »
It was exciting, but for a while being typecast as Lois made my vanity and narcissism scream. Hadn't people seen my other work? But now my grandkids watch it, and think I was Superman's friend, so that's a thrill. Show less «
The thing about being famous is, first of all, it's weird. The only people who get how weird it is are other famous people. So there's this ...Show more »
The thing about being famous is, first of all, it's weird. The only people who get how weird it is are other famous people. So there's this unspoken club where you go, and say to each other: 'Oh God, if they only knew how ordinary I was, they wouldn't be interested.' Show less «
It was a wonderful time to be young. The 1960s didn't end until about 1976. We all believed in Make Love Not War - we were idealistic innoce...Show more »
It was a wonderful time to be young. The 1960s didn't end until about 1976. We all believed in Make Love Not War - we were idealistic innocents, darling, despite the drugs and sex. We were sweet lovely people who wanted to throw out all the staid institutions who placed money and wars above all else. When you're young you think that's how life works. None of us were famous, we were broke. We didn't think they'd be writing books about us in 30 years. We were just kids doing the right thing. Show less «
With any group of people in life, sad things happen, and crazy things, and happy things. When you're in the public eye, it's just amplified,...Show more »
With any group of people in life, sad things happen, and crazy things, and happy things. When you're in the public eye, it's just amplified, that's all. There's no curse. Show less «
What happened to me--the biggest nervous breakdown in history, bar possibly Vivien Leigh's--is not so uncommon. I've had thousands of suppor...Show more »
What happened to me--the biggest nervous breakdown in history, bar possibly Vivien Leigh's--is not so uncommon. I've had thousands of supportive letters from all over the world. It's just that mine was public. If you're gonna fall apart, do it in your own bedroom. Show less «
[on Superman IV: The Quest for Peace (1987) A noble attempt at saying something about the nuclear proliferation on the planet through Superm...Show more »
[on Superman IV: The Quest for Peace (1987) A noble attempt at saying something about the nuclear proliferation on the planet through Superman. Unfortunately the script was just dreadful. I mean there's no two ways about it, that script was terrible. And there's that old saying in Hollywood - you can make a bad movie out of a good script, but you can't make a good movie out of a bad script. And I don't think it had a chance from the get-go. Show less «
I think the "curse of Superman (1978)" stuff is nonsense. I think it's just nonsense! The reality is if you get any group of people and you ...Show more »
I think the "curse of Superman (1978)" stuff is nonsense. I think it's just nonsense! The reality is if you get any group of people and you statistically say get a group of 100 people, X number is gonna have some sort of calamity in their life 'cause that's what life is. Show less «
[in 2008, on acting roles] There aren't a lot when you get to be my age if you refuse to have facelifts. They'd run me out of Montana! You d...Show more »
[in 2008, on acting roles] There aren't a lot when you get to be my age if you refuse to have facelifts. They'd run me out of Montana! You don't need a facelift in Montana. Show less «
[on The Amityville Horror (1979)] What a piece of shit! I couldn't believe that anyone would take that seriously. I was laughing my whole wa...Show more »
[on The Amityville Horror (1979)] What a piece of shit! I couldn't believe that anyone would take that seriously. I was laughing my whole way through it, much to the annoyance of Rod Steiger, who took the whole thing very seriously. Show less «
[on Richard Pryor] I fell in love with him in two seconds flat... He was smart and funny and sexy, and you wanted to take care of him. He wa...Show more »
[on Richard Pryor] I fell in love with him in two seconds flat... He was smart and funny and sexy, and you wanted to take care of him. He was wonderful. Oh gosh... he was just - Richard was irresistible. Show less «
[On Martin Scorsese] Marty seemed wildly dedicated to creating a new kind of film, a film of substance, to putting his personal vision on fi...Show more »
[On Martin Scorsese] Marty seemed wildly dedicated to creating a new kind of film, a film of substance, to putting his personal vision on film, to marrying his confusion at being a Catholic boy and the intensity of his own spirit with film itself. He loved people trying new things, he loved bravery of personal expression, and he talked about it a lot, very eloquently, albeit very quickly. I don't remember many silly talks with Marty about nothing. Show less «
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