Billy Curtis
Birthday:
27 June 1909, Springfield, Massachusetts, USA
Birth Name:
Luigi Curto
Height:
127 cm
Diminutive American actor Billy Curtis avoided the usual onus of freak-show employment as a youth, opting for a mainstream job as a shoe clerk. Encouraged by stock company actress Shirley Booth to take a little person role in a stage production, Curtis soon became a professional actor, with numerous Broadway musical productions to his credit. Curti...
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Diminutive American actor Billy Curtis avoided the usual onus of freak-show employment as a youth, opting for a mainstream job as a shoe clerk. Encouraged by stock company actress Shirley Booth to take a little person role in a stage production, Curtis soon became a professional actor, with numerous Broadway musical productions to his credit. Curtis' big movie season was 1938-39: he was cast in The Wizard of Oz (1939) (albeit with voice dubbed by Pinto Colvig) and as the cowboy hero of the all-dwarf western The Terror of Tiny Town (1938). This last epic was one of the few instances that Curtis was cast as a good guy; many of his screen characters were ill-tempered and pugnacious, willing to bite a kneecap if unable to punch out an opponent. Seldom accepting a role which demeaned or patronized little people, Curtis played an obnoxious vaudeville performer compelled to sit on Gary Cooper's lap in Meet John Doe (1941), a suspicious circus star willing to turn Robert Cummings over to the cops in Saboteur (1942), and one of the many fair-weather friends of The Incredible Shrinking Man (1957). Billy Curtis' career thrived into the 1970s, notably with solid parts in the Clint Eastwood western High Plains Drifter (1973) and the crime-caper melodrama Little Cigars (1973), in which he had second billing as a diminutive criminal mastermind. Billy Curtis retired in the 1980s, except for the occasional interview or Wizard of Oz cast reunion. Show less «
We stand in for any kid entitled to a stand-in. Result is fewer kids, fewer kids' mothers and fewer teachers on the set. And when there's a ...Show more »
We stand in for any kid entitled to a stand-in. Result is fewer kids, fewer kids' mothers and fewer teachers on the set. And when there's a stunt to be done, we can do it. - explaining how important "little people" are to the film industry Show less «
On making the cult classic "The Terror of Tiny Town": "When I was first offered the role of the sheriff they didn't want to pay my establish...Show more »
On making the cult classic "The Terror of Tiny Town": "When I was first offered the role of the sheriff they didn't want to pay my established salary. Then we were all directed like we were children. Small, in the minds of stupid people, is kiddie stuff. So first they try to exploit little people. Then they patronize you. And when the picture comes out, then the audience laughs at you. Why? Not because we were low budget, because most westerns then were Bs. Because we rode ponies. What would a person my size ride - a stallion? I played the good guy who put the bad guy behind bars at the end - just like John Wayne. And I kissed the pretty girl - just like he did. So what the hell's so funny?" Show less «
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