Karl Malden
Birthday:
22 March 1912, Chicago, Illinois, USA
Birth Name:
Mladen George Sekulovich
Height:
187 cm
Born to a Czech mother and a Serbian father in Chicago, on March 22, 1912, Karl Malden didn't learn how to communicate a single word of English until he was in kindergarten. Raised in Gary, IN, a medium-sized steel town, Malden--like many other young men in Gary--got a job in a steel factory when he finished school. He worked there for three y...
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Born to a Czech mother and a Serbian father in Chicago, on March 22, 1912, Karl Malden didn't learn how to communicate a single word of English until he was in kindergarten. Raised in Gary, IN, a medium-sized steel town, Malden--like many other young men in Gary--got a job in a steel factory when he finished school. He worked there for three years until 1934 when, fed up with the drudgery of manual labor, he took a Depression-era gamble and left to follow another goal. After a short time at Arkansas State Teacher's College, he attended the Goodman Theater Dramatic School and never looked back. Three years later he went to New York City to find fame. He rapidly became involved with the Group Theater, an awesome organization of actors/directors who were changing the face of Broadway. Malden's own unforgettable face was shortly in the media when he made his stage debut in 1937. His performance attracted the attention of fledgling director Elia Kazan. With Kazan directing, Karl blazed a trail across the Broadway boards in plays like "All My Sons" by Arthur Miller and "A Streetcar Named Desire" by Tennessee Williams. He returned unscathed from duty in the armed services and then immersed himself in his work. Fortunately, his short "vacation" had not harmed his career. From the "Golden Era" of Broadway, he made a transition to the screen, starting with his first appearance in They Knew What They Wanted (1940). Jobs came came and fast, and in 1951 he won the Oscar for his performance as Mitch in A Streetcar Named Desire (1951). He was showing himself to be a consummate performer, whether tackling roles that had to be delivered with great moral weight or those requiring none whatsoever, like that of Father Corrigan in On the Waterfront (1954) or the Southern lecher Archie Lee in Baby Doll (1956). A later role came as Capt. Wessels, in John Ford's Cheyenne Autumn (1964). The film, Ford's last, was shot in his beloved Monument Valley. Malden found his greatest fame, however, in the early 1970s on the small screen, as Det. Mike Stone in the hit series The Streets of San Francisco (1972), co-starring with future movie star Michael Douglas. He came into millions of homes every week for five years. He also became the pitchman for American Express, a position he held for 21 years. The crowning glory of his career was in 1988 when he was elected President of the Academy of Motion Picture Arts and Sciences, a title he held for five years. Not one to rest on his laurels, Malden recently wrote his memoir entitled, "When Do I Start?: A Memoir." Show less «
[on his early days] "My father was a milkman. So, I delivered milk."
[on his early days] "My father was a milkman. So, I delivered milk."
I'm a workaholic. I love every movie I've been in, even the bad ones, every TV series, every play, because I love to work. It's what keeps m...Show more »
I'm a workaholic. I love every movie I've been in, even the bad ones, every TV series, every play, because I love to work. It's what keeps me going. Show less «
People have told me that I came to this industry at its Golden Age. But when I was there, it was just an age.
People have told me that I came to this industry at its Golden Age. But when I was there, it was just an age.
I am thrilled to be honored by the Screen Actors Guild because I've been with it for such a long time. The Screen Actors Guild is sort of a ...Show more »
I am thrilled to be honored by the Screen Actors Guild because I've been with it for such a long time. The Screen Actors Guild is sort of a highfalutin name for a union, and this union was always wonderful to work for. For the rank-and-file of the union to honor me is the best compliment I can receive. Show less «
I have an open-hearth face.
I have an open-hearth face.
I never thought I was salable. I learned in my second year of drama school that I was not a leading man -- I was a character actor. So I tho...Show more »
I never thought I was salable. I learned in my second year of drama school that I was not a leading man -- I was a character actor. So I thought, I'd better be the best character actor around. Show less «
[In 2007]: I don't go to the movies. There's nothing I want to see. My wife will go out with friends to see a movie now and then, but there'...Show more »
[In 2007]: I don't go to the movies. There's nothing I want to see. My wife will go out with friends to see a movie now and then, but there's nothing I want to see. Show less «
Working in the mills was hard work, but it was good money, I started out as a laborer making $3.49 a day and later, got moved to an even har...Show more »
Working in the mills was hard work, but it was good money, I started out as a laborer making $3.49 a day and later, got moved to an even harder position as a bricklayer that had better pay for $5 a day. And for three long and hard years I wondered to myself if this was where I was going to end up for the rest of my life. Finally, I decided I couldn't stay. Show less «
[When he traveled to Chicago and needed to ask if Goodman School had acting classes]: They asked me how much money I had, and I told them I ...Show more »
[When he traveled to Chicago and needed to ask if Goodman School had acting classes]: They asked me how much money I had, and I told them I had saved my every dime from working in the mills, which was about $300. Well, they told me the school tuition for a year was $900. But the man in charge of the school made me an offer I'll never forget it. He asked me if I was a gambler. He said if I paid the $300, he would take me on and if I worked hard and proved I had talent, somehow he'd find the rest of the tuition money for me. Show less «
During that McCarthy period, I was a frightened young man. I was working, but I was frightened.
During that McCarthy period, I was a frightened young man. I was working, but I was frightened.
[on being a professional actor, who knew what it was like when he worked with his bare hands]: If you look in those mills, and you do it lon...Show more »
[on being a professional actor, who knew what it was like when he worked with his bare hands]: If you look in those mills, and you do it long enough, you never forget that, that's there to stay because you feel you've being used for, not for what you have here, but what you have in your body, in your muscle. It's demeaning in a way because you're a human being. Show less «
[on actors who have moved on to their own film careers, with the exception of himself]: And then they talk to you about frustration. The fir...Show more »
[on actors who have moved on to their own film careers, with the exception of himself]: And then they talk to you about frustration. The first play I was in, Golden Boy, from that play, John Garfield, went to Hollywood, became a big star. Three years went by, and I did another play with another handsome actor, Gregory Peck, who left that play and went to Hollywood, became a big star, and here I am, plowing away, working away, this is years going by. Show less «
[on his friendship with Elia Kazan that led him to the feud of Mostel]: Zera couldn't stand seeing a guy, like Kazan, do what he did, and th...Show more »
[on his friendship with Elia Kazan that led him to the feud of Mostel]: Zera couldn't stand seeing a guy, like Kazan, do what he did, and therefore, he even took it out on me and Mona. For a couple of years, this is what happened in New York, at that time, it split people who became close. Show less «
I never believed that politics had a place in art, that is to say, not in artistic relationships.
I never believed that politics had a place in art, that is to say, not in artistic relationships.
[Who was tall enough to play basketball]: While I was waiting for you to arrive, I was sitting here thinking about that 1930-31 basketball s...Show more »
[Who was tall enough to play basketball]: While I was waiting for you to arrive, I was sitting here thinking about that 1930-31 basketball season of my senior year. We were playing Hammond High School, and we were just down by one point as the final seconds of the game were ticking away. I shot the winning basket. I'll never forget what it felt like at that moment. Show less «
It was a fun time when you were with them, it was just nothing but craziness. And Zera be working in Cafe Society, and finished around 1:30-...Show more »
It was a fun time when you were with them, it was just nothing but craziness. And Zera be working in Cafe Society, and finished around 1:30-2:00 A.M., the last show, and never failed. They would come to our apartment, which is on 6th Avenue, 4 flights up, waked us up and said to Mona, 'Alright, scramble some eggs, toast, make us some coffee, and at 2:00-3:00 A.M., we will be having some toast, coffee and scrambled eggs. Show less «
[Who said why he quit his steel job in 1934 to attend acting in college]: Because I wasn't getting anywhere in the mills. When I told my fat...Show more »
[Who said why he quit his steel job in 1934 to attend acting in college]: Because I wasn't getting anywhere in the mills. When I told my father, he said, 'Are you crazy? You want to give up a good job in the middle of the Depression?' Thank God for my mother. She said to give it a try. Show less «
[on his friends's and his own experience working in the steel mills]: He said, 'You're a fool. You realized there are people here, who aren'...Show more »
[on his friends's and his own experience working in the steel mills]: He said, 'You're a fool. You realized there are people here, who aren't working, and having worked in 3 in 4 to 5 years, and you got a job, you're the one of the lucky ones, you got a job, and now you're going to leave.' From where he came, he felt this is the greatest thing that could've ever happened to him. This country gave him his job, he could feed his family, he had a home, and that's about all he could expect. And maybe I thought, I should've expect. Show less «
[Who said in 1962 about studying a script carefully long before he stepped in the role]: I not only figure out my own interpretation of the ...Show more »
[Who said in 1962 about studying a script carefully long before he stepped in the role]: I not only figure out my own interpretation of the role, but try to guess other approaches that the director might like. I prepare them, too. That way, I can switch in the middle of a scene with no sweat. There's no such thing as an easy job, not if you do it right. Show less «
(On Anthony Perkins in Fear Strikes Out (1957)) He couldn't throw a ball. They had to hire a real pro, Tommy Holmes, to go out there and tea...Show more »
(On Anthony Perkins in Fear Strikes Out (1957)) He couldn't throw a ball. They had to hire a real pro, Tommy Holmes, to go out there and teach him how to throw, and he still couldn't do it. He was afraid of what he had to do, run and physically climb that fence. So he just had to let himself go and what happened, happened. It rubbed him out. Though he didn't know the first thing about the game and had to be taught how to throw a ball from the outfield, "he ended up turning in a stunning performance. Show less «
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Father Barry
Harvey Shoemaker
Wilbur Hubbard
Harold 'Mitch' Mitchell
Reverend Paul Ford
Father Thomas Cavanaugh