![Lillian Gish Lillian Gish](https://2.bp.blogspot.com/-gRWBFttYh7A/WVBQDTW64nI/AAAAAAACz-Q/Rcq7f7HkLU8Ou16pUOJPSauNqKrw_opSgCLcBGAs/s1600/0e16204e076f99a8546446aa82e2d632.jpg)
Lillian Gish
Birthday:
14 October 1893, Springfield, Ohio, USA
Birth Name:
Lillian Diana Gish
Height:
163 cm
Lillian Diana Gish was born on October 14, 1893 in Springfield, Ohio. Her father James Lee Gish was an alcoholic who caroused around, was rarely at home and left the family to more or less to fend for themselves. To help make ends meet, Lillian, her sister Dorothy Gish and their mother Mary Gish a.k.a. Mary Robinson McConnell tried their hand at ac...
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Lillian Diana Gish was born on October 14, 1893 in Springfield, Ohio. Her father James Lee Gish was an alcoholic who caroused around, was rarely at home and left the family to more or less to fend for themselves. To help make ends meet, Lillian, her sister Dorothy Gish and their mother Mary Gish a.k.a. Mary Robinson McConnell tried their hand at acting in local productions. Lillian was all of six years old when she first appeared in front of an audience. For the next 13 years, she and Dorothy appeared before stage audiences with great success. Actually, had she not made her way into films, Lillian quite possibly could have been one of the great stage actresses of all time. Ultimately, though, she found her way onto the big screen. In 1912, she met famed director D.W. Griffith. Impressed with what he saw, he immediately cast her in what was to be her first film, An Unseen Enemy (1912), followed by The One She Loved (1912) and My Baby (1912). She would make 12 films for Griffith in 1912. With 25 films in the next two years, Lillian's exposure to the public was so great that she fast became one of the top stars in the industry, right alongside Mary Pickford, "America's Sweetheart". In 1915, Lillian starred as Elsie Stoneman in Griffith's most ambitious project to date, The Birth of a Nation (1915). She was not making the large number of films that she was in the beginning, because she was successful and popular enough to be able to pick and choose the right films to appear in. The following year, she appeared in another Griffith classic, Intolerance: Love's Struggle Throughout the Ages (1916). By the early 1920s, her career was on its way down. As in anything else, be it sports or politics, new faces appeared on the scene to replace the "old", and Lillian was no different. In fact, she did not appear at all on the screen in 1922, 1925 or 1929. However, 1926 was her busiest of the decade with roles in La Bohème (1926) and The Scarlet Letter (1926). As the decade wound to a close, "talkies" were replacing silent films. However, Lillian was not idle during her time away from the screen. She appeared in stage productions to acclaim of the public and critics alike. In 1933, she filmed His Double Life (1933), and then didn't make another film for ten years. When she did return in 1943, she played in two big-budget pictures, Commandos Strike at Dawn (1942) and Top Man (1943). It was as though she had never been away. Although these roles did not bring her the attention she had in her early career, Lillian still proved she could hold her own with the best of them. She earned an Oscar nomination as Best Supporting Actress for her role of Laura Belle McCanles in Duel in the Sun (1946), but lost to Anne Baxter in The Razor's Edge (1946). One of the most critically acclaimed roles of her career came in the thriller The Night of the Hunter (1955), also notable as the only film directed by actor Charles Laughton. In 1969, she published her autobiography "The Movies, Mr. Griffith, and Me". In 1987, she made what was to be her last motion picture, The Whales of August (1987), a box-office success that exposed her to a new generation of fans. Her 75-year career is almost unbeatable in any field, let alone the film industry. On February 27, 1993, Lillian Gish died at age 99 peacefully in her sleep in New York City. Show less «
Lionel Barrymore first played my grandfather, later my father, and finally, he played my husband. If he'd lived, I'm sure I would have playe...Show more »
Lionel Barrymore first played my grandfather, later my father, and finally, he played my husband. If he'd lived, I'm sure I would have played his mother. That's the way it is in Hollywood. The men get younger and the women get older. Show less «
I never approved of talkies. Silent movies were well on their way to developing an entirely new art form. It was not just pantomine, but som...Show more »
I never approved of talkies. Silent movies were well on their way to developing an entirely new art form. It was not just pantomine, but something wonderfully expressive. Show less «
Fans always write asking why I didn't smile more in films. I smiled in Annie Laurie (1927), but I can't recall that it helped much.
Fans always write asking why I didn't smile more in films. I smiled in Annie Laurie (1927), but I can't recall that it helped much.
Those little virgins, after five minutes you got sick of playing them--to make them more interesting was hard work.
Those little virgins, after five minutes you got sick of playing them--to make them more interesting was hard work.
[1919] Marriage is a business. A woman cannot combine a career and marriage... I should not wish to unite the two.
[1919] Marriage is a business. A woman cannot combine a career and marriage... I should not wish to unite the two.
[1939] I believe that marriage is a career in itself. I have preferred a stage career to a marriage career.
[1939] I believe that marriage is a career in itself. I have preferred a stage career to a marriage career.
[after failing to receive a Best Actress nomination for The Whales of August (1987)] Oh, well. At least, I won't have to lose to Cher.
[after failing to receive a Best Actress nomination for The Whales of August (1987)] Oh, well. At least, I won't have to lose to Cher.
I don't care for modern films--all crashing cars and close-ups of people's feet.
I don't care for modern films--all crashing cars and close-ups of people's feet.
I've never been in style, so I can't go out of style.
I've never been in style, so I can't go out of style.
I can't remember a time when I wasn't acting, so I can't imagine what I would do if I stopped now.
I can't remember a time when I wasn't acting, so I can't imagine what I would do if I stopped now.
[on D.W. Griffith] He inspired in us his belief that we were working in a medium that was powerful enough to influence the whole world.
[on D.W. Griffith] He inspired in us his belief that we were working in a medium that was powerful enough to influence the whole world.
[on Mary Pickford] It was always Mary herself that shone through. Her personality was the thing that made her movies memorable and the pictu...Show more »
[on Mary Pickford] It was always Mary herself that shone through. Her personality was the thing that made her movies memorable and the pictures that showed her personality were the best. Show less «
[on D.W. Griffith] It's true, sometimes I called him David. Even so, I might have said David, but I always thought "Mr. Griffith". He was a ...Show more »
[on D.W. Griffith] It's true, sometimes I called him David. Even so, I might have said David, but I always thought "Mr. Griffith". He was a born general. His voice was a voice of command. It was resonant, deep and full. Show less «
I think the things that are necessary in my profession are these: Taste, Talent and Tenacity. I think I have had a little of all three.
I think the things that are necessary in my profession are these: Taste, Talent and Tenacity. I think I have had a little of all three.
[on Richard Barthelmess] The most beautiful face of any man who went before the camera.
[on Richard Barthelmess] The most beautiful face of any man who went before the camera.
[on Greta Garbo] Garbo's temperament reflected the rain and gloom of the long dark Swedish winters.
[on Greta Garbo] Garbo's temperament reflected the rain and gloom of the long dark Swedish winters.
[Receiving an honorary Academy Award in 1971] Oh, all the charming ghosts I feel around me who should share this! It was our privilege for a...Show more »
[Receiving an honorary Academy Award in 1971] Oh, all the charming ghosts I feel around me who should share this! It was our privilege for a little while to serve that beautiful thing, the film, and we never doubted for a moment that it was the most powerful thing, the mind and heartbeat of our technical century. Show less «
I'm a believing person. I believe in God even though I can't see him. You can't see the air in this room, right? But take it away and you're...Show more »
I'm a believing person. I believe in God even though I can't see him. You can't see the air in this room, right? But take it away and you're dead. And I believe there's something for us after we die. The world isn't wasteful. Show less «
[on why she acted in several comedies] I'm as funny as a barrel of dead babies.
[on why she acted in several comedies] I'm as funny as a barrel of dead babies.
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