Gail Russell
Birthday:
21 September 1924, Chicago, Illinois, USA
Birth Name:
Betty Gale Russell
Gail Russell was born in Chicago, Illinois, on September 21, 1924. She remained in the Windy City, going to school until her parents moved to California when she was 14. She was an above-average student in school and upon graduation from Santa Monica High School was signed by Paramount Studios.Because of her ethereal beauty, Gail was to be groomed ...
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Gail Russell was born in Chicago, Illinois, on September 21, 1924. She remained in the Windy City, going to school until her parents moved to California when she was 14. She was an above-average student in school and upon graduation from Santa Monica High School was signed by Paramount Studios.Because of her ethereal beauty, Gail was to be groomed to be one of Paramount's top stars. She was very shy and had virtually no acting experience to speak of, but her beauty was so striking that the studio figured it could work with her on her acting with a studio acting coach.Gail's first film came when she was 19 years old with a small role as "Virginia Lowry" in Henry Aldrich Gets Glamour (1943) in 1943. It was her only role that year, but it was a start. The following year she appeared in another film, The Uninvited (1944) with Ray Milland (it was also the first time Gail used alcohol to steady her nerves on the set, a habit that would come back to haunt her). It was a very well done and atmospheric horror story that turned out to be a profitable one for the studio. Gail's third film was the charm, as she co-starred with Diana Lynn in Our Hearts Were Young and Gay (1944) that same year. The film was based on the popular book of the time and the film was even more popular.In 1945 Gail appeared in Salty O'Rourke (1945), a story about crooked gamblers involved in horse racing. Although she wasn't a standout in the film, she acquitted herself well as part of the supporting cast. Later that year she appeared in The Unseen (1945), a story about a haunted house, starring Joel McCrea. Gail played Elizabeth Howard, a governess of the house in question. The film turned a profit but was not the hit that Paramount executives hoped for.In 1946 Gail was again teamed with Diana Lynn for a sequel to "Our Hearts Were Young and Gay"--Our Hearts Were Growing Up (1946). The plot centered around two young college girls getting involved with bootleggers. Unfortunately, it was not anywhere the caliber of the first film and it failed at the box-office. With Calcutta (1947) in 1947, however, Gail bounced back with a more popular film, this time starring Alan Ladd. Unfortunately, many critics felt that Gail was miscast in this epic drama. That same year she was cast with John Wayne and Harry Carey in the western Angel and the Badman (1947). It was a hit with the public and Gail shone in the role of Penelope Worth, a feisty Quaker girl who tries to tame gunfighter Wayne. Still later Gail appeared in Paramount's all-star musical, Variety Girl (1947). The critics roasted the film, but the public turned out in droves to ensure its success at the box-office. After the releases of Song of India (1949), El Paso (1949), and Captain China (1950), Gail married matinĂ©e idol Guy Madison, one of the up-and-coming actors in Hollywood.After The Lawless (1950) in 1950 Paramount decided against renewing her contract, mainly because of Gail's worsening drinking problem. She had been convicted of operating a motor vehicle while under the influence of alcohol, and the studio didn't want its name attached to someone who couldn't control her drinking. Being dumped by Paramount damaged her career, and film roles were coming in much more slowly. After Air Cadet (1951) in 1951, her only film that year, she disappeared from the screen for the next five years while she attempted to get control of her life. She divorced Madison in 1954.In 1956 Gail returned in Seven Men from Now (1956). It was a western with Gail in the minor role of Annie Greer. The next year she was fourth-billed in The Tattered Dress (1957), a film that also starred Jeanne Crain and Jeff Chandler. The following year she had a reduced part in No Place to Land (1958), a low-budget offering from "B" studio Republic Pictures.By now the demons of alcohol had her in its grasp. She was again absent from the screen until 1961's The Silent Call (1961) (looking much older than her 36 years). It was to be her last film. On August 26, 1961, Gail was found dead in her small studio apartment in Los Angeles, California. Show less «
I was possessed with an agonizing kind of self-consciousness where I felt my insides tightening into a knot, where my face and hands grew cl...Show more »
I was possessed with an agonizing kind of self-consciousness where I felt my insides tightening into a knot, where my face and hands grew clammy, where I couldn't open my mouth, where I felt impelled to turn and run if I had to meet new people. When my parents had guests, I would run, get under the piano and hide there. Show less «
Everything happened so fast. I was a sad character. I was sad because of myself. I didn't have any self-confidence. I didn't believe I had a...Show more »
Everything happened so fast. I was a sad character. I was sad because of myself. I didn't have any self-confidence. I didn't believe I had any talent. I didn't know how to have fun. I was afraid. I don't exactly know of what - of life, I guess. Show less «
We lived first in Chicago, came gypsying to California. When my family first came here it was a vacation, really. Then we put a down payment...Show more »
We lived first in Chicago, came gypsying to California. When my family first came here it was a vacation, really. Then we put a down payment on a house and a down payment on some furniture. My brother went into the Army and one by one pieces of furniture went.When I was discovered for the movies I was sleeping on the living room floor on newspapers. I went for my first interview with paint all over my face--I'd been helping paint a room at the technical school. Paramount offered me a minimum salary--$50 a week--and Mom said, 'Take it, we need the money.' Show less «
For my first test they put me into an evening gown. I had never even worn high heels before--or makeup of any kind. To say I was self-consci...Show more »
For my first test they put me into an evening gown. I had never even worn high heels before--or makeup of any kind. To say I was self-conscious is understatement plus. A week later they cast me in a Henry Aldrich picture, wearing a bathing suit and a transparent raincoat. It had been raining and there was a large puddle across from the studio commissary where the scene was to be shot. Of course they had to do it just as the sets broke for lunch and such stars as Alan Ladd, Bing Crosby and others were passing by.There I was trying to speak my lines while holding an umbrella which kept slipping from my nervous fingers. To this day I refuse all bathing suit scenes in public or private. Show less «
[For certain auditions at Paramount, the person was placed in a glass booth which was lit so that they could not see that anyone was outside...Show more »
[For certain auditions at Paramount, the person was placed in a glass booth which was lit so that they could not see that anyone was outside watching] My coach accompanied me and we read the script together. Then he excused himself. There I stood, sat, or something, for 10 minutes waiting for him to return. Finally they turned on the outside lights and to my horror I saw 15 executives filing away one by one. I frantically tried to remember what I had done those 10 minutes. What an experience! Show less «
[About filming "The Uninvited"] I started out weighing 125 pounds, then I was rushed to New York for the opening. When I got back I weighed ...Show more »
[About filming "The Uninvited"] I started out weighing 125 pounds, then I was rushed to New York for the opening. When I got back I weighed 106--all in two months. Everything was that way, rush... rush... rush... So many pictures one after another. I tried to be a nice guy and took on too many things and didn't take care of my health. Show less «
I have hand trouble. Unconsciously I clasp my hands and then start wringing them. It's getting to be a gag now on the set. Director John Far...Show more »
I have hand trouble. Unconsciously I clasp my hands and then start wringing them. It's getting to be a gag now on the set. Director John Farrow ("Calcutta" and "The Night Has a Thousand Eyes") had a stock line to deliver every time my hands wouldn't behave. It was, 'Hands, Gail, cut.' They finally tied my hands to my sides with handkerchiefs. Show less «
Everything happened so fast. I was going to high school and the next thing I knew I was being groomed for a picture. There was this terrific...Show more »
Everything happened so fast. I was going to high school and the next thing I knew I was being groomed for a picture. There was this terrific mountain of work and no time to catch up with myself. It was that way for 10 years - always a sense of pressure, no time to relax, to take stock. Show less «
Stella Meredith