Kenneth More
Birthday:
20 September 1914, Gerrards Cross, Buckinghamshire, England, UK
Birth Name:
Kenneth Gilbert More
Height:
175 cm
Affable, bright and breezy Kenneth More epitomised the traditional English virtues of fortitude and fun. At the height of his fame in the 1950s he was Britain's most popular film star and had appeared in a string of box office hits including Genevieve (1953), Doctor in the House (1954), Reach for the Sky (1956) and A Night to Remember (1958).L...
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Affable, bright and breezy Kenneth More epitomised the traditional English virtues of fortitude and fun. At the height of his fame in the 1950s he was Britain's most popular film star and had appeared in a string of box office hits including Genevieve (1953), Doctor in the House (1954), Reach for the Sky (1956) and A Night to Remember (1958).Later in his career, when the film industry declined, he turned his talents to television where his interpretations of Jolyon in BBC's The Forsyte Saga (1967) and the title role in Father Brown (1974) made him a household name all over again.More was a shrewd man when it came to the business of acting. He knew his limitations and what roles suited him. When the director Sir Peter Hall once suggested that he play Claudius to Albert Finney's Hamlet at the Royal National Theatre, More declined saying "One part of me would like to, but the other part said that there were so many great Shakespearian actors who could have done it better. I stick to the roles I can play better than them."Born in Gerrards Cross in 1914 More's early grounding was in variety and legitimate theatre in the UK. On screen, like many leading men in the 1950s such as John Mills and Jack Hawkins, he seemed to spend most of the decade in uniform. When he read Reach for the Sky, the biography of the legless wartime pilot Douglas Bader, he was desperate to play the role, even though it was earmarked for Richard Burton. "I knew I was the only actor who could play the part properly" he said. "Most parts that can be played by one actor can equally well be played by another, but not this. Bader's philosophy was my philosophy. His whole attitude to life was mine."Films such as North West Frontier (1959) and Sink the Bismarck! (1960) kept More at the top although his favourite role was as the down at heel actor in The Greengage Summer (1961). His private life was colourful and he was rarely out of the newspaper headlines. He was married three times, lastly to the actress Angela Douglas, whom he met whilst filming Some People (1962) with her. His drinking companions were the hellraisers Trevor Howard and Jack Hawkins. Noel Coward once tried to seduce him in a bedroom but More gasped "Oh, Mr Coward, sir - I could never have an affair with you, because you remind me of my father!"Asked to sum up his enduring appeal More said "A film like Genevieve to my contemporaries is not a film made years ago, but last week or last year. They see me as I was then, not as I am now. I am the reassurance that they have not changed. In an upside down world, with all the rules being rewritten as the game goes on and spectators invading the pitch, it is good to feel that some things and some people seem to stay just as they were." Show less «
[9/14/73, delivering the address at the memorial for Jack Hawkins] The man who gave . . . he was always ready to help, listen, sympathize, a...Show more »
[9/14/73, delivering the address at the memorial for Jack Hawkins] The man who gave . . . he was always ready to help, listen, sympathize, advise and he always picked up the chips. He was popular and loved by the British public, and he earned and held their respect. He lost a gallant fight to recapture an actor's most precious gift [his voice]. Show less «
[about the long relationship he had with his agent Harry Dubens] We never had a contract or written agreement. We did not even have an excha...Show more »
[about the long relationship he had with his agent Harry Dubens] We never had a contract or written agreement. We did not even have an exchange of letters between us, only what lawyers like to call "mutual trust", and the feeling that we could work together and achieve something worthwhile together. Show less «
[recalling his failed attempt to join the military in 1939, having been told that the navy had all the men it needed] I left feeling very pu...Show more »
[recalling his failed attempt to join the military in 1939, having been told that the navy had all the men it needed] I left feeling very puzzled and very disappointed. I thought they would be welcoming men into the services, but it wasn't like that at all. I just thought that defending my country was more important than being an actor, and I wanted to join the navy because my father had been in the navy. Show less «
[paying tribute to Lewis Gilbert, who directed him in four films at the height of his film career] He is a very simple person with no side o...Show more »
[paying tribute to Lewis Gilbert, who directed him in four films at the height of his film career] He is a very simple person with no side or pretense, and a great technician. He is also extremely efficient, and so extracts efficiency from others. This is not a gift in the possession of all directors. Show less «
[recalling the start of his career at the Windmill Theatre] After my father died, my mother had virtually nothing, and she gave me £150 and...Show more »
[recalling the start of his career at the Windmill Theatre] After my father died, my mother had virtually nothing, and she gave me £150 and said, "That's all I can afford, Kenny. You see what you can do". So I came to London and recalled that Vivian Van Damm, who ran the Windmill Theatre, was a friend of my father's, so I went to see him. "Are you Bertie More's son?" What can I do for you?" I loved him. A lovely man. "I want a job". "Start on Monday". "What doing, sir?" "I'll teach you. I need somebody to take over from me. Then eventually you can run the theatre. But don't ever come to me and say you want to be a bloody actor". Show less «
[6/16/73, in The Times] Actors are as old as they appear to the public. I'm now in the last stages of playing the romantic fellow caught up ...Show more »
[6/16/73, in The Times] Actors are as old as they appear to the public. I'm now in the last stages of playing the romantic fellow caught up with the girls. This will probably be my last play ["Sign of the Times"] as a leading man that's got a couple of girls after him. Frankly, this kind of part is too easy for me. But I have no ambition, you see, to play any particular part. It's just the one that comes along. My wife is well aware. She said, "Look. Kenny, this'll probably be a huge commercial success, but don't go patting yourself on the back, because it's just like falling off a bloody log for you". Show less «
[3/22/63, in the Montreal Gazette, speaking of his role as Chick Byrd in "The Comedy Man"] The public wouldn't accept me as a stevedore or a...Show more »
[3/22/63, in the Montreal Gazette, speaking of his role as Chick Byrd in "The Comedy Man"] The public wouldn't accept me as a stevedore or as a Liverpool truck driver, so I've been prevented, until now, from making a realistic subject, although it's something I've been longing to do. Show less «
[7/16/79, interview in The Desert News, Salt Lake City UT] I guess that my life has featured some things that didn't happen as well as those...Show more »
[7/16/79, interview in The Desert News, Salt Lake City UT] I guess that my life has featured some things that didn't happen as well as those that did. For instance, I was offered the role of the father in Mary Poppins (1964) more than 15 years ago. I had to turn it down due to other commitments. I was thinking Disney would never offer me another part again, so when [The Spaceman and King Arthur (1979)_] came along I jumped at the chance. Show less «
[9/16/67, in the Daily Mirror, describing the story of Wing Commander "Tommy" Yeo-Thomas, GC in The White Rabbit (1967)] It can be seen on t...Show more »
[9/16/67, in the Daily Mirror, describing the story of Wing Commander "Tommy" Yeo-Thomas, GC in The White Rabbit (1967)] It can be seen on three levels--a "Boy's Own Paper" story of a man with great courage and guts. It can also be something much deeper--the battle of wits between a Gestapo officer and a Briton he is determined to break by torture to get the information he wants . . . and it can be something far more important - a deep-down, soul-searching document of what we have forgotten of Auschwitz and Buchenwald. Show less «
Spirit of Christmas Present
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Lt. 'Teddy' Evans
Capt. Colin Maud