André Schneider
Birthday:
March 10, 1978 in Hildesheim, Germany
Birth Name:
André Marc Schneider
Height:
181 cm
In 1997, "Sleepless Cities", a multi-lingual one-man show with songs by Kurt Weill, Burt Bacharach, Jacques Prévert, and Tori Amos, started the career of the very ambitious André Schneider who would later enter the stage as a stand-up comedian, appear as an extra in movies by Peter Greenaway and Michael Caton-Jones, become a musician an...
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In 1997, "Sleepless Cities", a multi-lingual one-man show with songs by Kurt Weill, Burt Bacharach, Jacques Prévert, and Tori Amos, started the career of the very ambitious André Schneider who would later enter the stage as a stand-up comedian, appear as an extra in movies by Peter Greenaway and Michael Caton-Jones, become a musician and writer and finally produce and direct his own feature films.At the age of twenty, he gave his stage debut in his hometown of Hildesheim, Lower Saxony, co-starring with Michael Demuth in the enormously successful musical "Zoff". One year later, he relocated to Berlin, and in 2001, he moved to London.Both his first book, "Life is a Sexually Transmitted Disease", and the pop album "Lover's Space" came out in 2004, and after the release of Les insatiables (2004), which went on to become a cult favorite, André worked extensively in Great Britain, Ireland, France, Spain, Austria, and Belgium. In Germany, he worked as a writer-actor on Ingo J. Biermann's ill-fated drama Glastage (2007) and did Der Mann im Keller (2008) with Nikolaus Firmkranz. The latter also became his directorial debut.In 2006, André wrote, produced and starred in Dix heures et demie du matin en hiver (2008), based on a Marguerite Duras novel, directed by Sascha Bachmann and co-starring Kerstin Linnartz. Subsequently, he was cast in a string of (mostly unreleased) Spanish student films before he eventually decided to take a hiatus from the movies for almost two years, focusing on his theatre work instead.Nos jours légers (2010), a gay romantic comedy with Marcel Schlutt, Sascia Haj, and Udo Lutz, was André's first film as a writer-producer-actor in almost three years. He played the title role of Alex, a 30-year-old Berlin-based man who clumsily stumbles from one relationship to the next. The movie fared surprisingly well, and so André reprised his part in what was little more than a cameo in its highly successful, multi-award winning successor, Men to Kiss (2012). Still, working in droll German comedies left him dissatisfied and unhappy. "It was a dead-end career for me, I was desperate for new challenges," he later recalled.In order to revive his movie career with fresh impulses, he began shooting his first French feature, Le deuxième commencement (2012) in late 2011. A courageous move that proved to be a smart one: Le deuxième commencement (2012) became an immediate critical success in France, Spain, and Greece, allowing its writer-director-star to continue working in Paris. In One Deep Breath (2014), a gloomy thriller co-starring Manuel Blanc and Stéphanie Michelini under the direction of Antony Hickling (an acclaimed genius of the art house genre), André created the part of Thomas Laroppe's concerned half-brother Adrian, and in Le cadeau (2013), a poetic short based on poetry by Pablo Neruda, he played Anton. Between 2015 and 2018, he established himself as a character actor in France with parts in movies like Bd. Voltaire (2017), Frig (2018), Les fantômes (2018) (co-starring Judith Magre and Sophie Tellier), and Sur les traces de ma mère (2016).In addition to his movie work, his biography of B-movie actress Marisa Mell received rave reviews and became quite a success in 2013. In 2018, he dissolved his company, Vivàsvan Pictures, and started studying pedagogy and philosophy. Still an avid writer, André enjoys spending time with his dog Chelito and divides his time between Berlin and Paris. Show less «
How can there be peace on earth when there's war in love?
How can there be peace on earth when there's war in love?
I'd never call anyone ugly, because no-one really is. I don't wanna become religious now, but the magic of creation and love makes us all li...Show more »
I'd never call anyone ugly, because no-one really is. I don't wanna become religious now, but the magic of creation and love makes us all little miracles, you see, and it surely takes beauty to see beauty. Personally, I've always been drawn to the less obvious beauty, the hidden facets of human beings. I guess in that sense I am an explorer and adventurer. Some people are just so fascinating, I could study them forever. Show less «
After 16 years in the business, Le deuxième commencement (2012) was the first movie I really enjoyed doing. And I really cherished ev...Show more »
After 16 years in the business, Le deuxième commencement (2012) was the first movie I really enjoyed doing. And I really cherished every second of it. Show less «
I hear Orlando Bloom's getting married. To a woman.
I hear Orlando Bloom's getting married. To a woman.
Both women and men can relate to the woman and the man inside me.
Both women and men can relate to the woman and the man inside me.
I was actually straight until I heard Denis Leary's voice for the first time.
I was actually straight until I heard Denis Leary's voice for the first time.
This guy was heavy into fisting. When we met, his asshole already looked like a wizard's sleeve.
This guy was heavy into fisting. When we met, his asshole already looked like a wizard's sleeve.
Too old? Listen, I still can do the same things I did when I was 18. Well, okay, not in the same week, but I still can do them!
Too old? Listen, I still can do the same things I did when I was 18. Well, okay, not in the same week, but I still can do them!
Of course I didn't miss Salt (2010)! How could I? Watching Angelina Jolie on a sodium-free diet was the most engrossing movie experience of ...Show more »
Of course I didn't miss Salt (2010)! How could I? Watching Angelina Jolie on a sodium-free diet was the most engrossing movie experience of my life! I tell you, if that woman stops pumping up her lips, a lot is gonna be revealed, and I don't think it's gonna be pretty. That's the bottom line. Show less «
Love is like a fart; if you have to force it, it's probably shit.
Love is like a fart; if you have to force it, it's probably shit.
I don't regret having made Nos jours légers (2010), I only wish it would've been watchable.
I don't regret having made Nos jours légers (2010), I only wish it would've been watchable.
I recently made out with a woman. You're surprised? Yeah, I was, too. And I assume it was an awkward experience for her as well; I mean, it ...Show more »
I recently made out with a woman. You're surprised? Yeah, I was, too. And I assume it was an awkward experience for her as well; I mean, it was the only time that I was truly a bottom. Show less «
If cocks had wheels, some tongues would be freeways.
If cocks had wheels, some tongues would be freeways.
I don't know about the contemporary music now in Germany, but definitely throughout the centuries and, of course, more interesting for me, t...Show more »
I don't know about the contemporary music now in Germany, but definitely throughout the centuries and, of course, more interesting for me, the beginning of the last century and the twenties in the literature and poetry and maybe paintings, there's always this - sehnsucht, this longing to get somewhere or to get something, or to go somewhere where it is impossible to go, you know. To look for the impossible. The conflict of Faust, the impossibility to be happy; to hold the moment in order to enjoy the moment, to stop time - the Faust conflict, and I mean, this - I think Goethe, he really, he knew, a few centuries ago. And that's true, that maybe this is, this kind of dark spirit... But also I would say this dark spirit is very much in the Norwegian, like Strindberg, and also in the Russian writers very much. It's not really only the Germans. Everywhere, I would say, that situations were broken and where kind of pressure was put on people. And even then, in freedom, that, I would say, the spirit was in a very deep way realistic, and not religious. That means, I would say, existentialistic. There is nothing - there is just life, and you've got to go with it, and what you make out of it is your thing. But don't expect there is anything else behind it. The longing that there should be something, but maybe the knowledge that there is not, and then the looking for the sensitivity and sensibility wherever - in nature, or in words, or in writing, or in poetry. Or in music, of course. Show less «
My last holiday was one of those once-in-a-lifetime experiences. I tell you something: Never again.
My last holiday was one of those once-in-a-lifetime experiences. I tell you something: Never again.
As you can plainly see, this picture was taken the morning after the gin before.
As you can plainly see, this picture was taken the morning after the gin before.
English can be such a tricky language. For instance, "sneer test" and "smear test" may sound very much alike, but the divergence couldn't be...Show more »
English can be such a tricky language. For instance, "sneer test" and "smear test" may sound very much alike, but the divergence couldn't be bigger. Although, coming to think of it... Show less «
I'm convinced that, privately, Katy Perry has an excellent taste in music.
I'm convinced that, privately, Katy Perry has an excellent taste in music.
It certainly wasn't much of a career. But I am not complaining. I have always been much more independent than ambitious. To me, being ambiti...Show more »
It certainly wasn't much of a career. But I am not complaining. I have always been much more independent than ambitious. To me, being ambitious implies wanting something so badly that you'll compromise yourself here and there to get it. I don't have that in me. I never have and I never will. For all my ambitions, I think my peace of heart was more important to me than being in the spotlight. Show less «
I've had the most fun working on Le deuxième commencement (2012) and Bd. Voltaire (2017), which, alas, doesn't mean they are the best...Show more »
I've had the most fun working on Le deuxième commencement (2012) and Bd. Voltaire (2017), which, alas, doesn't mean they are the best films. I think I gave a quite convincing performance as Anam Wagner in Sur les traces de ma mère (2016); unfortunately, the movie itself was a mess and is practically unwatchable due to technical problems. My best movies were Les insatiables (2004) and One Deep Breath (2014). Show less «
On some days, my face wakes up three, four hours after the rest of me.
On some days, my face wakes up three, four hours after the rest of me.
Thursday is pretty much like your high school boyfriend. It feels good, but you know there's something better waiting right around the corne...Show more »
Thursday is pretty much like your high school boyfriend. It feels good, but you know there's something better waiting right around the corner. Show less «
Acting with Mirko Kraft is like acting by yourself, only worse.
Acting with Mirko Kraft is like acting by yourself, only worse.