Helen Slater
Birthday:
15 December 1963, Massapequa, Long Island, New York, USA
Birth Name:
Helen Rachel Schlacter
Height:
173 cm
Helen Slater was born in Bethpage, New York, to Alice Joan (Citrin), a lawyer and peace activist, and Gerald Slater, a television executive. She was raised in Massapequa, Long Island, New York, and is of Eastern European Jewish descent. Appearing in many shows as a child, she attended the New York High School of Performing Arts, graduating in 1982....
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Helen Slater was born in Bethpage, New York, to Alice Joan (Citrin), a lawyer and peace activist, and Gerald Slater, a television executive. She was raised in Massapequa, Long Island, New York, and is of Eastern European Jewish descent. Appearing in many shows as a child, she attended the New York High School of Performing Arts, graduating in 1982. Having made her acting debut in ABC Afterschool Specials: Amy & the Angel (1982), co-starring with James Earl Jones and Matthew Modine. Helen took her career very seriously. Within months of her graduation, she attended auditions for the upcoming spin-off of the famous Superman (1978) franchise, Supergirl (1984). It was to be shot in England at Pinewood Studios, where the first "Superman" movies were filmed. Slater even spoke to Christopher Reeve about playing a superhero to assure herself she could do it. After being the first to present herself for audition, she was cast as the lead in the film and her career took off. Although Supergirl (1984) received mixed reviews, most critics were impressed with Helen's abilities. In fact, the critics' consensus was that she did a better job at keeping a secret identity (a mousy schoolgirl) than Reeve did as Clark Kent. In her next film, she was cast as a modern-day "Joan of Arc" in The Legend of Billie Jean (1985) with Yeardley Smith and Peter Coyote. The film, though not particularly successful, has managed to attract a somewhat cult following. She next appeared in one of her best-received roles, that of the female half of the bumbling husband-and-wife team that kidnaps Bette Midler in the comic blockbuster, Ruthless People (1986), and scored again in the hit The Secret of My Succe$s (1987). Both roles helped to cement her status as an actress of note. Next, she and her friend, Melanie Mayron, starred in the feminist comedy, Sticky Fingers (1988), a critical but not financial success. It was in this film and her next, Happy Together (1989), that she was able to prove that she could do comedy as well as drama. She went on to do more feature films such as City Slickers (1991), A House in the Hills (1993) and Lassie (1994), before making regular appearances on television. Her regional stage credits include appearances in such plays as "Grease" and "Shakespeare and Friends". On Broadway, she starred in "Responsible Parties" and "Almost Romance". She also attended classes at both NYU and UCLA, trying to broaden her acting abilities. On television, she has appeared in Caroline in the City (1995), as well as many others. She also became a spokeswoman for Preference by L'Oreal in both TV and print ads. She is an accomplished pianist and now has an album out called "One of These Days". She co-founded the New York theater group, The Naked Angels, with her friend Gina Gershon. In 1990, she married award-winning editor Robert Watzke and they have a daughter, born in 1995. She stepped out of the limelight for a couple of years, appearing mainly in the occasional TV show, but came back strong in 2003, showing moviegoers and TV audiences how great an entertainer she really is. Show less «
[on facing mid-life crisis] I can't speak for all women, but I do think that . . . I mean, me and my girlfriends, we definitely . . . we're ...Show more »
[on facing mid-life crisis] I can't speak for all women, but I do think that . . . I mean, me and my girlfriends, we definitely . . . we're in crisis on a continuous basis . . . or at least monthly, for sure, I don't know. It's funny because we just bust ourselves! We go to therapy, we eat right, we stay away from caffeine, we try to have loving relationships with our mothers and more communication with our fathers, and still the black abyss will open up! Show less «
[on looking at herself in the home-made Supergirl costume she wore to her audition] I looked at myself in the mirror and I thought, "I look ...Show more »
[on looking at herself in the home-made Supergirl costume she wore to her audition] I looked at myself in the mirror and I thought, "I look like such a jackass". Show less «
[about her character "Christy Wills" in The Secret of My Succe$s (1987)] At first I wanted her to appear more military-like, wearing more bl...Show more »
[about her character "Christy Wills" in The Secret of My Succe$s (1987)] At first I wanted her to appear more military-like, wearing more blue and the like, but then Herb [director Herbert Ross] told me to have her display more female qualities, which turned out to be right because we could then see she was more apt to being both an executive and a woman. Show less «
[on her teen years] I was terribly gawky--too goofy to become a high-kicking cheerleader--with stringy brown hair and bad posture. Definitel...Show more »
[on her teen years] I was terribly gawky--too goofy to become a high-kicking cheerleader--with stringy brown hair and bad posture. Definitely nobody noticeable! Show less «
[on her character "Mary" in No Way Back (1995)] Mary . . . is a chatty, loopy, quirky flight attendant who doesn't understand all that's goi...Show more »
[on her character "Mary" in No Way Back (1995)] Mary . . . is a chatty, loopy, quirky flight attendant who doesn't understand all that's going on around her. She realizes the situation soon enough and perceives Yuji is innocent, but she knows that Zack is also in a terrible conflict with his son. Yet she questions him: Why is he doing this? How can he take this guy [Yuji] to his death? Mary wises up very quickly. Show less «
[on her performance in 'Sticky Fingers' (1988)] One of the ways Melanie and I prepared for our roles was to invent clown characters. My clow...Show more »
[on her performance in 'Sticky Fingers' (1988)] One of the ways Melanie and I prepared for our roles was to invent clown characters. My clown's name was 'Colleen,' which we changed to 'Caullie Flower,' and Melanie's clown was 'Little Mellie Joy.' There's an actual specific formula to doing clown work. You have the authority figure and the clown, and what 'clown' means to both Melanie and I is that you're on the wire. That's the beauty of the art of the clown... that they're so open, all the way. Show less «
I saw far more beautiful, bustier, more luscious-looking girls auditioning. I don't think I got it because I'm a brilliant actress. I can't ...Show more »
I saw far more beautiful, bustier, more luscious-looking girls auditioning. I don't think I got it because I'm a brilliant actress. I can't be a brilliant actress at 20. I just think I loved her more than anybody else at the audition. Show less «
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