Keith Moon
Birthday:
23 August 1946, Wembley, London, England, UK
Birth Name:
Keith John Moon
Height:
175 cm
Keith John Moon was born to working class parents in Wembley, London, England, on the 23rd August, 1946. At the age of 12, he had joined the Sea Cadet Corp and was given his first musical instrument, the bugle. He left school by 15 and was in his first band, The Beachcombers; this was around the summer of 1963. There was rumour that Keith was self-...
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Keith John Moon was born to working class parents in Wembley, London, England, on the 23rd August, 1946. At the age of 12, he had joined the Sea Cadet Corp and was given his first musical instrument, the bugle. He left school by 15 and was in his first band, The Beachcombers; this was around the summer of 1963. There was rumour that Keith was self-taught, but history says otherwise, he was shown how to play by the late Carlo Little (1938-2005), Carlo was the original drummer in The Rolling Stones and David Sutch's band, The Savages.By the age of 18, he had joined a local London band, The High Numbers; this was to consist of what is now known as The Who.With his own unique style of drumming, rolling the sticks along the skins as to banging the typical beat, he was to become extrovertly charismatic in his life as well as his playing. With a desire, a need if you like, to be the centre of attention, this hyperactive, and largely, self destructive, personality became his own worst enemy.With a flair for theatrical and ridiculous behaviour, he was the centre point and self-publicist for, if they liked it or not, The Who.In the meantime, he had fathered a daughter, Mandy, to Kim. He may have been the perfect showman, but behind the scenes, he was often a very aggressive man to live around and with. Kim soon left him, taking their young daughter with her.He started to live the high life in California, with the likes of John Lennon, Harry Nilsson and Ringo Starr, Ringo's son, Zak, was his godson, ironically, it was Zak who played with The Who in their later career, during the nineties and beyond.While in California, he made his only solo album, Two Sides of The Moon, for MCA Records, a 1975 release, with many guest artists. Keith rarely played the drums while away from The Who, he sang on the album, and played the drums on only three of the tracks.His on-stage aggression, destroying his drum kits while still playing them and wrecking hotel rooms, apart from being an obvious publicity stunt, was fuelled with an over use of drugs and alcohol. This addictive side to his nature flowed into the 70s, playing against the band, his family and friends. His drumming became irregular and unpredictable. He put on weight, so much so as to have him sit in a chair with the backrest toward the camera, to hide his paunch, on the cover of the last The Who album with Keith, the 1978 Who are You.He died in September 7th, 1978; his death was an accident, by the overuse of the prescribed medicine that was designed ease him off his drink addiction. He died in the same London apartment as Cass Elliot, from The Mamas and the Papas, who had died there some four years earlier. Show less «
I love to see people laugh and I love it more if I can make them laugh. I think this comes across in my drumming. I watch a lot of The Marx ...Show more »
I love to see people laugh and I love it more if I can make them laugh. I think this comes across in my drumming. I watch a lot of The Marx Brothers' movies and they were doing the same sort of things. You've seen the way [Chico Marx] plays the piano with that certain flair . . . adding something to the music while taking liberties within his own capabilities? It's a question of taking somebody else's music but not sending it up in a derogative sense, just injecting your own personality. [Pete Townshend]'s music allows me to do this. Show less «
You know, if I ever stopped laughing inside and quit believing in people then I would get very hurt and totally disillusioned. You have to t...Show more »
You know, if I ever stopped laughing inside and quit believing in people then I would get very hurt and totally disillusioned. You have to treat everything - even if at that time it seems like a right bummer as a good experience. There are things that have happened to me thathave made me wonder where I went wrong . . . things of a personal nature, like my relationship with my wife. They're the things that make you think most, because one is far more deeply involved. Show less «
At heart I cannot accept that I am a well-known rock 'n' roll star and one of the greatest drummers in the world. I can't believe that perso...Show more »
At heart I cannot accept that I am a well-known rock 'n' roll star and one of the greatest drummers in the world. I can't believe that person on the television is really me. The Keith Moon the public knows is a myth, even if I have created him. The real me is the person who sits at home having a cup of tea with his old lady, Annette. The hotel smashing is one way I get relief from the public image. I have no temper. I do it in a spirit of amusment [sic] rather than anger. When I've done damage to a friend's house I come back sheepishly the next day and offer to put things right, which means I'm willing to foot the bill. Show less «
They're always saying I'm a capitalistic pig. I suppose I am. But ... it's good for my drumming.
They're always saying I'm a capitalistic pig. I suppose I am. But ... it's good for my drumming.
I'm not tempted to quit now like I was when we where having our internal troubles. I'd be mad to, wouldn't I? Said in an interview concernin...Show more »
I'm not tempted to quit now like I was when we where having our internal troubles. I'd be mad to, wouldn't I? Said in an interview concerning him, possibly, leaving The Who October 1966. Show less «
Uncle Ernie