Bea Arthur
Birthday:
13 May 1922, New York City, New York, USA
Birth Name:
Bernice Frankel
Height:
177 cm
Actress-comedienne Bea Arthur was born on May 13, 1922 in New York City to a Jewish family. She grew up in Maryland, where her parents ran a dress shop. At 12 years old, she was the tallest girl in her school at 5'9". She earned the title "wittiest" girl in her school, and Bea's dream was to be in show business, but she did...
Show more »
Actress-comedienne Bea Arthur was born on May 13, 1922 in New York City to a Jewish family. She grew up in Maryland, where her parents ran a dress shop. At 12 years old, she was the tallest girl in her school at 5'9". She earned the title "wittiest" girl in her school, and Bea's dream was to be in show business, but she didn't think her family would support it. She then worked as a laboratory technician, drove a truck and worked as a typist in the Marine Corps. She also had a brief first marriage, which ended in divorce. Afterwards, she told her parents she wanted to pursue a career in show business, and they supported her decision to join the New York's Dramatic Workshop for the New School for Social Research. She played classical and dramatic roles, but it would be years before she found her niche in comedy. Her breakthrough came on stage while appearing in the musical play "The Threepenny Opera," with Lotte Lenya. For one season in the 1950's, she was a regular on Sid Caesar's television show,Caesar's Hour (1954). In 1964, she became truly famous as Yente the Matchmaker, in the original Broadway production of "Fiddler on the Roof." While a small supporting role, Bea stole the show night after night.In 1966, she went to work on a new Broadway musical, "Mame", directed by her second husband, Gene Saks, winning a Tony Award for the featured role of Vera Charles. The show's star, Angela Lansbury, also won a Tony Award, and she and Bea became lifelong friends. In 1971, Arthur appeared on the hit sitcom All in the Family (1971) as Maude Findlay, Edith Bunker's cousin, who was forever driving Archie Bunker crazy with her liberal politics. The guest appearance led to Bea's own series entitled Maude (1972). The show was a hit, running for six years, during which many controversial topics of the time, including abortion, were tackled, and Bea won her first Emmy Award. While doing Maude (1972), Bea repeated the role of Vera Charles in the film version of Mame (1974), again directed by Gene Saks, but it was a dismal flop. She also appeared on The Star Wars Holiday Special (1978). While playing "Maude," she raised her two adopted sons with then-husband Gene Saks. After the show ended, so did Bea's marriage to Saks. She never remarried, and became a lifelong animal rights' activist.In 1983, she started working on a new sitcom, Amanda's (1983), patterned after Britian's"Fawlty Towers" (1975)_, but it was short-lived. In 1985, came what many consider the highlight of Bea Arthur's career, when the sitcom"The Golden Girls" (1985)_ made its debut. Co-starring Betty White, Rue McClanahan and Estelle Getty, the show was about the lives of three middle-aged women, and one's elderly mother, (played by Getty, who was actually younger than White and Arthur), living in Miami. It was an immediate hit, running for seven seasons. All of the cast members, including Bea, won Emmy Awards during the show's run. It's worth noting that"Maude" (1972)_ and"The Golden Girls" (1985)_ were canceled when Bea announced she was leaving. She left when she thought each show was at its peak. The producers realized the shows wouldn't be the same without her. In 1992, The Golden Girls (1985) was canceled. Bea kept a low profile, appearing in only two movies: For Better or Worse (1995) and Enemies of Laughter (2000).In 1999, she made a very successful and welcome appearance at The N.Y. Friars Club Roast of Jerry Stiller (1999). She did a one-woman stage show in 2001, for which she received a Tony Award nomination. In 2003, she reunited with Betty White and Rue McClanahan for The Golden Girls (1985) reunion special on the Lifetime Channel. Noticeably absent was supporting actress Estelle Getty, who was ill. The three lead actresses made appearances together for the rest of the decade to promote DVD releases of The Golden Girls (1985). They appeared together for the last time in 1998, at the TV Land Awards, where they received a standing ovation as they accepted the Pop Culture Award. Bea then attended, with Angela Lansbury, when she was inducted to the Academy of Television Arts and Sciences Hall of Fame.On April 25, 2009, at home with her family, Bea Arthur died of cancer. She was 86. She's survived by her two sons, Matthew and Daniel, and her grandchildren, Kyra and Violet. In her will, she left $300,000 to New York's Ali Forney Center, an organization supporting homeless Lesbian, Gay, Bisexual and Transgender youths. Show less «
All this time I've just wanted to be blonde, beautiful and 5 feet 2 inches tall.
All this time I've just wanted to be blonde, beautiful and 5 feet 2 inches tall.
I really feel all my adult life has been spent in that little black box. If a wonderful part on TV came along I would do it. But I don't wan...Show more »
I really feel all my adult life has been spent in that little black box. If a wonderful part on TV came along I would do it. But I don't want to do a recurring role. It would just be my luck that the thing would be successful. I'm old enough now and also secure enough financially that I really only want to do what I want to do. Show less «
At least I'm not playing other people for a change. It's a very odd place to be... I feel I'm an actress who sings a bit.
At least I'm not playing other people for a change. It's a very odd place to be... I feel I'm an actress who sings a bit.
After being in the business for such a long time, I've done everything but rodeo and porno.
After being in the business for such a long time, I've done everything but rodeo and porno.
And I hate autobiographies, I don't know why.
And I hate autobiographies, I don't know why.
[on playing "Vera Charles" in Mame (1974)] You know, the real name of this show is "Vera". The only reason they changed the name was because...Show more »
[on playing "Vera Charles" in Mame (1974)] You know, the real name of this show is "Vera". The only reason they changed the name was because Jerry [lyricist Jerry Herman] couldn't think of a rhyme for it. Stephen Sondheim could have. Show less «
[on the death of Estelle Getty in 2008]: Our mother-daughter relationship was one of the greatest comic duos ever, and I will miss her.
[on the death of Estelle Getty in 2008]: Our mother-daughter relationship was one of the greatest comic duos ever, and I will miss her.
Look -- I'm 5-feet-9, I have a deep voice and I have a way with a line. What can I do about it? I can't stay home waiting for something diff...Show more »
Look -- I'm 5-feet-9, I have a deep voice and I have a way with a line. What can I do about it? I can't stay home waiting for something different. I think it's a total waste of energy worrying about typecasting. Show less «
Let's face it, nobody ever asked me to play Juliet.
Let's face it, nobody ever asked me to play Juliet.
[In 1973]: There comes a morning when you wake up and realize you're not Barbra Streisand. If a woman my age is still fighting for roles, it...Show more »
[In 1973]: There comes a morning when you wake up and realize you're not Barbra Streisand. If a woman my age is still fighting for roles, it can only mean there's something missing from her personal life. Show less «
In sitcoms, the women are so beautiful, understanding and well-bred. They have humor, but sort of display it with a twinkle of the eye and n...Show more »
In sitcoms, the women are so beautiful, understanding and well-bred. They have humor, but sort of display it with a twinkle of the eye and not a guffaw. But there's no juice in that for me. Show less «
[When she won the 1966 Broadway Tony Award for her portrayal of Vera Charles in Mame]: I just learned that expression.
[When she won the 1966 Broadway Tony Award for her portrayal of Vera Charles in Mame]: I just learned that expression.
[When a knock on the front door produced the lady in tennis shoes]: I hope you won't be afraid of George and Julie, they're really very frie...Show more »
[When a knock on the front door produced the lady in tennis shoes]: I hope you won't be afraid of George and Julie, they're really very friendly. Show less «
[In 1972]: No, no, don't call me Ms. I don't go along with this liberation thing. Liberation from what?
[In 1972]: No, no, don't call me Ms. I don't go along with this liberation thing. Liberation from what?
I don't think they realized how completely vulnerable I am. Matter of fact, I may start crying right now; if you let me.
I don't think they realized how completely vulnerable I am. Matter of fact, I may start crying right now; if you let me.
[on the cancelation of The Golden Girls (1985)]: I stayed with it for 7 years. I think, definitely, I made the right decision, cause we had ...Show more »
[on the cancelation of The Golden Girls (1985)]: I stayed with it for 7 years. I think, definitely, I made the right decision, cause we had highs that we couldn't top. Show less «
[on the cancelation of Maude (1972)]: I have had six full years. It's been glorious, I've loved every minute of it. But it has been six year...Show more »
[on the cancelation of Maude (1972)]: I have had six full years. It's been glorious, I've loved every minute of it. But it has been six years and I think it's time to leave. Show less «
[In 1978]: Norman has had an idea some time ago in which Maude becomes a congresswoman and moves to Washington. Norman said if you go on for...Show more »
[In 1978]: Norman has had an idea some time ago in which Maude becomes a congresswoman and moves to Washington. Norman said if you go on for another year, we'll do it in Washington with a new cast. And if you don't, it's a hell of a way to end the show. Show less «
[In 1975]: If I could only repeal the law of gravity.
[In 1975]: If I could only repeal the law of gravity.
As an artist. As an important artist.
As an artist. As an important artist.
I really feel that I'm an exposed nerve... I don't know how else to say it, but I am. I'm moved by everything.
I really feel that I'm an exposed nerve... I don't know how else to say it, but I am. I'm moved by everything.
I've seen so many excellent actors - excellent actors - who the minute they're told they're in a comedy turn into god knows what - creatures...Show more »
I've seen so many excellent actors - excellent actors - who the minute they're told they're in a comedy turn into god knows what - creatures from another planet! I mean they just.. the voice changes, they don't look the same, it's like - it has no similarity to any living human being, do you know what I mean? Or don't you? And I'm not talking about Sylvester Stallone... but there's a good example. You know what I mean? It comes down to what I said at the beginning of this: belief, truth... It's truth. Show less «
[In 1976]: Other than that it was a fun show to do. But I'll tell you one thing. That's the first and last time you'll see me on a horse - w...Show more »
[In 1976]: Other than that it was a fun show to do. But I'll tell you one thing. That's the first and last time you'll see me on a horse - white or any color. The first person to suggest I do a Matt Dillon impression is not going to walk without pain for a week! Show less «
[When she gained popularity as the fifty-something Maude Findlay on Maude]: This show was every bit as tough as the analysis' show, but at l...Show more »
[When she gained popularity as the fifty-something Maude Findlay on Maude]: This show was every bit as tough as the analysis' show, but at least I wasn't out there all alone so that made it almost bearable. Of course the fact that we all had the flu and none of us had had time for Christmas shopping didn't make it easier. Show less «
I've been a Democrat my whole life. That's what makes Maude and Dorothy so believable, we have the same viewpoints on how our country should...Show more »
I've been a Democrat my whole life. That's what makes Maude and Dorothy so believable, we have the same viewpoints on how our country should be handled. Show less «
[on her reclusive final days]: I like to be myself and rest.
[on her reclusive final days]: I like to be myself and rest.
[In 1985, about her devotion to the elderly, taking over from her mother's suicide]: She had all her marbles, she was in great shape, but sh...Show more »
[In 1985, about her devotion to the elderly, taking over from her mother's suicide]: She had all her marbles, she was in great shape, but she was almost totally deaf and almost totally blind, and really just wanted out. It was really something, anyway, you do what you have to do. So. Why are all these people suffering from AIDS? You think-do it. Don't prolong it. I'm sure I don't feel any different from anybody else about that...I would rather they died than see the terrible ravages of this horrendous disease. Show less «
[In 2001, when asked whether she was also credited as Jane Ross] Why, I never heard of that! My name? You mean, my real name? Are you seriou...Show more »
[In 2001, when asked whether she was also credited as Jane Ross] Why, I never heard of that! My name? You mean, my real name? Are you serious? It's the first I've heard of that. The first I've heard of that! What does that mean? No one ever consulted me. No, in the movie that I made with Jason Alexander called For Better or Worse (1995), I absolutely refused screen credit, because I felt the part wasn't that important, and I didn't feel that I did that great a job in it. But I don't remember a pseudonym. Show less «
NEXT PAGE
Vera Charles
Maude Findlay
Femputer
Dorothy Zbornak
Mrs. White
Herself, Herself - Host, Various