Diana Dors
Birthday:
23 October 1931, Swindon, Wiltshire, England, UK
Birth Name:
Diana Mary Fluck
Height:
166 cm
Diana Dors was born Diana Mary Fluck on October 23, 1931 in Swindon, Wiltshire, England. She and her mother both nearly died from the traumatic birth. Because of the trauma, her mother lavished on Diana anything and everything she wanted--clothes, toys and dance lessons were the order of the day. Diana's love of films began when her mother too...
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Diana Dors was born Diana Mary Fluck on October 23, 1931 in Swindon, Wiltshire, England. She and her mother both nearly died from the traumatic birth. Because of the trauma, her mother lavished on Diana anything and everything she wanted--clothes, toys and dance lessons were the order of the day. Diana's love of films began when her mother took her to the local movies theaters. The actresses on the screen caught Diana's attention and she said, herself, that from the age of three she wanted to be an actress. She was educated in the finest private schools, much to the chagrin of her father (apparently he thought private education was a waste of money). Physically, Diana grew up fast. At age 12, she looked and acted much older than what she was. Much of this was due to the actresses she studied on the silver screen and Diana trying to emulate them. She wanted nothing more than to go to the United States and Hollywood to have a chance to make her place in film history. After placing well in a local beauty contest, Diana was offered a role in a thespian group (she was 13).The following year, Diana enrolled at the London Academy of Music and Dramatic Arts (LAMDA) to hone her acting skills. She was the youngest in her class. Her first fling at the camera was in The Shop at Sly Corner (1947). She did not care that it was a small, uncredited role; she was on film and at age 16, that's all that mattered. That was quickly followed by Dancing with Crime (1947), which consisted of nothing more than a walk-on role. Up until this time, Diana had pretended to be 17 years old (if producers had known her true age, they probably would not have let her test for the role). However, since she looked and acted older, this was no problem. Diana's future dawned bright in 1948, and she appeared in no less than six films. Some were uncredited, but some had some meat to the roles. The best of the lot was the role of Charlotte in the classic Oliver Twist (1948). Throughout the 1950s, she appeared in more films and became more popular in Britain. Diana was a pleasant version of Marilyn Monroe, who had taken the United States by storm. Britain now had its own version.Diana continued to play sexy sirens and kept seats in British theaters filled. She really came into her own as an actress. She was more than a woman who exuded her sexy side, she was a very fine actress as her films showed. As the 1960s turned into the 1970s, she began to play more mature roles with an effectiveness that was hard to match. Films such as Craze (1974), Every Afternoon (1972), The Amorous Milkman (1975) and Three for All (1975) helped fill out her resume. After filming Steaming (1985), Diana was diagnosed with cancer, which was too much for her to overcome. The British were saddened when word came of her death at age 52 on May 4, 1984 in Windsor, Berkshire, England. Show less «
I said to this priest, "Am I expected to believe that if I went out and had an affair that God was really going to be upset? Okay, thou shal...Show more »
I said to this priest, "Am I expected to believe that if I went out and had an affair that God was really going to be upset? Okay, thou shalt not kill... steal... but thou shalt not commit adultery? If no one is any the wiser, what the hell difference does it make?". He was lovely. He told me the Commandments were laid down for a lot of guys living in the desert. Show less «
I was the first home-grown sex symbol, rather like Britain's naughty seaside postcards. When Marilyn Monroe's first film was shown here [The...Show more »
I was the first home-grown sex symbol, rather like Britain's naughty seaside postcards. When Marilyn Monroe's first film was shown here [The Asphalt Jungle (1950)], a columnist actually wrote, "How much like our Diana Dors she is.". Show less «
The figure was fabulous, but my face was never much, little eyes and lips like rubber tires, I did well because I was the first and only Bri...Show more »
The figure was fabulous, but my face was never much, little eyes and lips like rubber tires, I did well because I was the first and only British blonde bombshell. Show less «
I've trained as an actress and all that sex glamor publicity stuff had gone long before. It was merely a sort of side step really. So when I...Show more »
I've trained as an actress and all that sex glamor publicity stuff had gone long before. It was merely a sort of side step really. So when I went back to being a serious actress, it was very nice for me to take off where I'd left off so many years before. Show less «
[comment made in the early 1970's] I'm forty now and I can't go on playing good time glamor girls and tarts forever. I want to play women my...Show more »
[comment made in the early 1970's] I'm forty now and I can't go on playing good time glamor girls and tarts forever. I want to play women my own age, now and in the future. Show less «
I did a small cameo in Deep End (1970) and that received fantastic critical notices. Really, out of all the films I've done, there are just ...Show more »
I did a small cameo in Deep End (1970) and that received fantastic critical notices. Really, out of all the films I've done, there are just a handful I can look back on and be proud of. Show less «
[on The Amazing Mr. Blunden (1972)] That was a beautiful film. I played the villainess, a sort of female Sweeney Todd. They tarted me up, pa...Show more »
[on The Amazing Mr. Blunden (1972)] That was a beautiful film. I played the villainess, a sort of female Sweeney Todd. They tarted me up, padded me out, and had me looking like I was 60. They even blackened out my teeth and gave me a wig that made me look bald when someone snatched it off my head. As the final straw, they put a wart on my chin. I really went over the top with that film but I had a ball. Lionel [Lionel Jeffries] became such a great director. Show less «
I've played my share of drunken sluts, good time girls, and whores. Being bumped off is really no novelty for me. I've been shot, hanged, st...Show more »
I've played my share of drunken sluts, good time girls, and whores. Being bumped off is really no novelty for me. I've been shot, hanged, strangled, gassed, burned to death, and even pushed off a cliff. And for a TV episode of Alfred Hitchcock Presents (1955), I was sawn in half by an electrical buzz saw. Show less «
Quite frankly, in America, they've never taken me seriously as an actress. They had not seen any of my work I had done when I went over and ...Show more »
Quite frankly, in America, they've never taken me seriously as an actress. They had not seen any of my work I had done when I went over and signed a contract in Hollywood. They were of the opinion, and quite naturally so, that I had merely aped Marilyn Monroe and that I was some British blonde who'd copied her and tried to climb on that bandwagon. That was a perfectly natural thing especially since they'd never seen any of the films I've done including Yield to the Night (1956). They had never been released in America so all they'd read was the publicity and so forth. Show less «
When I was 15 I was put under contract with the J. Arthur Rank Organization. It was fantastic. Marvelous. We had a film industry during thos...Show more »
When I was 15 I was put under contract with the J. Arthur Rank Organization. It was fantastic. Marvelous. We had a film industry during those days and it was very exciting. J. Arthur Rank had saved it all and had poured millions from his flour empire into the film industry. It was a real industry. There was a lot of work for everybody, wonderful pictures were made, and glamorous premieres, which lasted until the early 1950's and then it all came to an end. It was very sad really. But I'd like to see something like that happen again. Perhaps we could find some rich Arab to take Mr. Rank's place. Show less «
[on Nothing But the Night (1973)] I play a triple murderess with a record of assault, larceny, and prostitution. I play a mother who fights ...Show more »
[on Nothing But the Night (1973)] I play a triple murderess with a record of assault, larceny, and prostitution. I play a mother who fights to get her daughter back from an orphanage. I was hunted all over like a wild animal in the moors. I wore a red wig, my clothes were dirty and disheveled, a million miles from my old image. Show less «
[comment on the decline of the British film industry and acting in sex comedies and horror movies in the early to mid-1970's] The trouble is...Show more »
[comment on the decline of the British film industry and acting in sex comedies and horror movies in the early to mid-1970's] The trouble is that there are so many good actors in this country and they are obliged to work in films like that because there is nothing else for them to do. This is why I get so sad. There is no film industry here anymore and the only types of films being made are either horror or sex films. I'm very fortunate because I can do cabaret as well as write books. I've gotten two number one best sellers and have many more strings to my bow. But if I was sitting around, as the majority of actors and actresses are today for an acting role to come along, then I'd never work unless I did horror films and sex films. I think it's very sad because we do have some marvelous actors and actresses in this country. Show less «