Louise Brooks
Birthday:
14 November 1906, Cherryvale, Kansas, USA
Birth Name:
Mary Louise Brooks
Height:
157 cm
Mary Louise Brooks, also known by her childhood name of Brooksie, was born in the midwestern town of Cherryvale, Kansas, on November 14, 1906. She began dancing at an early age with the Denishawn Dancers (which was how she left Kansas and went to New York) and then with George White's Scandals before joining the Ziegfeld Follies, but became on...
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Mary Louise Brooks, also known by her childhood name of Brooksie, was born in the midwestern town of Cherryvale, Kansas, on November 14, 1906. She began dancing at an early age with the Denishawn Dancers (which was how she left Kansas and went to New York) and then with George White's Scandals before joining the Ziegfeld Follies, but became one of the most fascinating and alluring personalities ever to grace the silver screen. She was always compared to her Lulu role in Die Büchse der Pandora (1929), which was filmed in 1928. Her performances in A Girl in Every Port (1928) and Beggars of Life (1928), both filmed in 1928, proved to all concerned that Louise had real talent. She became known, mostly, for her bobbed hair style. Thousands of women were attracted to that style and adopted it as their own. As you will note by her photographs, she was no doubt the trend setter of the 1920s with her Buster Brown-Page Boy type hair cut, much like today's women imitate stars. Because of her dark haired look and being the beautiful woman that she was, plus being a modern female, she was not especially popular among Hollywood's clientle. She just did not go along with the norms of the film society. Louise really came into her own when she left Hollywood for Europe. There she appeared in a few German productions which were very well made and continued to prove she was an actress with an enduring talent. Until she ended her career in film in 1938, she had made only 25 movies. After that, she spent most of her time reading and painting. She also became an accomplished writer, authoring a number of books, including her autobiography. On August 8, 1985, Louise died of a heart attack in Rochester, New York. She was 78 years old. Show less «
Love is a publicity stunt, and making love - after the first curious raptures - is only another petulant way to pass the time waiting for th...Show more »
Love is a publicity stunt, and making love - after the first curious raptures - is only another petulant way to pass the time waiting for the studio to call. Show less «
Most beautiful dumb girls think they are smart and get away with it, because other people, on the whole, aren't much smarter.
Most beautiful dumb girls think they are smart and get away with it, because other people, on the whole, aren't much smarter.
I learned how to act by watching Martha Graham dance and I learned how to dance by watching Charles Chaplin act.
I learned how to act by watching Martha Graham dance and I learned how to dance by watching Charles Chaplin act.
When I went to Hollywood in 1927, the girls were wearing lumpy sweaters and skirts... I was wearing sleek suits and half naked beaded gowns ...Show more »
When I went to Hollywood in 1927, the girls were wearing lumpy sweaters and skirts... I was wearing sleek suits and half naked beaded gowns and piles and piles of furs. Show less «
A well dressed woman, even though her purse is painfully empty, can conquer the world.
A well dressed woman, even though her purse is painfully empty, can conquer the world.
The great art of films does not consist in descriptive movement of face and body, but in the movements of thought and soul transmitted in a ...Show more »
The great art of films does not consist in descriptive movement of face and body, but in the movements of thought and soul transmitted in a kind of intense isolation. Show less «
[on W.C. Fields] He was an isolated person. As a young man, he stretched out his hand to Beauty and Love and they thrust it away. Gradually ...Show more »
[on W.C. Fields] He was an isolated person. As a young man, he stretched out his hand to Beauty and Love and they thrust it away. Gradually he reduced reality to exclude all but his work, filling the gaps with alcohol. He was also a solitary person. Years of traveling alone around the world with his juggling act taught him the value of solitude and the release it gave his mind. Show less «
[on Margaret Sullavan] Do you know my favorite actress? She was very special in her appearance, her voice was exquisite and far away, almost...Show more »
[on Margaret Sullavan] Do you know my favorite actress? She was very special in her appearance, her voice was exquisite and far away, almost like an echo. She was an excellent actress, completely unique. This wonderful voice of hers -- strange, fey, mysterious -- like a voice singing in the snow. Show less «
I have a gift for enraging people, but if I ever bore you, it'll be with a knife.
I have a gift for enraging people, but if I ever bore you, it'll be with a knife.
[on shooting Die Büchse der Pandora (1929)] Kortner [co-star Fritz Kortner] hated me. After each scene with me, he would pound off the ...Show more »
[on shooting Die Büchse der Pandora (1929)] Kortner [co-star Fritz Kortner] hated me. After each scene with me, he would pound off the set and go to his dressing room. [Director Georg Wilhelm Pabst] himself, wearing his most private smile, would go there to coax him back for the next scene... One sequence gave Kortner an opportunity to shake me with such violence that he left ten black-and-blue fingerprints on my arms. Show less «
[on Roscoe 'Fatty' Arbuckle during the filming of Windy Riley Goes Hollywood (1931)]: He made no attempt to direct this picture at all. He j...Show more »
[on Roscoe 'Fatty' Arbuckle during the filming of Windy Riley Goes Hollywood (1931)]: He made no attempt to direct this picture at all. He just sat silently all through the three days of filming in his director's chair like a dead man. He had been very nice and sweetly dead ever since the scandal that ruined his career. But it was such an amazing thing for me to come in to make this broken down picture, and to find my director 'William Goodrich' was in fact the great Roscoe Arbuckle. Oh, I thought he was magnificent in films. He was a wonderful dancer... a wonderful ballroom dancer, in his heyday. It was like floating in the arms of a huge donut... really delightful. Show less «
I like Bette Davis. I think she's a real actor, don't you? I never liked Joan Crawford at all. Never. I hate fakes. She was an awful fake. A...Show more »
I like Bette Davis. I think she's a real actor, don't you? I never liked Joan Crawford at all. Never. I hate fakes. She was an awful fake. A washerwoman's daughter. I'm a terrible snob, you know. Show less «
[on actress Clara Bow] She wasn't acceptable socially. Eddie Sutherland, my husband, gave absolutely the best parties in Hollywood. So I ask...Show more »
[on actress Clara Bow] She wasn't acceptable socially. Eddie Sutherland, my husband, gave absolutely the best parties in Hollywood. So I asked him one day to invite Clara Bow and he said, "Oh, good heavens, no! We can't have her. We don't know what she'd do. She's from Brooklyn.". Show less «
I have been taking stock of my 50 years since I left Wichita. How I have existed fills me with horror for I failed everything. Spelling, ari...Show more »
I have been taking stock of my 50 years since I left Wichita. How I have existed fills me with horror for I failed everything. Spelling, arithmetic, writing, swimming, tennis, golf, dancing, singing, acting, wife, mistress, whore, friend, even cooking. And I do not excuse myself with the usual escape of not trying. I tried with all my heart. Show less «
[In a summer 1936 interview] I am delighted with my role in Empty Saddles (1936). It gives me an opportunity to do something, not just stand...Show more »
[In a summer 1936 interview] I am delighted with my role in Empty Saddles (1936). It gives me an opportunity to do something, not just stand around and look pretty. I wouldn't trade it for all the other roles I ever had because I am really acting now, not just being an ornament, and I feel that, a last, I am on the road toward getting some place in pictures. Show less «
[on Charles Chaplin]: I never heard him say a snide thing about anyone. He lived totally without fear.
[on Charles Chaplin]: I never heard him say a snide thing about anyone. He lived totally without fear.
Lulu